Oxford Handbook of Adaptation Studies
Herausgeber: Leitch, Thomas
Schade – dieser Artikel ist leider ausverkauft. Sobald wir wissen, ob und wann der Artikel wieder verfügbar ist, informieren wir Sie an dieser Stelle.
Oxford Handbook of Adaptation Studies
Herausgeber: Leitch, Thomas
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
The Oxford Handbook of Adaptation Studies provides a comprehensive and forward-looking treatment of adaptation in its many guises by looking at movies based on sources other than novels, including television series and radio adaptations, comic book adaptations of literary texts, novelizations, opera librettos, popular songs, and even video games.
Andere Kunden interessierten sich auch für
![The Oxford Handbook of Queer Cinema]( "The Oxford Handbook of Queer Cinema")
The Oxford Handbook of Queer Cinema253,99 €![The Oxford Handbook of Political Communication]( "The Oxford Handbook of Political Communication")
The Oxford Handbook of Political Communication76,99 €![The Oxford Handbook of International Studies Pedagogy]( "The Oxford Handbook of International Studies Pedagogy")
The Oxford Handbook of International Studies Pedagogy205,99 €![The Oxford Handbook of Ethical Theory]( "The Oxford Handbook of Ethical Theory")
David Copp (ed.)The Oxford Handbook of Ethical Theory63,99 €![The Oxford Handbook of Contemporary Ballet]( "The Oxford Handbook of Contemporary Ballet")
The Oxford Handbook of Contemporary Ballet277,99 €![Oxford Handbook of Feminist Theory]( "Oxford Handbook of Feminist Theory")
Oxford Handbook of Feminist Theory69,99 €![The Oxford Handbook of the Valley of the Kings]( "The Oxford Handbook of the Valley of the Kings")
The Oxford Handbook of the Valley of the Kings76,99 €-
The Oxford Handbook of Adaptation Studies provides a comprehensive and forward-looking treatment of adaptation in its many guises by looking at movies based on sources other than novels, including television series and radio adaptations, comic book adaptations of literary texts, novelizations, opera librettos, popular songs, and even video games.
Produktdetails
- Produktdetails
- Oxford Handbooks
- Verlag: Oxford University Press Inc
- Seitenzahl: 784
- Erscheinungstermin: 1. Juni 2020
- Englisch
- Abmessung: 243mm x 174mm x 42mm
- Gewicht: 1226g
- ISBN-13: 9780197509562
- ISBN-10: 0197509568
- Artikelnr.: 58532236
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Oxford Handbooks
- Verlag: Oxford University Press Inc
- Seitenzahl: 784
- Erscheinungstermin: 1. Juni 2020
- Englisch
- Abmessung: 243mm x 174mm x 42mm
- Gewicht: 1226g
- ISBN-13: 9780197509562
- ISBN-10: 0197509568
- Artikelnr.: 58532236
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Thomas Leitch is Professor of English at the University of Delaware. His most recent books are Wikipedia U: Knowledge, Authority, and Liberal Education in the Digital Age and A Companion to Alfred Hitchcock, coedited with Leland Poague.
* TABLE OF CONTENTS
* Notes on Contributors
* Thomas Leitch, Introduction
* I. Foundations of Adaptation Study
* 1. Timothy Corrigan, Defining Adaptation
* 2. Glenn Jellenik, On the Origins of Adaptation, as Such: The Birth
of a Simple Abstraction
* 3. Renata Kobetts Miller, Nineteenth-Century Theatrical Adaptations
of Novels: The Paradox of Ephemerality
* 4. Dennis Cutchins, Bakhtin, Intertextuality, and Adaptation
* 5. David T. Johnson, Adaptation and Fidelity
* 6. Mar H. Snyder, Adaptation in Theory and Practice: Mending the
Imaginary Fence
* II. Adapting the Classics
* 7. Wendy Zierler, Midrashic Adaptation: The Ever-Growing Torah of
Moses
* 8. Dennis Perry, The Recombinant Mystery of Frankenstein: Experiments
in Film Adaptation
* 9. Eirik Frisvold Hanssen, Silent Ghosts on the Screen: Adapting
Ibsen in the 1910s
