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The articles reproduced in this book all suggest how the production culture of television engages, constrains, and challenges postfeminism. What happens when postfeminism and "after feminism" have to come up against these powerful compulsions of the entertainment industry? That is the issue these articles address. We offer these pieces as some of the best examples of current feminist television studies.

Produktbeschreibung
The articles reproduced in this book all suggest how the production culture of television engages, constrains, and challenges postfeminism. What happens when postfeminism and "after feminism" have to come up against these powerful compulsions of the entertainment industry? That is the issue these articles address. We offer these pieces as some of the best examples of current feminist television studies.
Autorenporträt
MARY BETH HARALOVICH es profesora emérita de la Escuela de Teatro, Cine y Televisión de la Universidad de Arizona. Se centra en cómo el diseño de producción sitúa a los personajes dentro de una historia. ANDREA L. PRESS es profesora William R. Kenan, Jr. Profesora de Estudios de los Medios de Comunicación y Sociología en la Universidad de Virginia. Ha publicado numerosos artículos sobre la investigación de la audiencia de los medios de comunicación.