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Siberry has shifted her interest from the crusades themselves to the history of them, and here looks at how the portrayal of them evolved from Horace Walpole's Gothic novella The Castle of Otranto published in 1764 until the end of World War I. She argues that the image is likely to have come from p
This is the first comprehensive study of the use, abuse and development of the crusade image in popular and high culture in the nineteenth and early twentieth centuries. Drawing upon a diverse range of sources, mainly from the British Isles, but with parallels from Western Europe and North America, the author shows the different approaches to the history of the crusading movement and crusade images taken by the historian, composer, artist and author.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
This is the first comprehensive study of the use, abuse and development of the crusade image in popular and high culture in the nineteenth and early twentieth centuries. Drawing upon a diverse range of sources, mainly from the British Isles, but with parallels from Western Europe and North America, the author shows the different approaches to the history of the crusading movement and crusade images taken by the historian, composer, artist and author.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.