The Oxford Handbook of Canadian Cinema
Herausgeber: Marchessault, Janine; Straw, Will
The Oxford Handbook of Canadian Cinema
Herausgeber: Marchessault, Janine; Straw, Will
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This handbook uncovers the complex social and institutional contexts in which Canadian cinema is made and consumed.
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This handbook uncovers the complex social and institutional contexts in which Canadian cinema is made and consumed.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- Seitenzahl: 512
- Erscheinungstermin: 17. April 2019
- Englisch
- Abmessung: 257mm x 180mm x 37mm
- Gewicht: 1009g
- ISBN-13: 9780190229108
- ISBN-10: 0190229101
- Artikelnr.: 53607847
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Hurst & Co.
- Seitenzahl: 512
- Erscheinungstermin: 17. April 2019
- Englisch
- Abmessung: 257mm x 180mm x 37mm
- Gewicht: 1009g
- ISBN-13: 9780190229108
- ISBN-10: 0190229101
- Artikelnr.: 53607847
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Janine Marchessault is Professor of Cinema and Media at York University. She is the author of Ecstatic Worlds: Media, Utopias and Ecologies (2017); Cosmic Media: Marshall McLuhan (2005); and (co)editor of numerous collections including 3D Cinema and Beyond (w/ D. Adler et al 2013); Reimagining Cinema: Film at Expo 67 (w/ M. Gagnon 2014); and Cartographies of Place: Navigating the Urban (w/ M. Darroch 2014). Will Straw is James McGill Professor of Urban Media Studies in the Department of Art History and Communications Studies at McGill University in Montreal. He is the author of Cyanide and Sin: Visualizing Crime in 1950s America (2006) and an editor or co-editor of over 20 volumes of scholarship, including the Cambridge Companion of Rock and Pop, Circulation and the City, Formes urbaines, Intersections of Media and Communications: Concepts and Critical Frameworks and Accounting for Culture: Thinking through Cultural Citizenship.
* Introduction
* I. Frames
* 1. Three Canadian Film Policy Frameworks
* Ira Wagman
* 2. Canadian Cinema and the Intellectual Milieu
* Richard Cavell
* 3. On the Road: Canadian Cinema and the World
* Joumane Chahine
* 4. Landscape as Cinematic Effect
* Johanne Sloan
* 5. Movie Envy: Cinema in the White Cube (Montreal, 1995-2015)
* Olivier Asselin
* II. Cultures
* 6. (Re)Claiming Cultural Identity: The NFB's Eskimo Legends and Inuit
Animation from Cape Dorset
* Suzanne Buchan
* 7. Canadian Indigenous Cinema: From Alanis Obomsawin to the Wapikoni
Mobile
* Karine Bertrand
* 8. The Polarities and Hybridities of Arctic Cinemas
* Scott MacKenzie and Anna Westerståhl Stenport
* 9. Diasporic Intimacy: Chinese-Canadian Documentary and the Poetics
of Relation
* Lily Cho
* 10. Canadian Cinema and its Borders
* Graciela Martínez-Zalce
* III. Cities/Places
* 11. Regional Scenes and Canadian Screens: Film in Atlantic Canada
* Darrell Varga
* 12. A Poetics of Discretion
* Marion Froger
* 13. The Emotional Geographies of Quebec Cinema
* Daniel Laforest
* 14. Toronto on Screen
* Ian Robinson
* IV. Sensibilities
* 15. Quebec Cinema as Global Cinema
* William Marshall
* 16. Stand Tall: Winnipeg Cinema and the Civic Imaginary
* Andrew Burke
* 17. Still Here, Still Queer? Rethinking Queer Canadian
Cinemas/Canadian Cinemas Queered
