The Oxford Handbook of Creative Industries
Herausgeber: Jones, Candace; Sapsed, Jonathan; Lorenzen, Mark
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The Oxford Handbook of Creative Industries
Herausgeber: Jones, Candace; Sapsed, Jonathan; Lorenzen, Mark
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This book discusses creative industries from the perspectives of economics, management, psychology, law, geography, and policy. The book combines views on how creativity is turned into economic, business and social value, as well as contemporary trends, digital technologies and creative industries in emerging economies such as China and India
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This book discusses creative industries from the perspectives of economics, management, psychology, law, geography, and policy. The book combines views on how creativity is turned into economic, business and social value, as well as contemporary trends, digital technologies and creative industries in emerging economies such as China and India
Produktdetails
- Produktdetails
- Verlag: OUP Oxford
- Seitenzahl: 574
- Erscheinungstermin: 5. Oktober 2017
- Englisch
- Abmessung: 244mm x 170mm x 31mm
- Gewicht: 977g
- ISBN-13: 9780198787792
- ISBN-10: 0198787790
- Artikelnr.: 47869029
- Verlag: OUP Oxford
- Seitenzahl: 574
- Erscheinungstermin: 5. Oktober 2017
- Englisch
- Abmessung: 244mm x 170mm x 31mm
- Gewicht: 977g
- ISBN-13: 9780198787792
- ISBN-10: 0198787790
- Artikelnr.: 47869029
Candace Jones is an Associate Professor at the Carrol School of Management, Boston College. Her research interests focus on cultural frameworks, cultural meaning and social structures. She is currently on the editorial review boards of Organization Science, Strategic Management Journal, Journal of Management Studies and Organization Studies, where she was a Senior Editor from 2008-2012. Professor Jones was elected Division Chair for Organization and Management Division of the Academy of Management 2012-2015, and served as Representative at Large from 2008-2010. Mark Lorenzen is a Professor at the Copenhagen Business School. He researches relations between innovation and economic organization in networks, projects, and clusters. Mark has published widely, convened sessions at DRUID, AOM, EGOS and AAG, raised extensive research funding and received awards for research excellence. He is editor-in-chief of Industry and Innovation and editor of Routledge Studies in Industial Dynamics. He is a member of the executive committee of the DRUID Society, is a keynote speaker and commentator and has received CBS award for excellence in research dissemination. Dr Jonathan Sapsed is Academic Director of the Brighton Fuse project. He is a Principal Research Fellow at CENTRIM in University of Brighton's Business School and was an Innovation Fellow of the Advanced Institute of Management Research (AIM). He has researched creativity and innovation in digital creative firms in Silicon Valley in the US, UK video games developers, as well as companies such as Sun Microsystems, Ericsson, and QinetiQ. His research is published in journals such as Research Policy and Organization Studies.
* Part I: Introduction
* 1: Candace Jones, Mark Lorenzen, and Jonathan Sapsed: Creative
Industries: A Typology of Change
* Part II: Creativity
* 2: Robert Sternberg and James Kaufman: The Creative Mind
* 3: Lucy Gilson: Creativity in Teams: Processes and Outcomes in
Creative Industries
* 4: Gino Cattani, Simone Ferrani, and Mariachiara Colucci: Creativity
in Social Networks: A Core-Periphery Perspective
* 5: Richard Florida, Charlotta Mellander, and Patrick Adler:
Creativity in the City
* Part III: Valuing Creativity and Creating Value
* 6: Barbara Townley and Elizabeth Gulledge: The Market for Symbolic
Goods: Translating Economic and Symbolic Capitals in Creative
Industries
* 7: Anna Dempster: Trading Places: Auctions and the Rise of the
Chinese Art Market
* 8: Pierre-Michel Menger: The Market for Creative Labor: Talent and
Inequalities
* 9: Elizabeth Currid-Halkett: Stars and Stardom in the Creative
Industries
* 10: Silviya Svejenova, Barbara Slavich, and Sondos AbdelGawad:
Creative Entrepreneurs: The Business Models of Haute Cuisine Chefs
* 11: Mukthi Khaire: Entrepreneurship in Creative Industries and
Cultural Change: Art, Fashion, and Modernity in India
* 12: Allegre Hadida: Performance in the Creative Industries
* Part IV: Organizing Creative Industries
* 13: Tara Vinodrai and Sean Keddy: Projects and Project Ecologies in
Creative Industries
* 14: Robert DeFillippi: Managing Project-Based Organization in
Creative Industries
* 15: Elke Schüßler and Jörg Sydow: Organizing Events for Configuring
and Maintaining Creative Fields
* 16: Elonora di Maria, Vladi Finotto, and Francesco Rullani: User
Innovation in Creative Industries
* 17: Paul Hirsch and Daniel Gruber: User Innovation in the Music
Software Industry: The Case of Sibelius
* 18: Narasimhan Anand and Gregoire Croidieu: Niches, Genres, and
Classifications in the Creative Industries
* Part V: Industrial Organisation and Creative Economy
* 19: Gerben Bakker: Sunk Costs and the Dynamics of Creative Industries
* 20: Stuart Cunningham and Jason Potts: Creative Industry and the
Wider Economy
* 21: Pacey Foster and Richard Ocejo: Brokerage, Mediation, and Social
Networks in the Creative Industries
* 22: Paul Hirsch and Daniel Gruber: Digitizing Fads and Fashions:
Disintermediation and Glocalized Markets in Creative Industries
* Part VI:Policy and Development
* 23: Fiona Macmillan: Copyright, The Creative Industries and The
Public Domain
* 24: Martin Kretschmer: Copyright and its Discontents
* 25: Hasan Bakhshi, Stuart Cunningham and Juan Mateos-Garcia: Public
Policy for the Creative Industries
* 26: Neil Coe: Global Production Networks in the Creative Industries
* 27: Andy Pratt: Creative Industries and Development: Culture in
Development, or the Cultures of Development?
