Thomas Schuttenhelm's book presents a comprehensive commentary on Michael Tippett's orchestral music. Narrated by the composer's letters and writings, and supported by evidence from his sketchbooks and manuscripts, this study of his creative cycles explores the intentions of the composer, and the multiplicity of meanings that reside within his works.
Thomas Schuttenhelm's book presents a comprehensive commentary on Michael Tippett's orchestral music. Narrated by the composer's letters and writings, and supported by evidence from his sketchbooks and manuscripts, this study of his creative cycles explores the intentions of the composer, and the multiplicity of meanings that reside within his works.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
A composer, guitarist and scholar, Dr Thomas Schuttenhelm is on the faculty at the Hartt School (University of Hartford) and Central Connecticut State University. He was a UK Fulbright Fellow and a British Music Studies Fellow (The Harry Ransom Center at the University of Texas, Austin). He has lectured at Yale University, Connecticut, Cardiff University, the University of Newcastle, the University of Sussex, the University of London and the Mannheim Hochschule für Musik. He was the editor of The Selected Letters of Michael Tippett and is a contributing author to The Cambridge Companion to Michael Tippett. In addition to performing and promoting Tippett's music, he has contributed to numerous BBC broadcasts and continues to play an important role in the creation, performance and scholarship of contemporary music.
Inhaltsangabe
Introduction 1. Symphonic Movement (1930) and the Symphony in B-Flat (1933-4) 2. Concerto for Double String Orchestra (1938-9) 3. Fantasia on a Theme of Handel (1939-41) 4. Symphony No. 1 (1944-5) 5. Little Music (1946) 6. Suite in D (1948) 7. Fantasia Concertante on a Theme of Corelli (1953) 8. Divertimento on 'Sellinger's Round' (1953-4) 9. Piano Concerto (1953-4) 10. Symphony No. 2 (1956-7) 11. Praeludium for Brass, Bells and Percussion (1962) 12. Concerto for Orchestra (1962-3) 13. Symphony No. 3 (1970-2) 14. Symphony No. 4 (1976-7) 15. Triple Concerto (1978-9) 16. The Rose Lake (1991-3).
Introduction 1. Symphonic Movement (1930) and the Symphony in B-Flat (1933-4) 2. Concerto for Double String Orchestra (1938-9) 3. Fantasia on a Theme of Handel (1939-41) 4. Symphony No. 1 (1944-5) 5. Little Music (1946) 6. Suite in D (1948) 7. Fantasia Concertante on a Theme of Corelli (1953) 8. Divertimento on 'Sellinger's Round' (1953-4) 9. Piano Concerto (1953-4) 10. Symphony No. 2 (1956-7) 11. Praeludium for Brass, Bells and Percussion (1962) 12. Concerto for Orchestra (1962-3) 13. Symphony No. 3 (1970-2) 14. Symphony No. 4 (1976-7) 15. Triple Concerto (1978-9) 16. The Rose Lake (1991-3).
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