* Thomas Waugh and Fulvia Massimi with Lisa Aalders
* 18. Political Modernism, Policy Environments and Digital Daring: The
Changing Politics and Practice of Cine-Feminism in Quebec, 1967-2015
* Brenda Longfellow
* 19. From Expanded to Intimate Cinemas in Canadian Experimental
Film/Video
* Monika Kin Gagnon
* V. Forms and Genres
* 20. The Bloody Brood: Canadian Horror Cinema-Past and Present
* Scott Preston
* 21. Popular Quebec Cinema and the Appeal of Folk Homogeneity
* André Loiselle
* 22. The Musicality of Canadian Cinema
* Michael Brendan Baker
* 23. The World Navigate: Interactive Documentaries in Canada
* Jessica Mulvogue
* 24. The Gaming Turn
* Bruno Lessard
* I. Frames
* 1. Three Canadian Film Policy Frameworks
* Ira Wagman
* 2. Canadian Cinema and the Intellectual Milieu
* Richard Cavell
* 3. On the Road: Canadian Cinema and the World
* Joumane Chahine
* 4. Landscape as Cinematic Effect
* Johanne Sloan
* 5. Movie Envy: Cinema in the White Cube (Montreal, 1995-2015)
* Olivier Asselin
* II. Cultures
* 6. (Re)Claiming Cultural Identity: The NFB's Eskimo Legends and Inuit
Animation from Cape Dorset
* Suzanne Buchan
* 7. Canadian Indigenous Cinema: From Alanis Obomsawin to the Wapikoni
Mobile
* Karine Bertrand
* 8. The Polarities and Hybridities of Arctic Cinemas
* Scott MacKenzie and Anna Westerståhl Stenport
* 9. Diasporic Intimacy: Chinese-Canadian Documentary and the Poetics
of Relation
* Lily Cho
* 10. Canadian Cinema and its Borders
* Graciela Martínez-Zalce
* III. Cities/Places
* 11. Regional Scenes and Canadian Screens: Film in Atlantic Canada
* Darrell Varga
* 12. A Poetics of Discretion
* Marion Froger
* 13. The Emotional Geographies of Quebec Cinema
* Daniel Laforest
* 14. Toronto on Screen
* Ian Robinson
* IV. Sensibilities
* 15. Quebec Cinema as Global Cinema
* William Marshall
* 16. Stand Tall: Winnipeg Cinema and the Civic Imaginary
* Andrew Burke
* 17. Still Here, Still Queer? Rethinking Queer Canadian
Cinemas/Canadian Cinemas Queered
* Thomas Waugh and Fulvia Massimi with Lisa Aalders
* 18. Political Modernism, Policy Environments and Digital Daring: The
Changing Politics and Practice of Cine-Feminism in Quebec, 1967-2015
* Brenda Longfellow
* 19. From Expanded to Intimate Cinemas in Canadian Experimental
Film/Video
* Monika Kin Gagnon
* V. Forms and Genres
* 20. The Bloody Brood: Canadian Horror Cinema-Past and Present
* Scott Preston
* 21. Popular Quebec Cinema and the Appeal of Folk Homogeneity
* André Loiselle
* 22. The Musicality of Canadian Cinema
* Michael Brendan Baker
* 23. The World Navigate: Interactive Documentaries in Canada
* Jessica Mulvogue
* 24. The Gaming Turn
* Bruno Lessard
* Introduction
* I. Frames
* 1. Three Canadian Film Policy Frameworks
* Ira Wagman
* 2. Canadian Cinema and the Intellectual Milieu
* Richard Cavell
* 3. On the Road: Canadian Cinema and the World
* Joumane Chahine
* 4. Landscape as Cinematic Effect
* Johanne Sloan
* 5. Movie Envy: Cinema in the White Cube (Montreal, 1995-2015)
* Olivier Asselin
* II. Cultures
* 6. (Re)Claiming Cultural Identity: The NFB's Eskimo Legends and Inuit
Animation from Cape Dorset
* Suzanne Buchan
* 7. Canadian Indigenous Cinema: From Alanis Obomsawin to the Wapikoni
Mobile
* Karine Bertrand
* 8. The Polarities and Hybridities of Arctic Cinemas
* Scott MacKenzie and Anna Westerståhl Stenport
