The Opposite of Desire examines explicit representations of sex and sexuality in modernist novels, and it asserts that those scenes provide a lens through which one can explore modernist aesthetic interests, as well as the centrality of issues surrounding sex, sexuality, and gender in the modernist period. With the aid of Michel Foucault's theories about sexual discourses, Tonya Krouse shows how the modernists represent the idea of pleasure in their novels.
The Opposite of Desire examines explicit representations of sex and sexuality in modernist novels, and it asserts that those scenes provide a lens through which one can explore modernist aesthetic interests, as well as the centrality of issues surrounding sex, sexuality, and gender in the modernist period. With the aid of Michel Foucault's theories about sexual discourses, Tonya Krouse shows how the modernists represent the idea of pleasure in their novels.
1 Contents 2 List of Abbreviations 3 Acknowledgments Chapter 4 1. Modernist Aesthetics and the Scene of Sex Chapter 5 2. Women in Love and the Problem of Explicit Sex Chapter 6 3. Lady Chatterley's Lover as Program for Pleasure Chapter 7 4. Regulatory Pleasures and Same-Sex Love in Mrs. Dalloway Chapter 8 5. Orlando and the Discourse of Love Chapter 9 6. Pleasure and Sexuality in "Circe's" Sadomasochistic Enactments Chapter 10 7. "Pleasuring" Molly Bloom Chapter 11 Epilogue 12 Bibliography 13 Index 14 About the Author
1 Contents 2 List of Abbreviations 3 Acknowledgments Chapter 4 1. Modernist Aesthetics and the Scene of Sex Chapter 5 2. Women in Love and the Problem of Explicit Sex Chapter 6 3. Lady Chatterley's Lover as Program for Pleasure Chapter 7 4. Regulatory Pleasures and Same-Sex Love in Mrs. Dalloway Chapter 8 5. Orlando and the Discourse of Love Chapter 9 6. Pleasure and Sexuality in "Circe's" Sadomasochistic Enactments Chapter 10 7. "Pleasuring" Molly Bloom Chapter 11 Epilogue 12 Bibliography 13 Index 14 About the Author
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