Stephanie Rocke

The Origins and Ascendancy of the Concert Mass

• Broschiertes Buch

Produktbeschreibung

Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, and provides examples that demonstrate composers' gradual appropriation of the genre as a vehicle for personal expression on serious issues.

Produktdetails

• Verlag: Routledge
• Seitenzahl: 222
• Erscheinungstermin: 1. August 2022
• Englisch
• Abmessung: 234mm x 156mm x 12mm
• Gewicht: 331g
• ISBN-13: 9780367552954
• ISBN-10: 0367552957
• Artikelnr.: 69893845

Autorenporträt

Stephanie Rocke is a Research Associate at the University of Melbourne with an ongoing interest in religious and cultural diversity as it is manifested in musical forms and musical activities across time.

Inhaltsangabe

Introduction
Part I: Origins
Chapter 1 Exploring the Ordinary of the Roman Rite
Chapter 2 Differing Opinions about Music within the Church
Chapter 3 Musical Formulations: From Plainchant to Concert Mass
Chapter 4 Haydn's Harmoniemesse (1802): An Early Concert Mass
Part II: Becoming
Chapter 5 The Concertisation of the Mass
Chapter 6 Secularisation and Cultural Change: From Court and Church to
Choral Societies and Choice
Chapter 7 Nineteenth-century Concert Masses
Part III: Division
Chapter 8 Banished from the Eucharist: Cecilians, Plainsong Restoration,
the Motu Propio, and Vatican II
Chapter 9 Daniel Lentz's Missa Umbrarum (1973)
Part IV: Divided
Chapter 10 Masses for concert halls 1903-1963
Chapter 11 Missa Carminum (Folk Song Mass)
Part V: Ascendance
Chapter 12 Conclusions and Future Directions