Margaret J M Ezell
The Oxford English Literary History
Volume V: 1645-1714: The Later Seventeenth Century
Margaret J M Ezell
The Oxford English Literary History
Volume V: 1645-1714: The Later Seventeenth Century
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The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. This volume covers 1645 to 1714, which saw the rise of new media forms, and transformations in performance spaces, bookselling, and the concept of authorship.
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The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. This volume covers 1645 to 1714, which saw the rise of new media forms, and transformations in performance spaces, bookselling, and the concept of authorship.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- Seitenzahl: 600
- Erscheinungstermin: 2. März 2022
- Englisch
- Abmessung: 218mm x 139mm x 32mm
- Gewicht: 762g
- ISBN-13: 9780192859129
- ISBN-10: 0192859129
- Artikelnr.: 62510216
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Hurst & Co.
- Seitenzahl: 600
- Erscheinungstermin: 2. März 2022
- Englisch
- Abmessung: 218mm x 139mm x 32mm
- Gewicht: 762g
- ISBN-13: 9780192859129
- ISBN-10: 0192859129
- Artikelnr.: 62510216
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Margaret Ezell is a Distinguished Professor of English and the John and Sara Lindsey Chair of Liberal Arts at Texas A&M University. She received her degrees from Wellesley College and Cambridge University.
* List of Figures * Abbreviations * A Note on the Texts * A Preface to the Reader: Describing 'Literary Life' in the Mid- and Late Seventeenth Century * 1. Ending the War
Creating a Commonwealth
and Surviving the Interregnum
1645-1658 * I: 1645 * II: Laws Regulating Publication
Speech
and Performance
1645-1658 * III: Humphrey Moseley and London Literary Publishing: Making the Book
Image
and Word * IV: Hearing
Speaking
Writing: Religious Discourse from the Pulpit
among Congregations
and from the Prophets * V: Fiction and Adventure Narratives: Romantic Foreigners and Native Romances * VI: Sociable Texts: Manuscript Circulation
Writers
and Readers in Britain and Abroad * 2. The Return of the King
Restoration
and Innovation
1659-1673 * I: 1659-1660 * II: Laws Regulating Publication
Speech
and Performance
1660-1673 * III: Renovating the Stage: Companies
Actresses
Repertoir
Theatre Innovations
and the Touring Companies * IV: Enacting Libertinism: Court Performance and Literary Culture * V: Creating Science: The Royal Society and the New Literatures of Science * VI: 'Adventurous Song': Samuel Butler
Abraham Cowley
Katherine Philips
John Milton
and 1660s Verse * 3. Reading and Writing for Profit and Delight
1674 - 1684 * I: 1674-1675 * II: Laws Regulating Publication
Speech
and Performance
1674-1684 * III: Poets and the Politics of Patronage and Literary Criticism * IV: Theatrical Entertainments Outside the London Commercial Playhouses: Smock Alley
Strollers
School Plays
and Private Performances * V: Fictions: The Pilgrim's Progress
the New 'Novels'
and Love and Erotica * VI: Foreign Parts: English Readers and Foreign Lands and Culture * 4. The End of the Century
Scripting Transitions
1685-1699 * I: 1685-1686 * II: Laws Regulating Publication
Speech
and Performance
1685-1699 * III: Heard in the Street: Broadside Ballads * IV: Seen on Stage: English Operas
the Female Wits
and the 'Reformed' Stage * V: Debates between the Sexes: Satires
Advice
and Polemics * 5. Writing the New Britain
1700-1714 * I: 1700 * II: Laws Regulating Publication
Preaching
and Performance
1700-1714 * III: Kit-Cats and Scriblerians: Clubs
Wits
the Tatler
