"This definitive reader-anthology is distinguished by the reputation of its contributors and the intelligence and relevance of their essays."--Dana Polan, author "of Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950"
"This definitive reader-anthology is distinguished by the reputation of its contributors and the intelligence and relevance of their essays."--Dana Polan, author "of Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950"Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jon Lewis is Professor of English at Oregon State University. He is the author of The Road to Romance and Ruin: Teen Films and Youth Culture and Whom God Wishes to Destroy: Francis Coppola and the New Hollywood, also published by Duke University Press.
Inhaltsangabe
Acknowledgments ix Introduction / Jon Lewis 1 Movies and Money Auteur Cinema and the "Film Generation" in 1970s Hollywood / David A. Cook 11 Auteurs and the New Hollywood / Timothy Corrigan 38 From Roadshowing to Saturation Release: Majors, Independents, and Marketing/Distribution Innovations / Justin Wyatt 64 Money Matters: Hollywood in the Corporate Era / Jon Lewis 87 Cinema and Culture A Rose Is a Rose? Real Women and a Lost War / Tania Modleski 125 From Pillar to Postmodern: Race, Class, and Gender in the male Rampage Film / Fred Pfeil 146 Your Self Storage: Female Investigation and Male Performativity in the Woman's Psychothriller / Sabrina Barton 187 Conspiracy Theory and Political Murder in America: Oliver Stone's JFK and the Facts of the Matter / Christopher Sharrett 217 Zooming Out: The End of Offscreen Space / Scott Bukatman 248 Independents and Independence John Cassavetes: Amateur Director / Ivone Margulies 275 Independent Features: Hopes and Dreams / Chuck Kleinhans 307 A Circus of Dreams and Lies: The Black Film Wave at Middle Age / Ed Guerrero 328 Culture as Fiction: The Ethnographic Impulse in the Films of Peggy Ahwesh, Su Friedrich, and Leslie Thornton / Catherine Russell 353 Selective Bibliography 379 Contributors 387 Index 389
Acknowledgments ix Introduction / Jon Lewis 1 Movies and Money Auteur Cinema and the "Film Generation" in 1970s Hollywood / David A. Cook 11 Auteurs and the New Hollywood / Timothy Corrigan 38 From Roadshowing to Saturation Release: Majors, Independents, and Marketing/Distribution Innovations / Justin Wyatt 64 Money Matters: Hollywood in the Corporate Era / Jon Lewis 87 Cinema and Culture A Rose Is a Rose? Real Women and a Lost War / Tania Modleski 125 From Pillar to Postmodern: Race, Class, and Gender in the male Rampage Film / Fred Pfeil 146 Your Self Storage: Female Investigation and Male Performativity in the Woman's Psychothriller / Sabrina Barton 187 Conspiracy Theory and Political Murder in America: Oliver Stone's JFK and the Facts of the Matter / Christopher Sharrett 217 Zooming Out: The End of Offscreen Space / Scott Bukatman 248 Independents and Independence John Cassavetes: Amateur Director / Ivone Margulies 275 Independent Features: Hopes and Dreams / Chuck Kleinhans 307 A Circus of Dreams and Lies: The Black Film Wave at Middle Age / Ed Guerrero 328 Culture as Fiction: The Ethnographic Impulse in the Films of Peggy Ahwesh, Su Friedrich, and Leslie Thornton / Catherine Russell 353 Selective Bibliography 379 Contributors 387 Index 389
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