* 10. Mieke Bal, Intership: Anachronism Between Loyalty and the Case
* 11. Jack Boozer, The Intratextuality of Film Adaptation: From The
Dying Animal to Elegy
* 12. William B. Jones, Jr., Classics Illustrated and the Evolving Art
of Comic-Book Literary Adaptation
* III. Adapting the Commons
* 13. Robert Stam, Revisionist Adaptation: Transtextuality,
Cross-Cultural Dialogism, and Performative Infidelities
* 14. Lucia Krämer, Adaptation in Bollywood
* 15. Constantine Verevis, Remakes, Sequels, Prequels
* 16. Eckart Voigts, Recombinant Adaptation: Remix, Mashup, Parody
* IV. Adaptation and Genre
* 17. Linda and Michael Hutcheon, Adaptation and Opera
* 18. Mike Ingham, Popular Song and Adaptation
* 19. Richard Hand, Radio Adaptation
* 20. Stijn Joye, Daniël Biltereyst, and Fien Adriaens, Telenovelas
and/as Adaptations: Reflections on Local Adaptations of Global
Telenovelas
* 21. Álvaro Hattnher, Zombies Are Everywhere: The Many Adaptations of
a Subgenre
* 22. Wendy Siuyi Wong, The History of Hong Kong Comics in Film
Adaptations: An Accidental Legacy
* 23. Dan Hassler-Forest, Roads Not Taken in Hollywood's Comic Book
Movie Industry: Popeye, Tracy, and Hulk
* 24. I.Q. Hunter, Adaptation XXX
* 25. Kevin M. Flanagan, Videogame Adaptation
* V. Adaptation and Intertextuality
* 26. Claus Clüver, Ekphrasis and Adaptation
* 27. Kate Newell, Adaptation and Illustration: A Cross-Disciplinary
Approach
* 28. Laurence Raw, Aligning Adaptation Studies with Translation
Studies
* 29. Lars Elleström, Adaptation and Intermediality
* 30. Marie-Laure Ryan, Transmedia Storytelling as Narrative Practice
* 31. Kyle Meikle, Adaptation and Interactivity
* VI. Adaptation Across Disciplines
* 32. Petr Bubenícek, Politics and Adaptation: The Case of Jan Hus
* 33. Defne Ursin Tutan, Adaptation and History
* 34. Brian Boyd, Making Adaptation Studies Adaptive
* 35. Nico Dicecco, The Aura of Againness: Performing Adaptation
* VII. Professing Adaptation
* 36. Marty Gould, Teaching Adaptation
* 37. Keith Wilhite, Adaptation and Revision
* 38. Peter Lev, How to Write Adaptation History
* 39. Kamilla Elliott, Adaptation Theory and Adaptation Scholarship
* 40. Thomas Leitch, Against Conclusions: Petit Theories and Adaptation
Studies
* Notes on Contributors
* Thomas Leitch, Introduction
* I. Foundations of Adaptation Study
* 1. Timothy Corrigan, Defining Adaptation
* 2. Glenn Jellenik, On the Origins of Adaptation, as Such: The Birth
of a Simple Abstraction
* 3. Renata Kobetts Miller, Nineteenth-Century Theatrical Adaptations
of Novels: The Paradox of Ephemerality
* 4. Dennis Cutchins, Bakhtin, Intertextuality, and Adaptation
* 5. David T. Johnson, Adaptation and Fidelity
* 6. Mar H. Snyder, Adaptation in Theory and Practice: Mending the
Imaginary Fence
* II. Adapting the Classics
* 7. Wendy Zierler, Midrashic Adaptation: The Ever-Growing Torah of
Moses
* 8. Dennis Perry, The Recombinant Mystery of Frankenstein: Experiments
in Film Adaptation
* 9. Eirik Frisvold Hanssen, Silent Ghosts on the Screen: Adapting
Ibsen in the 1910s
* 10. Mieke Bal, Intership: Anachronism Between Loyalty and the Case
* 11. Jack Boozer, The Intratextuality of Film Adaptation: From The
Dying Animal to Elegy
* 12. William B. Jones, Jr., Classics Illustrated and the Evolving Art
of Comic-Book Literary Adaptation
* III. Adapting the Commons
* 13. Robert Stam, Revisionist Adaptation: Transtextuality,
Cross-Cultural Dialogism, and Performative Infidelities
* 14. Lucia Krämer, Adaptation in Bollywood
* 15. Constantine Verevis, Remakes, Sequels, Prequels
* 16. Eckart Voigts, Recombinant Adaptation: Remix, Mashup, Parody
* IV. Adaptation and Genre
* 17. Linda and Michael Hutcheon, Adaptation and Opera
* 18. Mike Ingham, Popular Song and Adaptation
* 19. Richard Hand, Radio Adaptation