the Spectator
and The Memoirs of Martin Scriblerus * IV: Booksellers and the Book Trade: John Dunton
Edmund Curll
Grub Street
and the Rise of Bernard Lintot * V: 'The Great Business of Poetry': Poets
Pastoral
and Politics * Appendix: Companion Volume: Table of Contents * Bibliography * Index
Creating a Commonwealth
and Surviving the Interregnum
1645-1658 * I: 1645 * II: Laws Regulating Publication
Speech
and Performance
1645-1658 * III: Humphrey Moseley and London Literary Publishing: Making the Book
Image
and Word * IV: Hearing
Speaking
Writing: Religious Discourse from the Pulpit
among Congregations
and from the Prophets * V: Fiction and Adventure Narratives: Romantic Foreigners and Native Romances * VI: Sociable Texts: Manuscript Circulation
Writers
and Readers in Britain and Abroad * 2. The Return of the King
Restoration
and Innovation
1659-1673 * I: 1659-1660 * II: Laws Regulating Publication
Speech
and Performance
1660-1673 * III: Renovating the Stage: Companies
Actresses
Repertoir
Theatre Innovations
and the Touring Companies * IV: Enacting Libertinism: Court Performance and Literary Culture * V: Creating Science: The Royal Society and the New Literatures of Science * VI: 'Adventurous Song': Samuel Butler
Abraham Cowley
Katherine Philips
John Milton
and 1660s Verse * 3. Reading and Writing for Profit and Delight
1674 - 1684 * I: 1674-1675 * II: Laws Regulating Publication
Speech
and Performance
1674-1684 * III: Poets and the Politics of Patronage and Literary Criticism * IV: Theatrical Entertainments Outside the London Commercial Playhouses: Smock Alley
Strollers
School Plays
and Private Performances * V: Fictions: The Pilgrim's Progress
the New 'Novels'
and Love and Erotica * VI: Foreign Parts: English Readers and Foreign Lands and Culture * 4. The End of the Century
Scripting Transitions
1685-1699 * I: 1685-1686 * II: Laws Regulating Publication
Speech
and Performance
1685-1699 * III: Heard in the Street: Broadside Ballads * IV: Seen on Stage: English Operas
the Female Wits
and the 'Reformed' Stage * V: Debates between the Sexes: Satires
Advice
and Polemics * 5. Writing the New Britain
1700-1714 * I: 1700 * II: Laws Regulating Publication
Preaching
and Performance
1700-1714 * III: Kit-Cats and Scriblerians: Clubs
Wits
the Tatler
the Spectator
and The Memoirs of Martin Scriblerus * IV: Booksellers and the Book Trade: John Dunton
Edmund Curll
Grub Street
and the Rise of Bernard Lintot * V: 'The Great Business of Poetry': Poets
Pastoral
and Politics * Appendix: Companion Volume: Table of Contents * Bibliography * Index
* List of Figures * Abbreviations * A Note on the Texts * A Preface to the Reader: Describing 'Literary Life' in the Mid- and Late Seventeenth Century * 1. Ending the War
Creating a Commonwealth
and Surviving the Interregnum
1645-1658 * I: 1645 * II: Laws Regulating Publication
Speech
and Performance
1645-1658 * III: Humphrey Moseley and London Literary Publishing: Making the Book
Image
and Word * IV: Hearing
Speaking
Writing: Religious Discourse from the Pulpit
among Congregations
and from the Prophets * V: Fiction and Adventure Narratives: Romantic Foreigners and Native Romances * VI: Sociable Texts: Manuscript Circulation
Writers
and Readers in Britain and Abroad * 2. The Return of the King
Restoration
and Innovation
1659-1673 * I: 1659-1660 * II: Laws Regulating Publication
Speech
and Performance
1660-1673 * III: Renovating the Stage: Companies
Actresses
Repertoir
Theatre Innovations
and the Touring Companies * IV: Enacting Libertinism: Court Performance and Literary Culture * V: Creating Science: The Royal Society and the New Literatures of Science * VI: 'Adventurous Song': Samuel Butler
