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This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed…mehr

Produktbeschreibung
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
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Autorenporträt
Arnold Bennett was born on May 27, 1867, in Hanley, Staffordshire, which is now part of Stoke-on-Trent but was previously a separate municipality. He was the eldest of three boys and three daughters born to Enoch Bennett (1843-1902) and Sarah Ann, nee Longson (1840-1914). Enoch Bennett's early career was marked by ups and downs: following an unsuccessful attempt to start a pottery manufacturing and sales firm, he established himself as a draper and pawnbroker in 1866. Four years later, Enoch's father died, leaving him some money with which he apprenticed at a local legal business; in 1876, he became a solicitor. The Bennetts were strong Wesleyans who enjoyed music, culture, and socializing. Bennett attended the Wedgwood Institute in Burslem from 1877 to 1882, and then attended a grammar school in Newcastle-under-Lyme for one year. He was good at Latin and better at French; he had an inspirational headmaster who instilled in him a lifelong love of French literature and the French language. He excelled intellectually and passed Cambridge University exams, which may have led to an Oxbridge degree, but his father had other ideas. Bennett left school in 1883 at the age of 16 and began unpaid work at his father's business. He split his time between unpleasant occupations, such as rent collection, during the day and preparing for exams in the evening.