The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700
Herausgeber: Scott-Baumann, Elizabeth; Ross, Sarah C E; Clarke, Danielle
The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700
Herausgeber: Scott-Baumann, Elizabeth; Ross, Sarah C E; Clarke, Danielle
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A Handbook on early modern women's writing that combines new developments in historical and critical research with theoretical and conceptual approaches.
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A Handbook on early modern women's writing that combines new developments in historical and critical research with theoretical and conceptual approaches.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Oxford Handbooks
- Verlag: Oxford University Press
- Seitenzahl: 896
- Erscheinungstermin: 14. Januar 2023
- Englisch
- Abmessung: 244mm x 183mm x 71mm
- Gewicht: 1774g
- ISBN-13: 9780198860631
- ISBN-10: 0198860633
- Artikelnr.: 66154115
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Oxford Handbooks
- Verlag: Oxford University Press
- Seitenzahl: 896
- Erscheinungstermin: 14. Januar 2023
- Englisch
- Abmessung: 244mm x 183mm x 71mm
- Gewicht: 1774g
- ISBN-13: 9780198860631
- ISBN-10: 0198860633
- Artikelnr.: 66154115
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Elizabeth Scott-Baumann is a Senior Lecturer in Early Modern Literature at King's College London and her monograph Forms of Engagement: Women, Poetry, and Culture 1640-1680 published in 2013. She has co-edited essay collections including The Intellectual Culture of Puritan Women, 1558-1680 (with Johanna Harris, 2010); The Work of Form: Poetics and Materiality in Early Modern Culture (with Ben Burton, 2014); Shakespeare's Sonnets: The State of Play (with Hannah Crawforth and Clare Whitehead, 2017) and two collections of poems, On Shakespeare's Sonnets: A Poets' Celebration (with Hannah Crawforth, 2016) and Women Poets of the English Civil War (with Sarah C.E. Ross, 2017, winner of the 'Best Teaching Edition' prize of the Society for the Study of Early Modern Women and Gender). Danielle Clarke is Professor of English Renaissance Language and Literature at University College Dublin. She has published widely on women's writing, gender, and poetry. Recent articles include work on the reception of Teresa de Ávila, on complaint, and on recipe books. She has just completed an edition of the recipe books from Birr Castle, Co. Offaly, Ireland (Irish Manuscripts Commission) and is working on a book called Becoming Human: Women's Writing, Time, Nature and Devotion 1550-1700. She is a section editor (Theories and Methodologies) for The Palgrave Encyclopaedia of Early Modern Women's Writing in English. Sarah C. E. Ross is Associate Professor of English at Victoria University of Wellington, Aotearoa New Zealand. She has published widely on early modern women's poetry, religious and political writing, and manuscript and print culture, and she is the author of Women, Poetry, and Politics in Seventeenth-Century Britain (2015) and editor of Katherine Austen's Book M: Additional Manuscript 4454 (2011). She has co-edited Editing Early Modern Women (2016, with Paul Salzman) and Early Modern Women's Complaint: Gender, Form, and Politics (2020, with Rosalind Smith), and her teaching anthology with Elizabeth Scott-Baumann, Women Poets of the English Civil War (2017), won the Society for the Study of Early Modern Women and Gender's prize for Best Teaching Edition in 2018. She is completing a project on early modern women's complaint, and is a section editor for the Palgrave Encyclopedia of Early Modern Women's Writing in English.
* Preface
* 1: Danielle Clarke, Sarah C. E. Ross, and Elizabeth Scott-Baumann:
Introduction: What is Early Modern Women's Writing?
