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This research exercise seeks to recognize the influence that the presence of the other has on the training of a dancer in professional training, of the Dance Art career of the ASAB. The monograph is written from the author's personal experience. It includes two chapters, the first one talks about the "other" thought from the spatialities proposed by Skliar in his text: "Alterities and Pedagogy". The second chapter makes the analysis of two academic spaces of the dance career, described from the personal position of the researcher and related to the previously mentioned spatialities. Finding…mehr

Produktbeschreibung
This research exercise seeks to recognize the influence that the presence of the other has on the training of a dancer in professional training, of the Dance Art career of the ASAB. The monograph is written from the author's personal experience. It includes two chapters, the first one talks about the "other" thought from the spatialities proposed by Skliar in his text: "Alterities and Pedagogy". The second chapter makes the analysis of two academic spaces of the dance career, described from the personal position of the researcher and related to the previously mentioned spatialities. Finding points of convergence and analysis, which allow the development of a reflection on the training thought from the otherness and spatiality. Thus contributing to the dance practice and the production of knowledge about the body, movement, and social practices thought from the importance of the other.
Autorenporträt
Maestro en Arte Danzario de la Universidad Distrital Francisco José de Caldas. Bailarín, coreógrafo, Intérprete desde hace 8 años de teatro musical, danza contemporánea, ballet clásico, ritmos latinos y bailes de salón. Dedicado y disciplinado en el entrenamiento teórico práctico de las diferentes posibilidades de movimiento.