Abraham Cowley
Katherine Philips
John Milton
and 1660s Verse * 3. Reading and Writing for Profit and Delight
1674 - 1684 * I: 1674-1675 * II: Laws Regulating Publication
Speech
and Performance
1674-1684 * III: Poets and the Politics of Patronage and Literary Criticism * IV: Theatrical Entertainments Outside the London Commercial Playhouses: Smock Alley
Strollers
School Plays
and Private Performances * V: Fictions: The Pilgrim's Progress
the New 'Novels'
and Love and Erotica * VI: Foreign Parts: English Readers and Foreign Lands and Culture * 4. The End of the Century
Scripting Transitions
1685-1699 * I: 1685-1686 * II: Laws Regulating Publication
Speech
and Performance
1685-1699 * III: Heard in the Street: Broadside Ballads * IV: Seen on Stage: English Operas
the Female Wits
and the 'Reformed' Stage * V: Debates between the Sexes: Satires
Advice
and Polemics * 5. Writing the New Britain
1700-1714 * I: 1700 * II: Laws Regulating Publication
Preaching
and Performance
1700-1714 * III: Kit-Cats and Scriblerians: Clubs
Wits
the Tatler
the Spectator
and The Memoirs of Martin Scriblerus * IV: Booksellers and the Book Trade: John Dunton
Edmund Curll
Grub Street
and the Rise of Bernard Lintot * V: 'The Great Business of Poetry': Poets
Pastoral
and Politics * Appendix: Companion Volume: Table of Contents * Bibliography * Index
Creating a Commonwealth
and Surviving the Interregnum
1645-1658 * I: 1645 * II: Laws Regulating Publication
Speech
and Performance
1645-1658 * III: Humphrey Moseley and London Literary Publishing: Making the Book
Image
and Word * IV: Hearing
Speaking
Writing: Religious Discourse from the Pulpit
among Congregations
and from the Prophets * V: Fiction and Adventure Narratives: Romantic Foreigners and Native Romances * VI: Sociable Texts: Manuscript Circulation
Writers
and Readers in Britain and Abroad * 2. The Return of the King
Restoration
and Innovation
1659-1673 * I: 1659-1660 * II: Laws Regulating Publication
Speech
and Performance
1660-1673 * III: Renovating the Stage: Companies
Actresses
Repertoir
Theatre Innovations
and the Touring Companies * IV: Enacting Libertinism: Court Performance and Literary Culture * V: Creating Science: The Royal Society and the New Literatures of Science * VI: 'Adventurous Song': Samuel Butler
Abraham Cowley
Katherine Philips
John Milton
and 1660s Verse * 3. Reading and Writing for Profit and Delight
1674 - 1684 * I: 1674-1675 * II: Laws Regulating Publication
Speech
and Performance
1674-1684 * III: Poets and the Politics of Patronage and Literary Criticism * IV: Theatrical Entertainments Outside the London Commercial Playhouses: Smock Alley
Strollers
School Plays
and Private Performances * V: Fictions: The Pilgrim's Progress
the New 'Novels'
and Love and Erotica * VI: Foreign Parts: English Readers and Foreign Lands and Culture * 4. The End of the Century
Scripting Transitions
1685-1699 * I: 1685-1686 * II: Laws Regulating Publication
Speech
and Performance
1685-1699 * III: Heard in the Street: Broadside Ballads * IV: Seen on Stage: English Operas
the Female Wits
and the 'Reformed' Stage * V: Debates between the Sexes: Satires
Advice
and Polemics * 5. Writing the New Britain
1700-1714 * I: 1700 * II: Laws Regulating Publication
Preaching
and Performance
1700-1714 * III: Kit-Cats and Scriblerians: Clubs
Wits
the Tatler
the Spectator
and The Memoirs of Martin Scriblerus * IV: Booksellers and the Book Trade: John Dunton
Edmund Curll
Grub Street
and the Rise of Bernard Lintot * V: 'The Great Business of Poetry': Poets
Pastoral
and Politics * Appendix: Companion Volume: Table of Contents * Bibliography * Index