* 9. Diasporic Intimacy: Chinese-Canadian Documentary and the Poetics
of Relation
* Lily Cho
* 10. Canadian Cinema and its Borders
* Graciela Martínez-Zalce
* III. Cities/Places
* 11. Regional Scenes and Canadian Screens: Film in Atlantic Canada
* Darrell Varga
* 12. A Poetics of Discretion
* Marion Froger
* 13. The Emotional Geographies of Quebec Cinema
* Daniel Laforest
* 14. Toronto on Screen
* Ian Robinson
* IV. Sensibilities
* 15. Quebec Cinema as Global Cinema
* William Marshall
* 16. Stand Tall: Winnipeg Cinema and the Civic Imaginary
* Andrew Burke
* 17. Still Here, Still Queer? Rethinking Queer Canadian
Cinemas/Canadian Cinemas Queered
* Thomas Waugh and Fulvia Massimi with Lisa Aalders
* 18. Political Modernism, Policy Environments and Digital Daring: The
Changing Politics and Practice of Cine-Feminism in Quebec, 1967-2015
* Brenda Longfellow
* 19. From Expanded to Intimate Cinemas in Canadian Experimental
Film/Video
* Monika Kin Gagnon
* V. Forms and Genres
* 20. The Bloody Brood: Canadian Horror Cinema-Past and Present
* Scott Preston
* 21. Popular Quebec Cinema and the Appeal of Folk Homogeneity
* André Loiselle
* 22. The Musicality of Canadian Cinema
* Michael Brendan Baker
* 23. The World Navigate: Interactive Documentaries in Canada
* Jessica Mulvogue
* 24. The Gaming Turn
* Bruno Lessard
* I. Frames
* 1. Three Canadian Film Policy Frameworks
* Ira Wagman
* 2. Canadian Cinema and the Intellectual Milieu
* Richard Cavell
* 3. On the Road: Canadian Cinema and the World
* Joumane Chahine
* 4. Landscape as Cinematic Effect
* Johanne Sloan
* 5. Movie Envy: Cinema in the White Cube (Montreal, 1995-2015)
* Olivier Asselin
* II. Cultures
* 6. (Re)Claiming Cultural Identity: The NFB's Eskimo Legends and Inuit
Animation from Cape Dorset
* Suzanne Buchan
* 7. Canadian Indigenous Cinema: From Alanis Obomsawin to the Wapikoni
Mobile
* Karine Bertrand
* 8. The Polarities and Hybridities of Arctic Cinemas
* Scott MacKenzie and Anna Westerståhl Stenport
* 9. Diasporic Intimacy: Chinese-Canadian Documentary and the Poetics
of Relation
* Lily Cho
* 10. Canadian Cinema and its Borders
* Graciela Martínez-Zalce
* III. Cities/Places
* 11. Regional Scenes and Canadian Screens: Film in Atlantic Canada
* Darrell Varga
* 12. A Poetics of Discretion
* Marion Froger
* 13. The Emotional Geographies of Quebec Cinema
* Daniel Laforest
* 14. Toronto on Screen
* Ian Robinson
* IV. Sensibilities
* 15. Quebec Cinema as Global Cinema
* William Marshall
* 16. Stand Tall: Winnipeg Cinema and the Civic Imaginary
* Andrew Burke
* 17. Still Here, Still Queer? Rethinking Queer Canadian
Cinemas/Canadian Cinemas Queered
* Thomas Waugh and Fulvia Massimi with Lisa Aalders
* 18. Political Modernism, Policy Environments and Digital Daring: The
Changing Politics and Practice of Cine-Feminism in Quebec, 1967-2015
* Brenda Longfellow
* 19. From Expanded to Intimate Cinemas in Canadian Experimental
Film/Video
* Monika Kin Gagnon
* V. Forms and Genres
* 20. The Bloody Brood: Canadian Horror Cinema-Past and Present
* Scott Preston
* 21. Popular Quebec Cinema and the Appeal of Folk Homogeneity
* André Loiselle
* 22. The Musicality of Canadian Cinema
* Michael Brendan Baker
* 23. The World Navigate: Interactive Documentaries in Canada
* Jessica Mulvogue
* 24. The Gaming Turn
* Bruno Lessard