The Oxford Handbook of Adaptation Studies provides a comprehensive and forward-looking treatment of adaptation in its many guises by looking at movies based on sources other than novels, including television series and radio adaptations, comic book adaptations of literary texts, novelizations, opera librettos, popular songs, and even video games.
The Oxford Handbook of Adaptation Studies provides a comprehensive and forward-looking treatment of adaptation in its many guises by looking at movies based on sources other than novels, including television series and radio adaptations, comic book adaptations of literary texts, novelizations, opera librettos, popular songs, and even video games.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Thomas Leitch is Professor of English at the University of Delaware. His most recent books are Wikipedia U: Knowledge, Authority, and Liberal Education in the Digital Age and A Companion to Alfred Hitchcock, coedited with Leland Poague.
Inhaltsangabe
* TABLE OF CONTENTS * Notes on Contributors * Thomas Leitch, Introduction * I. Foundations of Adaptation Study * 1. Timothy Corrigan, Defining Adaptation * 2. Glenn Jellenik, On the Origins of Adaptation, as Such: The Birth of a Simple Abstraction * 3. Renata Kobetts Miller, Nineteenth-Century Theatrical Adaptations of Novels: The Paradox of Ephemerality * 4. Dennis Cutchins, Bakhtin, Intertextuality, and Adaptation * 5. David T. Johnson, Adaptation and Fidelity * 6. Mar H. Snyder, Adaptation in Theory and Practice: Mending the Imaginary Fence * II. Adapting the Classics * 7. Wendy Zierler, Midrashic Adaptation: The Ever-Growing Torah of Moses * 8. Dennis Perry, The Recombinant Mystery of Frankenstein: Experiments in Film Adaptation * 9. Eirik Frisvold Hanssen, Silent Ghosts on the Screen: Adapting Ibsen in the 1910s * 10. Mieke Bal, Intership: Anachronism Between Loyalty and the Case * 11. Jack Boozer, The Intratextuality of Film Adaptation: From The Dying Animal to Elegy * 12. William B. Jones, Jr., Classics Illustrated and the Evolving Art of Comic-Book Literary Adaptation * III. Adapting the Commons * 13. Robert Stam, Revisionist Adaptation: Transtextuality, Cross-Cultural Dialogism, and Performative Infidelities * 14. Lucia Krämer, Adaptation in Bollywood * 15. Constantine Verevis, Remakes, Sequels, Prequels * 16. Eckart Voigts, Recombinant Adaptation: Remix, Mashup, Parody * IV. Adaptation and Genre * 17. Linda and Michael Hutcheon, Adaptation and Opera * 18. Mike Ingham, Popular Song and Adaptation * 19. Richard Hand, Radio Adaptation * 20. Stijn Joye, Daniël Biltereyst, and Fien Adriaens, Telenovelas and/as Adaptations: Reflections on Local Adaptations of Global Telenovelas * 21. Álvaro Hattnher, Zombies Are Everywhere: The Many Adaptations of a Subgenre * 22. Wendy Siuyi Wong, The History of Hong Kong Comics in Film Adaptations: An Accidental Legacy * 23. Dan Hassler-Forest, Roads Not Taken in Hollywood's Comic Book Movie Industry: Popeye, Tracy, and Hulk * 24. I.Q. Hunter, Adaptation XXX * 25. Kevin M. Flanagan, Videogame Adaptation * V. Adaptation and Intertextuality * 26. Claus Clüver, Ekphrasis and Adaptation * 27. Kate Newell, Adaptation and Illustration: A Cross-Disciplinary Approach * 28. Laurence Raw, Aligning Adaptation Studies with Translation Studies * 29. Lars Elleström, Adaptation and Intermediality * 30. Marie-Laure Ryan, Transmedia Storytelling as Narrative Practice * 31. Kyle Meikle, Adaptation and Interactivity * VI. Adaptation Across Disciplines * 32. Petr Bubenícek, Politics and Adaptation: The Case of Jan Hus * 33. Defne Ursin Tutan, Adaptation and History * 34. Brian Boyd, Making Adaptation Studies Adaptive * 35. Nico Dicecco, The Aura of Againness: Performing Adaptation * VII. Professing Adaptation * 36. Marty Gould, Teaching Adaptation * 37. Keith Wilhite, Adaptation and Revision * 38. Peter Lev, How to Write Adaptation History * 39. Kamilla Elliott, Adaptation Theory and Adaptation Scholarship * 40. Thomas Leitch, Against Conclusions: Petit Theories and Adaptation Studies