* PART I. VOICE AND KNOWLEDGE
* 2: Rosalind Smith: Authorship, Attribution, and Voice in Early Modern
Women's Writing
* 3: Jennifer Richards: How Lady Jane Grey May Have Used her Education
* 4: Jane Stevenson: Women and Knowledge: Latin and Greek
* 5: Michele Osherow: 'At My Petition': Embroidering Esther
* 6: Carrie Griffin: Practical Texts: Women, Instruction, and the
Household
* 7: Helen Smith: Cultures of Correspondence: Women and Natural
Philosophy
* 8: Leah Knight: Libraries Not Their Own: Networking Women's Books and
Reading in Early Modern England
* PART II. FORMS AND ORIGINS
* 9: Christina Luckyj: The Querelle des Femmes, the Overbury Scandal,
and the Politics of the Swetnam Controversy in Early Modern England
* 10: Katherine Larson: The Songscapes of Early Modern Women
* 11: Ramona Wray: Receiving Early Modern Women's Drama
* 12: Helen Wilcox: 'Sing and let the song be new': Early Modern
Women's Devotional Lyrics
* 13: Dianne Mitchell: Lyric Backwardness
* 14: Kevin Killeen: 'People of a Deeper Speech': Anna Trapnel,
Enthusiasm, and the Aesthetics of Incoherence
* 15: Victoria Burke: Commonplacing, Making Miscellanies, and
Interpreting Literature
* 16: Julie A. Eckerle: Women's Life Writing and the Labour of Textual
Stewardship
* 17: Lara Dodds: Women and Fiction
* 18: V. M. Braganza: Romance and Race
* PART III. PLACES
* 19: Paula McQuade: A Place-Based Approach to Early Modern Women's
Writing
* 20: Michelle O'Callaghan: London and the Book Trade: Isabella
Whitney, Jane Anger, and the 'Maydens of London'
* 21: Lotte Fikkers: The Self-Portrayal of Widows in the Early Modern
English Courts of Law
* 22: Wendy Wall: The World of Recipes: Intellectual Culture in and
around the Seventeenth-Century Household
* 23: Julie Sanders: Daughters of the House: Women, Theatre, and Place
in the Seventeenth Century
* 24: Laura L. Knoppers: Changing Places: Relocating the Court Masque
in Early Modern Women's Writing
* 25: Meghan E. Hall: Race and Geographies of Escape in Elizabeth
Cary's The Tragedy of Mariam
* 26: Sarah Prescott: Archipelagic Feminism: Anglophone Poetry from
Ireland, Scotland, and Wales
* PART IV. TRANSLINGUAL AND TRANSNATIONAL
* 27: Brenda M. Hosington: 'Mistresses of tongues': Early Modern
Englishwomen, Multilingual Practice, and Translingual Communication
* 28: Jake Arthur: The Surplusage': Margaret Tyler and the Englishing
of Spanish Chivalric Romance
* 29: Line Cottegnies: French Connections: English Women's Writing and
Préciosité
* 30: Peter Auger: Old England And New in Anne Bradstreet's Poetry
* 31: Martine van Elk: Early Modern Dutch and English Women Across
Borders
* 32: Mihoko Suzuki: Political Theory Across Borders
* PART V. NETWORKS AND COMMUNITIES
* 33: Jaime Goodrich: Networked Authorship in English Convents Abroad:
The Writings of Lucy Knatchbull
* 34: Patricia Pender: Gifts That Matter': Katherine Parr, Princess
Elizabeth, and the Prayers Or Meditations (1545)
* 35: Sebastiaan Verweij: Elizabeth Melville: Protestant Poetics,
Publication, and Propaganda
* 36: Daniel Starza Smith and Leah Veronese: Desire, Dreams, Disguise:
The Letters of Elizabeth Bourne
* 37: Nadine Akkerman: Women's Letters and Cryptological Coteries
* 38: Susan Wiseman: Non-Elite Networks and Women
* 39: Hero Chalmers: On the Picture of Ye Prisoner': Lucy Hutchinson
and the Image of the Imprisoned King
* 40: James Loxley: The Topopoetics of Retirement in Katherine Philips
and Lucy Hutchinson
* 41: Liza Blake: Early Modern Women in Print, and Margaret Cavendish,
Woman in Print
* PART VI. TOOLS AND METHODOLOGIES
* 42: Paul Salzman: Editing Early Modern Women's Writing: Tradition and
Innovation
* 43: Marie-Louise Coolahan: Reception, Reputation, and Afterlives
* 44: Julia Flanders: A Telescope for the Mind': Digital Modelling and
Analysis of Early Modern Women's Writing
* 45: Anna Reynolds: Material Texts: Women's Paperwork in Early Modern
England and Lady Mary Wroth's Urania
* 46: Patricia Phillippy: Memory and Matter: Lady Anne Clifford's 'Life
of Mee'
* 47: Bernadette Andrea: Early Modern Women, Race, and Writing
Revisited
* 48: Erin Murphy: Touches Across Time: Queer Feminism, Early Modern
Studies, and Aemilia Lanyer's 'Rich Chains'
* 49: Michelle M. Dowd: Untimely Developments: Periodisation, Early
Modern Women's Writing, and Literary History
* 1: Danielle Clarke, Sarah C. E. Ross, and Elizabeth Scott-Baumann:
Introduction: What is Early Modern Women's Writing?
