The Ninth Hour - McDermott, Alice
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On a dim winter afternoon, a young Irish immigrant opens the gas taps in his Brooklyn tenement. In the aftermath of the fire that follows, Sister St. Savior, an aging nun, appears, unbidden, to direct the way forward for his widow and his unborn child. In Catholic Brooklyn, in the early part of the twentieth century, decorum, superstition, and shame collude to erase the man's brief existence, and yet his suicide, although never spoken of, reverberates through many lives--testing the limits and the demands of love and sacrifice, of forgiveness and forgetfulness, through multiple generations.

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Produktbeschreibung
On a dim winter afternoon, a young Irish immigrant opens the gas taps in his Brooklyn tenement. In the aftermath of the fire that follows, Sister St. Savior, an aging nun, appears, unbidden, to direct the way forward for his widow and his unborn child. In Catholic Brooklyn, in the early part of the twentieth century, decorum, superstition, and shame collude to erase the man's brief existence, and yet his suicide, although never spoken of, reverberates through many lives--testing the limits and the demands of love and sacrifice, of forgiveness and forgetfulness, through multiple generations.
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Autorenporträt
Alice McDermott is the author of seven previous novels, including After This; Child of My Heart; Charming Billy, winner of the 1998 National Book Award; At Weddings and Wakes; and Someone--all published by FSG. That Night , At Weddings and Wakes, and After This were all finalists for the Pulitzer Prize. Her stories and essays have appeared in The New York Times, The Washington Post, The New Yorker, Harper's Magazine, and elsewhere. She is the Richard A. Macksey Professor of the Humanities at Johns Hopkins University.
Rezensionen
Alongside her marvellous descriptions of unbeautiful bodies is an intense lyricism . McDermott is so attentive to atmospheres, glances, the quietest moments that provoke profound shifts in a character's world ... Her new book unfolds without sentimentality or pity, but with a frankness of gaze that elevates her characters rather than diminishes them. Mercy, it seems, doesn't always take the forms we might imagine Molly McCloskey Guardian 20171021