* TABLE OF CONTENTS * Notes on Contributors * Thomas Leitch, Introduction * I. Foundations of Adaptation Study * 1. Timothy Corrigan, Defining Adaptation * 2. Glenn Jellenik, On the Origins of Adaptation, as Such: The Birth of a Simple Abstraction * 3. Renata Kobetts Miller, Nineteenth-Century Theatrical Adaptations of Novels: The Paradox of Ephemerality * 4. Dennis Cutchins, Bakhtin, Intertextuality, and Adaptation * 5. David T. Johnson, Adaptation and Fidelity * 6. Mar H. Snyder, Adaptation in Theory and Practice: Mending the Imaginary Fence * II. Adapting the Classics * 7. Wendy Zierler, Midrashic Adaptation: The Ever-Growing Torah of Moses * 8. Dennis Perry, The Recombinant Mystery of Frankenstein: Experiments in Film Adaptation * 9. Eirik Frisvold Hanssen, Silent Ghosts on the Screen: Adapting Ibsen in the 1910s * 10. Mieke Bal, Intership: Anachronism Between Loyalty and the Case * 11. Jack Boozer, The Intratextuality of Film Adaptation: From The Dying Animal to Elegy * 12. William B. Jones, Jr., Classics Illustrated and the Evolving Art of Comic-Book Literary Adaptation * III. Adapting the Commons * 13. Robert Stam, Revisionist Adaptation: Transtextuality, Cross-Cultural Dialogism, and Performative Infidelities * 14. Lucia Krämer, Adaptation in Bollywood * 15. Constantine Verevis, Remakes, Sequels, Prequels * 16. Eckart Voigts, Recombinant Adaptation: Remix, Mashup, Parody * IV. Adaptation and Genre * 17. Linda and Michael Hutcheon, Adaptation and Opera * 18. Mike Ingham, Popular Song and Adaptation * 19. Richard Hand, Radio Adaptation * 20. Stijn Joye, Daniël Biltereyst, and Fien Adriaens, Telenovelas and/as Adaptations: Reflections on Local Adaptations of Global Telenovelas * 21. Álvaro Hattnher, Zombies Are Everywhere: The Many Adaptations of a Subgenre * 22. Wendy Siuyi Wong, The History of Hong Kong Comics in Film Adaptations: An Accidental Legacy * 23. Dan Hassler-Forest, Roads Not Taken in Hollywood's Comic Book Movie Industry: Popeye, Tracy, and Hulk * 24. I.Q. Hunter, Adaptation XXX * 25. Kevin M. Flanagan, Videogame Adaptation * V. Adaptation and Intertextuality * 26. Claus Clüver, Ekphrasis and Adaptation * 27. Kate Newell, Adaptation and Illustration: A Cross-Disciplinary Approach * 28. Laurence Raw, Aligning Adaptation Studies with Translation Studies * 29. Lars Elleström, Adaptation and Intermediality * 30. Marie-Laure Ryan, Transmedia Storytelling as Narrative Practice * 31. Kyle Meikle, Adaptation and Interactivity * VI. Adaptation Across Disciplines * 32. Petr Bubenícek, Politics and Adaptation: The Case of Jan Hus * 33. Defne Ursin Tutan, Adaptation and History * 34. Brian Boyd, Making Adaptation Studies Adaptive * 35. Nico Dicecco, The Aura of Againness: Performing Adaptation * VII. Professing Adaptation * 36. Marty Gould, Teaching Adaptation * 37. Keith Wilhite, Adaptation and Revision * 38. Peter Lev, How to Write Adaptation History * 39. Kamilla Elliott, Adaptation Theory and Adaptation Scholarship * 40. Thomas Leitch, Against Conclusions: Petit Theories and Adaptation Studies
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