"An examination of the actor, and the non-actor, in post-war Italian cinema-a crucial moment for the Italian film industry-when cinema became an important vector of national identity and of individual identification with figures on the big screen"--
"An examination of the actor, and the non-actor, in post-war Italian cinema-a crucial moment for the Italian film industry-when cinema became an important vector of national identity and of individual identification with figures on the big screen"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Autorenporträt
Catherine O'Rawe is Professor of Italian Film and Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Italian Cinema (2014), and co-author of Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy (Bloomsbury, 2020) and Divi: la mascolinità nel cinema italiano (2015). She has published widely on stardom, gender, performance, and audiences.
Inhaltsangabe
List of Illustrations Acknowledgements Introduction: The Non-Professional Actor: Histories Theories Performances 1. Acting Stardom and the Non-Professional in Italy from Fascism to the Post-War 2. Bodies Voices Afterlives: Case Studies of Bicycle Thieves' Lamberto Maggiorani and the Cast of La Terra Trema 3. Girls Stardom and the Danger of Cinema 4. The Non-Professional Child Actor: Beyond Bicycle Thieves 5. The Non-Professional in Contemporary Global Cinema Conclusion References Index
List of Illustrations Acknowledgements Introduction: The Non-Professional Actor: Histories Theories Performances 1. Acting Stardom and the Non-Professional in Italy from Fascism to the Post-War 2. Bodies Voices Afterlives: Case Studies of Bicycle Thieves' Lamberto Maggiorani and the Cast of La Terra Trema 3. Girls Stardom and the Danger of Cinema 4. The Non-Professional Child Actor: Beyond Bicycle Thieves 5. The Non-Professional in Contemporary Global Cinema Conclusion References Index
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