* PART I. VOICE AND KNOWLEDGE
* 2: Rosalind Smith: Authorship, Attribution, and Voice in Early Modern
Women's Writing
* 3: Jennifer Richards: How Lady Jane Grey May Have Used her Education
* 4: Jane Stevenson: Women and Knowledge: Latin and Greek
* 5: Michele Osherow: 'At My Petition': Embroidering Esther
* 6: Carrie Griffin: Practical Texts: Women, Instruction, and the
Household
* 7: Helen Smith: Cultures of Correspondence: Women and Natural
Philosophy
* 8: Leah Knight: Libraries Not Their Own: Networking Women's Books and
Reading in Early Modern England
* PART II. FORMS AND ORIGINS
* 9: Christina Luckyj: The Querelle des Femmes, the Overbury Scandal,
and the Politics of the Swetnam Controversy in Early Modern England
* 10: Katherine Larson: The Songscapes of Early Modern Women
* 11: Ramona Wray: Receiving Early Modern Women's Drama
* 12: Helen Wilcox: 'Sing and let the song be new': Early Modern
Women's Devotional Lyrics
* 13: Dianne Mitchell: Lyric Backwardness
* 14: Kevin Killeen: 'People of a Deeper Speech': Anna Trapnel,
Enthusiasm, and the Aesthetics of Incoherence
* 15: Victoria Burke: Commonplacing, Making Miscellanies, and
Interpreting Literature
* 16: Julie A. Eckerle: Women's Life Writing and the Labour of Textual
Stewardship
* 17: Lara Dodds: Women and Fiction
* 18: V. M. Braganza: Romance and Race
* PART III. PLACES
* 19: Paula McQuade: A Place-Based Approach to Early Modern Women's
Writing
* 20: Michelle O'Callaghan: London and the Book Trade: Isabella
Whitney, Jane Anger, and the 'Maydens of London'
* 21: Lotte Fikkers: The Self-Portrayal of Widows in the Early Modern
English Courts of Law
* 22: Wendy Wall: The World of Recipes: Intellectual Culture in and
around the Seventeenth-Century Household
* 23: Julie Sanders: Daughters of the House: Women, Theatre, and Place
in the Seventeenth Century
* 24: Laura L. Knoppers: Changing Places: Relocating the Court Masque
in Early Modern Women's Writing
* 25: Meghan E. Hall: Race and Geographies of Escape in Elizabeth
Cary's The Tragedy of Mariam
* 26: Sarah Prescott: Archipelagic Feminism: Anglophone Poetry from
Ireland, Scotland, and Wales
* PART IV. TRANSLINGUAL AND TRANSNATIONAL
* 27: Brenda M. Hosington: 'Mistresses of tongues': Early Modern
Englishwomen, Multilingual Practice, and Translingual Communication
* 28: Jake Arthur: The Surplusage': Margaret Tyler and the Englishing
of Spanish Chivalric Romance
* 29: Line Cottegnies: French Connections: English Women's Writing and
Préciosité
* 30: Peter Auger: Old England And New in Anne Bradstreet's Poetry
* 31: Martine van Elk: Early Modern Dutch and English Women Across
Borders
* 32: Mihoko Suzuki: Political Theory Across Borders
* PART V. NETWORKS AND COMMUNITIES
* 33: Jaime Goodrich: Networked Authorship in English Convents Abroad:
The Writings of Lucy Knatchbull
* 34: Patricia Pender: Gifts That Matter': Katherine Parr, Princess
Elizabeth, and the Prayers Or Meditations (1545)
