The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. This volume covers 1645 to 1714, which saw the rise of new media forms, and transformations in performance spaces, bookselling, and the concept of authorship.
The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. This volume covers 1645 to 1714, which saw the rise of new media forms, and transformations in performance spaces, bookselling, and the concept of authorship.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Margaret Ezell is a Distinguished Professor of English and the John and Sara Lindsey Chair of Liberal Arts at Texas A&M University. She received her degrees from Wellesley College and Cambridge University.
Inhaltsangabe
* List of Figures * Abbreviations * A Note on the Texts * A Preface to the Reader: Describing 'Literary Life' in the Mid- and Late Seventeenth Century * 1. Ending the War Creating a Commonwealth and Surviving the Interregnum 1645-1658 * I: 1645 * II: Laws Regulating Publication Speech and Performance 1645-1658 * III: Humphrey Moseley and London Literary Publishing: Making the Book Image and Word * IV: Hearing Speaking Writing: Religious Discourse from the Pulpit among Congregations and from the Prophets * V: Fiction and Adventure Narratives: Romantic Foreigners and Native Romances * VI: Sociable Texts: Manuscript Circulation Writers and Readers in Britain and Abroad * 2. The Return of the King Restoration and Innovation 1659-1673 * I: 1659-1660 * II: Laws Regulating Publication Speech and Performance 1660-1673 * III: Renovating the Stage: Companies Actresses Repertoir Theatre Innovations and the Touring Companies * IV: Enacting Libertinism: Court Performance and Literary Culture * V: Creating Science: The Royal Society and the New Literatures of Science * VI: 'Adventurous Song': Samuel Butler Abraham Cowley Katherine Philips John Milton and 1660s Verse * 3. Reading and Writing for Profit and Delight 1674 - 1684 * I: 1674-1675 * II: Laws Regulating Publication Speech and Performance 1674-1684 * III: Poets and the Politics of Patronage and Literary Criticism * IV: Theatrical Entertainments Outside the London Commercial Playhouses: Smock Alley Strollers School Plays and Private Performances * V: Fictions: The Pilgrim's Progress the New 'Novels' and Love and Erotica * VI: Foreign Parts: English Readers and Foreign Lands and Culture * 4. The End of the Century Scripting Transitions 1685-1699 * I: 1685-1686 * II: Laws Regulating Publication Speech and Performance 1685-1699 * III: Heard in the Street: Broadside Ballads * IV: Seen on Stage: English Operas the Female Wits and the 'Reformed' Stage * V: Debates between the Sexes: Satires Advice and Polemics * 5. Writing the New Britain 1700-1714 * I: 1700 * II: Laws Regulating Publication Preaching and Performance 1700-1714 * III: Kit-Cats and Scriblerians: Clubs Wits the Tatler the Spectator and The Memoirs of Martin Scriblerus * IV: Booksellers and the Book Trade: John Dunton Edmund Curll Grub Street and the Rise of Bernard Lintot * V: 'The Great Business of Poetry': Poets Pastoral and Politics * Appendix: Companion Volume: Table of Contents * Bibliography * Index
* List of Figures * Abbreviations * A Note on the Texts * A Preface to the Reader: Describing 'Literary Life' in the Mid- and Late Seventeenth Century * 1. Ending the War Creating a Commonwealth and Surviving the Interregnum 1645-1658 * I: 1645 * II: Laws Regulating Publication Speech and Performance 1645-1658 * III: Humphrey Moseley and London Literary Publishing: Making the Book Image and Word * IV: Hearing Speaking Writing: Religious Discourse from the Pulpit among Congregations and from the Prophets * V: Fiction and Adventure Narratives: Romantic Foreigners and Native Romances * VI: Sociable Texts: Manuscript Circulation Writers and Readers in Britain and Abroad * 2. The Return of the King Restoration and Innovation 1659-1673 * I: 1659-1660 * II: Laws Regulating Publication Speech and Performance 1660-1673 * III: Renovating the Stage: Companies Actresses Repertoir Theatre Innovations and the Touring Companies * IV: Enacting Libertinism: Court Performance and Literary Culture * V: Creating Science: The Royal Society and the New Literatures of Science * VI: 'Adventurous Song': Samuel Butler Abraham Cowley Katherine Philips John Milton and 1660s Verse * 3. Reading and Writing for Profit and Delight 1674 - 1684 * I: 1674-1675 * II: Laws Regulating Publication Speech and Performance 1674-1684 * III: Poets and the Politics of Patronage and Literary Criticism * IV: Theatrical Entertainments Outside the London Commercial Playhouses: Smock Alley Strollers School Plays and Private Performances * V: Fictions: The Pilgrim's Progress the New 'Novels' and Love and Erotica * VI: Foreign Parts: English Readers and Foreign Lands and Culture * 4. The End of the Century Scripting Transitions 1685-1699 * I: 1685-1686 * II: Laws Regulating Publication Speech and Performance 1685-1699 * III: Heard in the Street: Broadside Ballads * IV: Seen on Stage: English Operas the Female Wits and the 'Reformed' Stage * V: Debates between the Sexes: Satires Advice and Polemics * 5. Writing the New Britain 1700-1714 * I: 1700 * II: Laws Regulating Publication Preaching and Performance 1700-1714 * III: Kit-Cats and Scriblerians: Clubs Wits the Tatler the Spectator and The Memoirs of Martin Scriblerus * IV: Booksellers and the Book Trade: John Dunton Edmund Curll Grub Street and the Rise of Bernard Lintot * V: 'The Great Business of Poetry': Poets Pastoral and Politics * Appendix: Companion Volume: Table of Contents * Bibliography * Index
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