* 20. Stijn Joye, Daniël Biltereyst, and Fien Adriaens, Telenovelas
and/as Adaptations: Reflections on Local Adaptations of Global
Telenovelas
* 21. Álvaro Hattnher, Zombies Are Everywhere: The Many Adaptations of
a Subgenre
* 22. Wendy Siuyi Wong, The History of Hong Kong Comics in Film
Adaptations: An Accidental Legacy
* 23. Dan Hassler-Forest, Roads Not Taken in Hollywood's Comic Book
Movie Industry: Popeye, Tracy, and Hulk
* 24. I.Q. Hunter, Adaptation XXX
* 25. Kevin M. Flanagan, Videogame Adaptation
* V. Adaptation and Intertextuality
* 26. Claus Clüver, Ekphrasis and Adaptation
* 27. Kate Newell, Adaptation and Illustration: A Cross-Disciplinary
Approach
* 28. Laurence Raw, Aligning Adaptation Studies with Translation
Studies
* 29. Lars Elleström, Adaptation and Intermediality
* 30. Marie-Laure Ryan, Transmedia Storytelling as Narrative Practice
* 31. Kyle Meikle, Adaptation and Interactivity
* VI. Adaptation Across Disciplines
* 32. Petr Bubenícek, Politics and Adaptation: The Case of Jan Hus
* 33. Defne Ursin Tutan, Adaptation and History
* 34. Brian Boyd, Making Adaptation Studies Adaptive
* 35. Nico Dicecco, The Aura of Againness: Performing Adaptation
* VII. Professing Adaptation
* 36. Marty Gould, Teaching Adaptation
* 37. Keith Wilhite, Adaptation and Revision
* 38. Peter Lev, How to Write Adaptation History
* 39. Kamilla Elliott, Adaptation Theory and Adaptation Scholarship
* 40. Thomas Leitch, Against Conclusions: Petit Theories and Adaptation
Studies
* TABLE OF CONTENTS
* Notes on Contributors
* Thomas Leitch, Introduction
* I. Foundations of Adaptation Study
* 1. Timothy Corrigan, Defining Adaptation
* 2. Glenn Jellenik, On the Origins of Adaptation, as Such: The Birth
of a Simple Abstraction
* 3. Renata Kobetts Miller, Nineteenth-Century Theatrical Adaptations
of Novels: The Paradox of Ephemerality
* 4. Dennis Cutchins, Bakhtin, Intertextuality, and Adaptation
* 5. David T. Johnson, Adaptation and Fidelity
* 6. Mar H. Snyder, Adaptation in Theory and Practice: Mending the
Imaginary Fence
* II. Adapting the Classics
* 7. Wendy Zierler, Midrashic Adaptation: The Ever-Growing Torah of
Moses
* 8. Dennis Perry, The Recombinant Mystery of Frankenstein: Experiments
in Film Adaptation
* 9. Eirik Frisvold Hanssen, Silent Ghosts on the Screen: Adapting
Ibsen in the 1910s
* 10. Mieke Bal, Intership: Anachronism Between Loyalty and the Case
* 11. Jack Boozer, The Intratextuality of Film Adaptation: From The
Dying Animal to Elegy
* 12. William B. Jones, Jr., Classics Illustrated and the Evolving Art
of Comic-Book Literary Adaptation
* III. Adapting the Commons
* 13. Robert Stam, Revisionist Adaptation: Transtextuality,
Cross-Cultural Dialogism, and Performative Infidelities
* 14. Lucia Krämer, Adaptation in Bollywood
* 15. Constantine Verevis, Remakes, Sequels, Prequels
* 16. Eckart Voigts, Recombinant Adaptation: Remix, Mashup, Parody
* IV. Adaptation and Genre
* 17. Linda and Michael Hutcheon, Adaptation and Opera
* 18. Mike Ingham, Popular Song and Adaptation
* 19. Richard Hand, Radio Adaptation
* 20. Stijn Joye, Daniël Biltereyst, and Fien Adriaens, Telenovelas
and/as Adaptations: Reflections on Local Adaptations of Global
Telenovelas
* 21. Álvaro Hattnher, Zombies Are Everywhere: The Many Adaptations of
a Subgenre
* 22. Wendy Siuyi Wong, The History of Hong Kong Comics in Film
Adaptations: An Accidental Legacy
* 23. Dan Hassler-Forest, Roads Not Taken in Hollywood's Comic Book
Movie Industry: Popeye, Tracy, and Hulk
* 24. I.Q. Hunter, Adaptation XXX
* 25. Kevin M. Flanagan, Videogame Adaptation
* V. Adaptation and Intertextuality
* 26. Claus Clüver, Ekphrasis and Adaptation
* 27. Kate Newell, Adaptation and Illustration: A Cross-Disciplinary
Approach
* 28. Laurence Raw, Aligning Adaptation Studies with Translation
Studies