* 35: Sebastiaan Verweij: Elizabeth Melville: Protestant Poetics,
Publication, and Propaganda
* 36: Daniel Starza Smith and Leah Veronese: Desire, Dreams, Disguise:
The Letters of Elizabeth Bourne
* 37: Nadine Akkerman: Women's Letters and Cryptological Coteries
* 38: Susan Wiseman: Non-Elite Networks and Women
* 39: Hero Chalmers: On the Picture of Ye Prisoner': Lucy Hutchinson
and the Image of the Imprisoned King
* 40: James Loxley: The Topopoetics of Retirement in Katherine Philips
and Lucy Hutchinson
* 41: Liza Blake: Early Modern Women in Print, and Margaret Cavendish,
Woman in Print
* PART VI. TOOLS AND METHODOLOGIES
* 42: Paul Salzman: Editing Early Modern Women's Writing: Tradition and
Innovation
* 43: Marie-Louise Coolahan: Reception, Reputation, and Afterlives
* 44: Julia Flanders: A Telescope for the Mind': Digital Modelling and
Analysis of Early Modern Women's Writing
* 45: Anna Reynolds: Material Texts: Women's Paperwork in Early Modern
England and Lady Mary Wroth's Urania
* 46: Patricia Phillippy: Memory and Matter: Lady Anne Clifford's 'Life
of Mee'
* 47: Bernadette Andrea: Early Modern Women, Race, and Writing
Revisited
* 48: Erin Murphy: Touches Across Time: Queer Feminism, Early Modern
Studies, and Aemilia Lanyer's 'Rich Chains'
* 49: Michelle M. Dowd: Untimely Developments: Periodisation, Early
Modern Women's Writing, and Literary History
* Preface
* 1: Danielle Clarke, Sarah C. E. Ross, and Elizabeth Scott-Baumann:
Introduction: What is Early Modern Women's Writing?
* PART I. VOICE AND KNOWLEDGE
* 2: Rosalind Smith: Authorship, Attribution, and Voice in Early Modern
Women's Writing
* 3: Jennifer Richards: How Lady Jane Grey May Have Used her Education
* 4: Jane Stevenson: Women and Knowledge: Latin and Greek
* 5: Michele Osherow: 'At My Petition': Embroidering Esther
* 6: Carrie Griffin: Practical Texts: Women, Instruction, and the
Household
* 7: Helen Smith: Cultures of Correspondence: Women and Natural
Philosophy
* 8: Leah Knight: Libraries Not Their Own: Networking Women's Books and
Reading in Early Modern England
* PART II. FORMS AND ORIGINS
* 9: Christina Luckyj: The Querelle des Femmes, the Overbury Scandal,
and the Politics of the Swetnam Controversy in Early Modern England
* 10: Katherine Larson: The Songscapes of Early Modern Women
* 11: Ramona Wray: Receiving Early Modern Women's Drama
* 12: Helen Wilcox: 'Sing and let the song be new': Early Modern
Women's Devotional Lyrics
* 13: Dianne Mitchell: Lyric Backwardness
* 14: Kevin Killeen: 'People of a Deeper Speech': Anna Trapnel,
Enthusiasm, and the Aesthetics of Incoherence
* 15: Victoria Burke: Commonplacing, Making Miscellanies, and
Interpreting Literature
* 16: Julie A. Eckerle: Women's Life Writing and the Labour of Textual
Stewardship
* 17: Lara Dodds: Women and Fiction
* 18: V. M. Braganza: Romance and Race
* PART III. PLACES
* 19: Paula McQuade: A Place-Based Approach to Early Modern Women's
Writing
* 20: Michelle O'Callaghan: London and the Book Trade: Isabella