* 1: Candace Jones, Mark Lorenzen, and Jonathan Sapsed: Creative
Industries: A Typology of Change
* Part II: Creativity
* 2: Robert Sternberg and James Kaufman: The Creative Mind
* 3: Lucy Gilson: Creativity in Teams: Processes and Outcomes in
Creative Industries
* 4: Gino Cattani, Simone Ferrani, and Mariachiara Colucci: Creativity
in Social Networks: A Core-Periphery Perspective
* 5: Richard Florida, Charlotta Mellander, and Patrick Adler:
Creativity in the City
* Part III: Valuing Creativity and Creating Value
* 6: Barbara Townley and Elizabeth Gulledge: The Market for Symbolic
Goods: Translating Economic and Symbolic Capitals in Creative
Industries
* 7: Anna Dempster: Trading Places: Auctions and the Rise of the
Chinese Art Market
* 8: Pierre-Michel Menger: The Market for Creative Labor: Talent and
Inequalities
* 9: Elizabeth Currid-Halkett: Stars and Stardom in the Creative
Industries
* 10: Silviya Svejenova, Barbara Slavich, and Sondos AbdelGawad:
Creative Entrepreneurs: The Business Models of Haute Cuisine Chefs
* 11: Mukthi Khaire: Entrepreneurship in Creative Industries and
Cultural Change: Art, Fashion, and Modernity in India
* 12: Allegre Hadida: Performance in the Creative Industries
* Part IV: Organizing Creative Industries
* 13: Tara Vinodrai and Sean Keddy: Projects and Project Ecologies in
Creative Industries
* 14: Robert DeFillippi: Managing Project-Based Organization in
Creative Industries
* 15: Elke Schüßler and Jörg Sydow: Organizing Events for Configuring
and Maintaining Creative Fields
* 16: Elonora di Maria, Vladi Finotto, and Francesco Rullani: User
Innovation in Creative Industries
* 17: Paul Hirsch and Daniel Gruber: User Innovation in the Music
Software Industry: The Case of Sibelius
* 18: Narasimhan Anand and Gregoire Croidieu: Niches, Genres, and
Classifications in the Creative Industries
* Part V: Industrial Organisation and Creative Economy
* 19: Gerben Bakker: Sunk Costs and the Dynamics of Creative Industries
* 20: Stuart Cunningham and Jason Potts: Creative Industry and the
Wider Economy
* 21: Pacey Foster and Richard Ocejo: Brokerage, Mediation, and Social
Networks in the Creative Industries
* 22: Paul Hirsch and Daniel Gruber: Digitizing Fads and Fashions:
Disintermediation and Glocalized Markets in Creative Industries
* Part VI:Policy and Development
* 23: Fiona Macmillan: Copyright, The Creative Industries and The
Public Domain
* 24: Martin Kretschmer: Copyright and its Discontents
* 25: Hasan Bakhshi, Stuart Cunningham and Juan Mateos-Garcia: Public
Policy for the Creative Industries
* 26: Neil Coe: Global Production Networks in the Creative Industries
* 27: Andy Pratt: Creative Industries and Development: Culture in
Development, or the Cultures of Development?