* 29. Lars Elleström, Adaptation and Intermediality
* 30. Marie-Laure Ryan, Transmedia Storytelling as Narrative Practice
* 31. Kyle Meikle, Adaptation and Interactivity
* VI. Adaptation Across Disciplines
* 32. Petr Bubenícek, Politics and Adaptation: The Case of Jan Hus
* 33. Defne Ursin Tutan, Adaptation and History
* 34. Brian Boyd, Making Adaptation Studies Adaptive
* 35. Nico Dicecco, The Aura of Againness: Performing Adaptation
* VII. Professing Adaptation
* 36. Marty Gould, Teaching Adaptation
* 37. Keith Wilhite, Adaptation and Revision
* 38. Peter Lev, How to Write Adaptation History
* 39. Kamilla Elliott, Adaptation Theory and Adaptation Scholarship
* 40. Thomas Leitch, Against Conclusions: Petit Theories and Adaptation
Studies
* Notes on Contributors
* Thomas Leitch, Introduction
* I. Foundations of Adaptation Study
* 1. Timothy Corrigan, Defining Adaptation
* 2. Glenn Jellenik, On the Origins of Adaptation, as Such: The Birth
of a Simple Abstraction
* 3. Renata Kobetts Miller, Nineteenth-Century Theatrical Adaptations
of Novels: The Paradox of Ephemerality
* 4. Dennis Cutchins, Bakhtin, Intertextuality, and Adaptation
* 5. David T. Johnson, Adaptation and Fidelity
* 6. Mar H. Snyder, Adaptation in Theory and Practice: Mending the
Imaginary Fence
* II. Adapting the Classics
* 7. Wendy Zierler, Midrashic Adaptation: The Ever-Growing Torah of
Moses
* 8. Dennis Perry, The Recombinant Mystery of Frankenstein: Experiments
in Film Adaptation
* 9. Eirik Frisvold Hanssen, Silent Ghosts on the Screen: Adapting
Ibsen in the 1910s
* 10. Mieke Bal, Intership: Anachronism Between Loyalty and the Case
* 11. Jack Boozer, The Intratextuality of Film Adaptation: From The
Dying Animal to Elegy
* 12. William B. Jones, Jr., Classics Illustrated and the Evolving Art
of Comic-Book Literary Adaptation
* III. Adapting the Commons
* 13. Robert Stam, Revisionist Adaptation: Transtextuality,
Cross-Cultural Dialogism, and Performative Infidelities
* 14. Lucia Krämer, Adaptation in Bollywood
* 15. Constantine Verevis, Remakes, Sequels, Prequels
* 16. Eckart Voigts, Recombinant Adaptation: Remix, Mashup, Parody
* IV. Adaptation and Genre
* 17. Linda and Michael Hutcheon, Adaptation and Opera
* 18. Mike Ingham, Popular Song and Adaptation
* 19. Richard Hand, Radio Adaptation
* 20. Stijn Joye, Daniël Biltereyst, and Fien Adriaens, Telenovelas
and/as Adaptations: Reflections on Local Adaptations of Global
Telenovelas
* 21. Álvaro Hattnher, Zombies Are Everywhere: The Many Adaptations of
a Subgenre
* 22. Wendy Siuyi Wong, The History of Hong Kong Comics in Film
Adaptations: An Accidental Legacy
* 23. Dan Hassler-Forest, Roads Not Taken in Hollywood's Comic Book
Movie Industry: Popeye, Tracy, and Hulk
* 24. I.Q. Hunter, Adaptation XXX
* 25. Kevin M. Flanagan, Videogame Adaptation
* V. Adaptation and Intertextuality
* 26. Claus Clüver, Ekphrasis and Adaptation
* 27. Kate Newell, Adaptation and Illustration: A Cross-Disciplinary
Approach
* 28. Laurence Raw, Aligning Adaptation Studies with Translation
Studies
* 29. Lars Elleström, Adaptation and Intermediality
* 30. Marie-Laure Ryan, Transmedia Storytelling as Narrative Practice
* 31. Kyle Meikle, Adaptation and Interactivity
* VI. Adaptation Across Disciplines
* 32. Petr Bubenícek, Politics and Adaptation: The Case of Jan Hus
* 33. Defne Ursin Tutan, Adaptation and History
* 34. Brian Boyd, Making Adaptation Studies Adaptive
* 35. Nico Dicecco, The Aura of Againness: Performing Adaptation
* VII. Professing Adaptation
* 36. Marty Gould, Teaching Adaptation
* 37. Keith Wilhite, Adaptation and Revision
* 38. Peter Lev, How to Write Adaptation History
* 39. Kamilla Elliott, Adaptation Theory and Adaptation Scholarship
* 40. Thomas Leitch, Against Conclusions: Petit Theories and Adaptation
Studies