Whitney, Jane Anger, and the 'Maydens of London'
* 21: Lotte Fikkers: The Self-Portrayal of Widows in the Early Modern
English Courts of Law
* 22: Wendy Wall: The World of Recipes: Intellectual Culture in and
around the Seventeenth-Century Household
* 23: Julie Sanders: Daughters of the House: Women, Theatre, and Place
in the Seventeenth Century
* 24: Laura L. Knoppers: Changing Places: Relocating the Court Masque
in Early Modern Women's Writing
* 25: Meghan E. Hall: Race and Geographies of Escape in Elizabeth
Cary's The Tragedy of Mariam
* 26: Sarah Prescott: Archipelagic Feminism: Anglophone Poetry from
Ireland, Scotland, and Wales
* PART IV. TRANSLINGUAL AND TRANSNATIONAL
* 27: Brenda M. Hosington: 'Mistresses of tongues': Early Modern
Englishwomen, Multilingual Practice, and Translingual Communication
* 28: Jake Arthur: The Surplusage': Margaret Tyler and the Englishing
of Spanish Chivalric Romance
* 29: Line Cottegnies: French Connections: English Women's Writing and
Préciosité
* 30: Peter Auger: Old England And New in Anne Bradstreet's Poetry
* 31: Martine van Elk: Early Modern Dutch and English Women Across
Borders
* 32: Mihoko Suzuki: Political Theory Across Borders
* PART V. NETWORKS AND COMMUNITIES
* 33: Jaime Goodrich: Networked Authorship in English Convents Abroad:
The Writings of Lucy Knatchbull
* 34: Patricia Pender: Gifts That Matter': Katherine Parr, Princess
Elizabeth, and the Prayers Or Meditations (1545)
* 35: Sebastiaan Verweij: Elizabeth Melville: Protestant Poetics,
Publication, and Propaganda
* 36: Daniel Starza Smith and Leah Veronese: Desire, Dreams, Disguise:
The Letters of Elizabeth Bourne
* 37: Nadine Akkerman: Women's Letters and Cryptological Coteries
* 38: Susan Wiseman: Non-Elite Networks and Women
* 39: Hero Chalmers: On the Picture of Ye Prisoner': Lucy Hutchinson
and the Image of the Imprisoned King
* 40: James Loxley: The Topopoetics of Retirement in Katherine Philips
and Lucy Hutchinson
* 41: Liza Blake: Early Modern Women in Print, and Margaret Cavendish,
Woman in Print
* PART VI. TOOLS AND METHODOLOGIES
* 42: Paul Salzman: Editing Early Modern Women's Writing: Tradition and
Innovation
* 43: Marie-Louise Coolahan: Reception, Reputation, and Afterlives
* 44: Julia Flanders: A Telescope for the Mind': Digital Modelling and
Analysis of Early Modern Women's Writing
* 45: Anna Reynolds: Material Texts: Women's Paperwork in Early Modern
England and Lady Mary Wroth's Urania
* 46: Patricia Phillippy: Memory and Matter: Lady Anne Clifford's 'Life
of Mee'
* 47: Bernadette Andrea: Early Modern Women, Race, and Writing
Revisited
* 48: Erin Murphy: Touches Across Time: Queer Feminism, Early Modern
Studies, and Aemilia Lanyer's 'Rich Chains'
* 49: Michelle M. Dowd: Untimely Developments: Periodisation, Early
Modern Women's Writing, and Literary History
* 1: Danielle Clarke, Sarah C. E. Ross, and Elizabeth Scott-Baumann:
Introduction: What is Early Modern Women's Writing?
