This collection reimagines Melville as both a theorist and a writer, approaching his works as philosophical forms in their own right.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
1. Introduction: Melville studies, old and new Cody Marrs Part I. Feeling With Melville: 2. Paranoid reading, surface pleasures, and deadpan humor in the confidence-man Justine Murison 3. Melville and his flowers Gillian Kidd Osborne 4. Pip and the sounds of blackness in Moby-Dick Christopher Freeburg 5. Melville after secularism Brian Yothers 6. Marginal states: Melville in the Marquesas, 1842 Edward Sugden Part II. Thinking With Melville: 7. Perfectionist Pierre Dominic Mastroianni 8. The confidence-man between genres Elizabeth Duquette 9. Melville's style Samuel Otter 10. Melville and the conceits of theory Jennifer Greiman 11. Billy Budd: pessimism for post-critique Paul Hurh 12. Melville, Mardi, and materialism Michael Jonik 13. Popular networks in Melville's battle-pieces Eliza Richards 14. The biographical re-turn: writing Melville biography and the example of women John Bryant 15. Afterword: 'new', 'old', and 'with' Robert S. Levine.
1. Introduction: Melville studies, old and new Cody Marrs Part I. Feeling With Melville: 2. Paranoid reading, surface pleasures, and deadpan humor in the confidence-man Justine Murison 3. Melville and his flowers Gillian Kidd Osborne 4. Pip and the sounds of blackness in Moby-Dick Christopher Freeburg 5. Melville after secularism Brian Yothers 6. Marginal states: Melville in the Marquesas, 1842 Edward Sugden Part II. Thinking With Melville: 7. Perfectionist Pierre Dominic Mastroianni 8. The confidence-man between genres Elizabeth Duquette 9. Melville's style Samuel Otter 10. Melville and the conceits of theory Jennifer Greiman 11. Billy Budd: pessimism for post-critique Paul Hurh 12. Melville, Mardi, and materialism Michael Jonik 13. Popular networks in Melville's battle-pieces Eliza Richards 14. The biographical re-turn: writing Melville biography and the example of women John Bryant 15. Afterword: 'new', 'old', and 'with' Robert S. Levine.
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