The Origins of Modern Critical Thought
German Aesthetic and Literary Criticism from Lessing to Hegel
Herausgeber: Simpson, David
The Origins of Modern Critical Thought
German Aesthetic and Literary Criticism from Lessing to Hegel
Herausgeber: Simpson, David
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This exceptional 1988 book provides a comprehensive anthology in English of the major texts of German literary and aesthetic theory between Lessing and Hegel.
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This exceptional 1988 book provides a comprehensive anthology in English of the major texts of German literary and aesthetic theory between Lessing and Hegel.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 460
- Erscheinungstermin: 7. Januar 2011
- Englisch
- Abmessung: 229mm x 152mm x 27mm
- Gewicht: 741g
- ISBN-13: 9780521359023
- ISBN-10: 0521359023
- Artikelnr.: 33127252
- Verlag: Cambridge University Press
- Seitenzahl: 460
- Erscheinungstermin: 7. Januar 2011
- Englisch
- Abmessung: 229mm x 152mm x 27mm
- Gewicht: 741g
- ISBN-13: 9780521359023
- ISBN-10: 0521359023
- Artikelnr.: 33127252
Citations and abbreviations
A note on selections and translations
Introduction
Part I. Lessing: 1. From Laocoon
2. Letter to Nicolai
Part II. Herder: 3. Extract from Correspondence on the Ossian and the Songs of the Ancient People
5. Extracts from Shakespeare
Part III. Kant: 5. Selections from the Critique of Judgement
Part IV. Schiller: 6. From On the Aesthetic Education of Man
7. From On the Naive and Sentimental Poetry
Part V. Friedrich Schlegel: 8. On Incomprehensibility
9. From Critical Fragments
10. From Athenäum Fragments
11. From Ideas
12. From On Goethe's 'Meister'
13. From Letter About the Novel
Part VI. Fichte: 14. From On the Nature of the Scholar
Part VII. Schelling: 15. Conclusion to System of Transcendental Idealism
16. From Philosophy of Art
17. On Dante in Relation to Philosophy
Part VIII. A. W. Schlegel: 18. From Lectures on Dramatic Art and Literature
Part IX. Novalis: 19. Monologue
Part X. Goethe: 20. From Wilhelm Meister's Apprenticeship
21. From Winckelmann
Part XI. Jean Paul Richter: 22. From School for Aesthetics
Part XII. Solger: 23. From Erwin
Part XIII. Schopenhauer: 24. From The World as Will and Representation
Part XIV. Hegel: 25. From Aesthetics: Lectures on Fine Art
Notes
Bibliography.
A note on selections and translations
Introduction
Part I. Lessing: 1. From Laocoon
2. Letter to Nicolai
Part II. Herder: 3. Extract from Correspondence on the Ossian and the Songs of the Ancient People
5. Extracts from Shakespeare
Part III. Kant: 5. Selections from the Critique of Judgement
Part IV. Schiller: 6. From On the Aesthetic Education of Man
7. From On the Naive and Sentimental Poetry
Part V. Friedrich Schlegel: 8. On Incomprehensibility
9. From Critical Fragments
10. From Athenäum Fragments
11. From Ideas
12. From On Goethe's 'Meister'
13. From Letter About the Novel
Part VI. Fichte: 14. From On the Nature of the Scholar
Part VII. Schelling: 15. Conclusion to System of Transcendental Idealism
16. From Philosophy of Art
17. On Dante in Relation to Philosophy
Part VIII. A. W. Schlegel: 18. From Lectures on Dramatic Art and Literature
Part IX. Novalis: 19. Monologue
Part X. Goethe: 20. From Wilhelm Meister's Apprenticeship
21. From Winckelmann
Part XI. Jean Paul Richter: 22. From School for Aesthetics
Part XII. Solger: 23. From Erwin
Part XIII. Schopenhauer: 24. From The World as Will and Representation
Part XIV. Hegel: 25. From Aesthetics: Lectures on Fine Art
Notes
Bibliography.
Citations and abbreviations
A note on selections and translations
Introduction
Part I. Lessing: 1. From Laocoon
2. Letter to Nicolai
Part II. Herder: 3. Extract from Correspondence on the Ossian and the Songs of the Ancient People
5. Extracts from Shakespeare
Part III. Kant: 5. Selections from the Critique of Judgement
Part IV. Schiller: 6. From On the Aesthetic Education of Man
7. From On the Naive and Sentimental Poetry
Part V. Friedrich Schlegel: 8. On Incomprehensibility
9. From Critical Fragments
10. From Athenäum Fragments
11. From Ideas
12. From On Goethe's 'Meister'
13. From Letter About the Novel
Part VI. Fichte: 14. From On the Nature of the Scholar
Part VII. Schelling: 15. Conclusion to System of Transcendental Idealism
16. From Philosophy of Art
17. On Dante in Relation to Philosophy
Part VIII. A. W. Schlegel: 18. From Lectures on Dramatic Art and Literature
Part IX. Novalis: 19. Monologue
Part X. Goethe: 20. From Wilhelm Meister's Apprenticeship
21. From Winckelmann
Part XI. Jean Paul Richter: 22. From School for Aesthetics
Part XII. Solger: 23. From Erwin
Part XIII. Schopenhauer: 24. From The World as Will and Representation
Part XIV. Hegel: 25. From Aesthetics: Lectures on Fine Art
Notes
Bibliography.
A note on selections and translations
Introduction
Part I. Lessing: 1. From Laocoon
2. Letter to Nicolai
Part II. Herder: 3. Extract from Correspondence on the Ossian and the Songs of the Ancient People
5. Extracts from Shakespeare
Part III. Kant: 5. Selections from the Critique of Judgement
Part IV. Schiller: 6. From On the Aesthetic Education of Man
7. From On the Naive and Sentimental Poetry
Part V. Friedrich Schlegel: 8. On Incomprehensibility
9. From Critical Fragments
10. From Athenäum Fragments
11. From Ideas
12. From On Goethe's 'Meister'
13. From Letter About the Novel
Part VI. Fichte: 14. From On the Nature of the Scholar
Part VII. Schelling: 15. Conclusion to System of Transcendental Idealism
16. From Philosophy of Art
17. On Dante in Relation to Philosophy
Part VIII. A. W. Schlegel: 18. From Lectures on Dramatic Art and Literature
Part IX. Novalis: 19. Monologue
Part X. Goethe: 20. From Wilhelm Meister's Apprenticeship
21. From Winckelmann
Part XI. Jean Paul Richter: 22. From School for Aesthetics
Part XII. Solger: 23. From Erwin
Part XIII. Schopenhauer: 24. From The World as Will and Representation
Part XIV. Hegel: 25. From Aesthetics: Lectures on Fine Art
Notes
Bibliography.