Emily Dolan is an Assistant Professor of Music at the University of Pennsylvania, where she has taught since 2006. She is a specialist in the musical culture of the eighteenth and early nineteenth centuries and her research focuses on the history of orchestration, instrumentality and aesthetics, exploring the intersections between music, science and technology. She has published articles in Current Musicology, Eighteenth-Century Music, Studia Musicologica, Popular Music, Opera Quarterly and 19th-Century Music. Dolan has been a member of the Penn Humanities forum and was a fellow at the Radcliffe Institute for Advanced Study in 2009-10.
Inhaltsangabe
Introduction 1. Lessons at the ocular harpsichord 2. The idea of timbre 3. Haydn, orchestration, and re-orchestration 4. The republic of sound 5. The real museum of musical works 6. The abuse of the orchestra Epilogue: orchestral alchemy.
Introduction 1. Lessons at the ocular harpsichord 2. The idea of timbre 3. Haydn, orchestration, and re-orchestration 4. The republic of sound 5. The real museum of musical works 6. The abuse of the orchestra Epilogue: orchestral alchemy.
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