The Operatic Problem (1902) - Galloway, William Johnson
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

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Produktbeschreibung
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
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Autorenporträt
William Johnson Galloway (circa 1855-1914) was a notable American author and critic, particularly recognized for his contributions to music and theatrical criticism. His works often reflect a deep understanding of the performing arts, especially opera. Galloway was known for his insightful critiques and analyses of opera and musical performances. His work often explored the technical and artistic challenges of staging operas, providing valuable commentary on vocal technique, stage production, and dramatic interpretation The Operatic Problem: One of his notable works, this book addresses various issues related to opera, including performance problems, artistic challenges, and the historical context of operatic production. Galloway's other writings include critiques and essays on music and theatre, reflecting his broad expertise in these fields. William Johnson Galloway's contributions to music and theatrical criticism have left a lasting impact on the field. His detailed analyses and critical insights remain valuable resources for understanding the intricacies of opera and performance art. Galloway's work reflects a commitment to exploring and addressing the artistic and technical challenges of opera, making him a respected figure in the realm of music criticism and theatre analysis.