* PART I. VOICE AND KNOWLEDGE
* 2: Rosalind Smith: Authorship, Attribution, and Voice in Early Modern
Women's Writing
* 3: Jennifer Richards: How Lady Jane Grey May Have Used her Education
* 4: Jane Stevenson: Women and Knowledge: Latin and Greek
* 5: Michele Osherow: 'At My Petition': Embroidering Esther
* 6: Carrie Griffin: Practical Texts: Women, Instruction, and the
Household
* 7: Helen Smith: Cultures of Correspondence: Women and Natural
Philosophy
* 8: Leah Knight: Libraries Not Their Own: Networking Women's Books and
Reading in Early Modern England
* PART II. FORMS AND ORIGINS
* 9: Christina Luckyj: The Querelle des Femmes, the Overbury Scandal,
and the Politics of the Swetnam Controversy in Early Modern England
* 10: Katherine Larson: The Songscapes of Early Modern Women
* 11: Ramona Wray: Receiving Early Modern Women's Drama
* 12: Helen Wilcox: 'Sing and let the song be new': Early Modern
Women's Devotional Lyrics
* 13: Dianne Mitchell: Lyric Backwardness
* 14: Kevin Killeen: 'People of a Deeper Speech': Anna Trapnel,
Enthusiasm, and the Aesthetics of Incoherence
* 15: Victoria Burke: Commonplacing, Making Miscellanies, and
Interpreting Literature
* 16: Julie A. Eckerle: Women's Life Writing and the Labour of Textual
Stewardship
* 17: Lara Dodds: Women and Fiction
* 18: V. M. Braganza: Romance and Race
* PART III. PLACES
* 19: Paula McQuade: A Place-Based Approach to Early Modern Women's
Writing
* 20: Michelle O'Callaghan: London and the Book Trade: Isabella
Whitney, Jane Anger, and the 'Maydens of London'
* 21: Lotte Fikkers: The Self-Portrayal of Widows in the Early Modern
English Courts of Law
* 22: Wendy Wall: The World of Recipes: Intellectual Culture in and
around the Seventeenth-Century Household
* 23: Julie Sanders: Daughters of the House: Women, Theatre, and Place
in the Seventeenth Century
* 24: Laura L. Knoppers: Changing Places: Relocating the Court Masque
in Early Modern Women's Writing
* 25: Meghan E. Hall: Race and Geographies of Escape in Elizabeth
Cary's The Tragedy of Mariam
* 26: Sarah Prescott: Archipelagic Feminism: Anglophone Poetry from
Ireland, Scotland, and Wales
* PART IV. TRANSLINGUAL AND TRANSNATIONAL
* 27: Brenda M. Hosington: 'Mistresses of tongues': Early Modern
Englishwomen, Multilingual Practice, and Translingual Communication
* 28: Jake Arthur: The Surplusage': Margaret Tyler and the Englishing
of Spanish Chivalric Romance
* 29: Line Cottegnies: French Connections: English Women's Writing and
Préciosité
* 30: Peter Auger: Old England And New in Anne Bradstreet's Poetry
* 31: Martine van Elk: Early Modern Dutch and English Women Across
Borders
* 32: Mihoko Suzuki: Political Theory Across Borders
* PART V. NETWORKS AND COMMUNITIES
* 33: Jaime Goodrich: Networked Authorship in English Convents Abroad:
The Writings of Lucy Knatchbull
* 34: Patricia Pender: Gifts That Matter': Katherine Parr, Princess
Elizabeth, and the Prayers Or Meditations (1545)
* 35: Sebastiaan Verweij: Elizabeth Melville: Protestant Poetics,
Publication, and Propaganda
* 36: Daniel Starza Smith and Leah Veronese: Desire, Dreams, Disguise:
The Letters of Elizabeth Bourne
* 37: Nadine Akkerman: Women's Letters and Cryptological Coteries
* 38: Susan Wiseman: Non-Elite Networks and Women
* 39: Hero Chalmers: On the Picture of Ye Prisoner': Lucy Hutchinson
and the Image of the Imprisoned King
* 40: James Loxley: The Topopoetics of Retirement in Katherine Philips
and Lucy Hutchinson
* 41: Liza Blake: Early Modern Women in Print, and Margaret Cavendish,
Woman in Print
* PART VI. TOOLS AND METHODOLOGIES
* 42: Paul Salzman: Editing Early Modern Women's Writing: Tradition and
Innovation
* 43: Marie-Louise Coolahan: Reception, Reputation, and Afterlives
* 44: Julia Flanders: A Telescope for the Mind': Digital Modelling and
Analysis of Early Modern Women's Writing
* 45: Anna Reynolds: Material Texts: Women's Paperwork in Early Modern
England and Lady Mary Wroth's Urania
* 46: Patricia Phillippy: Memory and Matter: Lady Anne Clifford's 'Life
of Mee'
* 47: Bernadette Andrea: Early Modern Women, Race, and Writing
Revisited
* 48: Erin Murphy: Touches Across Time: Queer Feminism, Early Modern
Studies, and Aemilia Lanyer's 'Rich Chains'
* 49: Michelle M. Dowd: Untimely Developments: Periodisation, Early
Modern Women's Writing, and Literary History