* Part I: Introduction
* 1: Candace Jones, Mark Lorenzen, and Jonathan Sapsed: Creative
Industries: A Typology of Change
* Part II: Creativity
* 2: Robert Sternberg and James Kaufman: The Creative Mind
* 3: Lucy Gilson: Creativity in Teams: Processes and Outcomes in
Creative Industries
* 4: Gino Cattani, Simone Ferrani, and Mariachiara Colucci: Creativity
in Social Networks: A Core-Periphery Perspective
* 5: Richard Florida, Charlotta Mellander, and Patrick Adler:
Creativity in the City
* Part III: Valuing Creativity and Creating Value
* 6: Barbara Townley and Elizabeth Gulledge: The Market for Symbolic
Goods: Translating Economic and Symbolic Capitals in Creative
Industries
* 7: Anna Dempster: Trading Places: Auctions and the Rise of the
Chinese Art Market
* 8: Pierre-Michel Menger: The Market for Creative Labor: Talent and
Inequalities
* 9: Elizabeth Currid-Halkett: Stars and Stardom in the Creative
Industries
* 10: Silviya Svejenova, Barbara Slavich, and Sondos AbdelGawad:
Creative Entrepreneurs: The Business Models of Haute Cuisine Chefs
* 11: Mukthi Khaire: Entrepreneurship in Creative Industries and
Cultural Change: Art, Fashion, and Modernity in India
* 12: Allegre Hadida: Performance in the Creative Industries
* Part IV: Organizing Creative Industries
* 13: Tara Vinodrai and Sean Keddy: Projects and Project Ecologies in
Creative Industries
* 14: Robert DeFillippi: Managing Project-Based Organization in
Creative Industries
* 15: Elke Schüßler and Jörg Sydow: Organizing Events for Configuring
and Maintaining Creative Fields
* 16: Elonora di Maria, Vladi Finotto, and Francesco Rullani: User
Innovation in Creative Industries
* 17: Paul Hirsch and Daniel Gruber: User Innovation in the Music
Software Industry: The Case of Sibelius
* 18: Narasimhan Anand and Gregoire Croidieu: Niches, Genres, and
Classifications in the Creative Industries
* Part V: Industrial Organisation and Creative Economy
* 19: Gerben Bakker: Sunk Costs and the Dynamics of Creative Industries
* 20: Stuart Cunningham and Jason Potts: Creative Industry and the
Wider Economy
* 21: Pacey Foster and Richard Ocejo: Brokerage, Mediation, and Social
Networks in the Creative Industries
* 22: Paul Hirsch and Daniel Gruber: Digitizing Fads and Fashions:
Disintermediation and Glocalized Markets in Creative Industries
* Part VI:Policy and Development
* 23: Fiona Macmillan: Copyright, The Creative Industries and The
Public Domain
* 24: Martin Kretschmer: Copyright and its Discontents
* 25: Hasan Bakhshi, Stuart Cunningham and Juan Mateos-Garcia: Public
Policy for the Creative Industries
* 26: Neil Coe: Global Production Networks in the Creative Industries
* 27: Andy Pratt: Creative Industries and Development: Culture in
Development, or the Cultures of Development?
* 1: Candace Jones, Mark Lorenzen, and Jonathan Sapsed: Creative
Industries: A Typology of Change
* Part II: Creativity
* 2: Robert Sternberg and James Kaufman: The Creative Mind
* 3: Lucy Gilson: Creativity in Teams: Processes and Outcomes in
Creative Industries
* 4: Gino Cattani, Simone Ferrani, and Mariachiara Colucci: Creativity
in Social Networks: A Core-Periphery Perspective
* 5: Richard Florida, Charlotta Mellander, and Patrick Adler:
Creativity in the City
* Part III: Valuing Creativity and Creating Value
* 6: Barbara Townley and Elizabeth Gulledge: The Market for Symbolic
Goods: Translating Economic and Symbolic Capitals in Creative
Industries
* 7: Anna Dempster: Trading Places: Auctions and the Rise of the
Chinese Art Market
* 8: Pierre-Michel Menger: The Market for Creative Labor: Talent and
Inequalities
* 9: Elizabeth Currid-Halkett: Stars and Stardom in the Creative
Industries
* 10: Silviya Svejenova, Barbara Slavich, and Sondos AbdelGawad:
Creative Entrepreneurs: The Business Models of Haute Cuisine Chefs
* 11: Mukthi Khaire: Entrepreneurship in Creative Industries and
Cultural Change: Art, Fashion, and Modernity in India
* 12: Allegre Hadida: Performance in the Creative Industries
* Part IV: Organizing Creative Industries
* 13: Tara Vinodrai and Sean Keddy: Projects and Project Ecologies in
Creative Industries
* 14: Robert DeFillippi: Managing Project-Based Organization in
Creative Industries
* 15: Elke Schüßler and Jörg Sydow: Organizing Events for Configuring
and Maintaining Creative Fields
* 16: Elonora di Maria, Vladi Finotto, and Francesco Rullani: User
Innovation in Creative Industries
* 17: Paul Hirsch and Daniel Gruber: User Innovation in the Music
Software Industry: The Case of Sibelius
* 18: Narasimhan Anand and Gregoire Croidieu: Niches, Genres, and
Classifications in the Creative Industries
* Part V: Industrial Organisation and Creative Economy
* 19: Gerben Bakker: Sunk Costs and the Dynamics of Creative Industries
* 20: Stuart Cunningham and Jason Potts: Creative Industry and the
Wider Economy
* 21: Pacey Foster and Richard Ocejo: Brokerage, Mediation, and Social
Networks in the Creative Industries
* 22: Paul Hirsch and Daniel Gruber: Digitizing Fads and Fashions:
Disintermediation and Glocalized Markets in Creative Industries
* Part VI:Policy and Development
* 23: Fiona Macmillan: Copyright, The Creative Industries and The
Public Domain
* 24: Martin Kretschmer: Copyright and its Discontents
* 25: Hasan Bakhshi, Stuart Cunningham and Juan Mateos-Garcia: Public
Policy for the Creative Industries
* 26: Neil Coe: Global Production Networks in the Creative Industries
* 27: Andy Pratt: Creative Industries and Development: Culture in
Development, or the Cultures of Development?