Film technology in the early 20th century opened up a new world for the motion picture industry. Opera, relying on melodramatic storylines and pantomime acting, was an ideal subject for early silents. This book examines the relationship between the established operatic stars of the late 19th century and the newly developing motion picture industry.
Film technology in the early 20th century opened up a new world for the motion picture industry. Opera, relying on melodramatic storylines and pantomime acting, was an ideal subject for early silents. This book examines the relationship between the established operatic stars of the late 19th century and the newly developing motion picture industry.
Paul Fryer is an academic, author, editor and researcher, based in Kent (UK). He has lectured and presented film screenings internationally and is a visiting professor at the Universities of Leeds, London South Bank and East London.
Inhaltsangabe
Table of Contents Acknowledgments Preface Introduction 1. The Opera Singer and the Media 2. The Arrival of Film 3. Art and/or Exploitation: Broadening Definitions of Art in the Popular Setting 4. The Performer, the Producer and the Product: Recording the Performance 5. Popularization and Accessibility: The Democratization of an Art Form Conclusion Appendix: The Singers and Their Films-Four Case Studies Geraldine Farrar Enrico Caruso Feodor Chaliapin Hope Hampton Filmography Notes Bibliography Index
Table of Contents Acknowledgments Preface Introduction 1. The Opera Singer and the Media 2. The Arrival of Film 3. Art and/or Exploitation: Broadening Definitions of Art in the Popular Setting 4. The Performer, the Producer and the Product: Recording the Performance 5. Popularization and Accessibility: The Democratization of an Art Form Conclusion Appendix: The Singers and Their Films-Four Case Studies Geraldine Farrar Enrico Caruso Feodor Chaliapin Hope Hampton Filmography Notes Bibliography Index
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