The interest in aesthetics in Philosophy, Literary and Cultural Studies is growing rapidly. 'The new aestheticism' contains exemplary essays by key practitioners in these fields which demonstrate the importance of this area of enquiry.
The interest in aesthetics in Philosophy, Literary and Cultural Studies is growing rapidly. 'The new aestheticism' contains exemplary essays by key practitioners in these fields which demonstrate the importance of this area of enquiry.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
John J. Joughin is Reader in English at the University of Central Lancashire. Simon Malpas is Lecturer in English at the Manchester Metropolitan University
Inhaltsangabe
List of Contributors The new aestheticism: An introduction John J. Joughin and Simon Malpas PART ONE: Positions 1. Aesthetic education and the demise of experience Thomas Docherty 2. Towards a contemporary aesthetic Jonathan Dollimore 3. Mimesis in black and white: Feminist aesthetics, negativity and semblance Ewa Plonowska Ziarek 4. What comes after art Andrew Bowie 5. Touching art: Aesthetics, fragmentation and community Simon Malpas PART TWO: READINGS 6. The Alexandrian aesthetic Howard Caygill 7. Defending poetry, or is there an early modern aesthetic? Mark Robson 8. Shakespeare's genius: 'Hamlet', adaptation and the work of following John J. Joughin 9. Critical knowledge, scientific knowledge and the truth of literature Robert Eaglestone 10. Melancholy as form: Towards an archaeology of modernism Jay Bernstein 11. Kant and the ends of criticism Gary Banham 12. Including transformation: Notes on the art of the contemporary Andrew Benjamin 13. Aesthetics and politics: Between Adorno and Heidegger Joanna Hodge
List of Contributors The new aestheticism: An introduction John J. Joughin and Simon Malpas PART ONE: Positions 1. Aesthetic education and the demise of experience Thomas Docherty 2. Towards a contemporary aesthetic Jonathan Dollimore 3. Mimesis in black and white: Feminist aesthetics, negativity and semblance Ewa Plonowska Ziarek 4. What comes after art Andrew Bowie 5. Touching art: Aesthetics, fragmentation and community Simon Malpas PART TWO: READINGS 6. The Alexandrian aesthetic Howard Caygill 7. Defending poetry, or is there an early modern aesthetic? Mark Robson 8. Shakespeare's genius: 'Hamlet', adaptation and the work of following John J. Joughin 9. Critical knowledge, scientific knowledge and the truth of literature Robert Eaglestone 10. Melancholy as form: Towards an archaeology of modernism Jay Bernstein 11. Kant and the ends of criticism Gary Banham 12. Including transformation: Notes on the art of the contemporary Andrew Benjamin 13. Aesthetics and politics: Between Adorno and Heidegger Joanna Hodge
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