This Handbook is a guide to the kinds of satire written in English during the 'long' eighteenth-century and it focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789.
This Handbook is a guide to the kinds of satire written in English during the 'long' eighteenth-century and it focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Paddy Bullard is Associate Professor of English Literature and Book History at the University of Reading. Formerly he was a research fellow at St. Catherine's College, Oxford, and a Senior Lecturer at the University of Kent. He is the author of Edmund Burke and the Art of Rhetoric (Cambridge University Press, 2011). With James McLaverty he co-edited Jonathan Swift and the Eighteenth-Century Book (Cambridge University Press, 2013) and, with Alexis Tadié, Ancients and Moderns in Europe (Voltaire Foundation, 2016). With Timothy Michaels he is co-editor of volume 15 (Later Prose) of The Oxford Edition of the Works of Alexander Pope.
Inhaltsangabe
* List of Figures * List of Abbreviations * Notes on Contributors * 1: Paddy Bullard: Describing Eighteenth-Century British Satire * PART I: SATIRICAL ALIGNMENTS * 2: Judith Hawley: Corporate Acts of Satire * 3: Marcus Walsh: Against Hypocrisy and Dissent * 4: George Southcombe: The Satire of Dissent * 5: Claudine Van Hensbergen: The Female Wits: Gender, Satire, and Drama * 6: David O'Shaughnessy: National Identity and Satire * 7: Adam Rounce: Banter, Nonsense, and Irony: Churchill and his Circle * 8: Robert W. Jones: Foxite Satire: Politics, Print, and Celebrity * PART II: SATIRICAL INHERITANCES * 9: Nicholas Mcdowell: The Double Personality of Lucianic Satire from Dryden to Fielding * 10: Matthew C. Augustine: The Invention of Dryden as Satirist * 11: Kristine Louise Haugen: Alexander Pope and the Philosophical Horace * 12: Daniel Carey: Swift, Gulliver, and Travel Satire * 13: Sophie Gee: Believing and Unbelieving in The Dunciad * 14: Matthew Scott: Augustan Romantics * PART III: SATIRICAL MODES * 15: Paul Baines: Mixing It: Satire in the Miscellanies, 1680-1732 * 16: Gillian Wright: Fable and Allegory * 17: Bonnie Latimer: Burlesque and Travesty: Pope's Early Satires * 18: Jesse Molesworth: Graphic Satire: Hogarth and Gillray * 19: Jonathan Lamb: Romance, Satire, and the Exploitation of Disorder * 20: Ros Ballaster: Dramatic Satire * 21: David Francis Taylor: The Practice of Parody * PART IV: SATIRICAL OBJECTS * 22: Sean Silver: Satirical Objects * 23: Gregory Lynall: Science and Satire * 24: Paddy Bullard: Against the Experts: Swift and Political Satire * 25: Helen Deutsch: The Body of Thersites: Misanthropy and Violence * 26: Louise Curran: Self-Portraiture * 27: Melinda Alliker Rabb: 'Little Snarling Lapdogs': Satire and Domesticity * PART V: SATIRICAL ACTIONS * 28: Ashley Marshall: Thinking about Satire * 29: Kate Loveman: Epigram and Spontaneous Wit * 30: John McTague: Satire as Event * 31: Joseph Hone: Legal Constraints, Libellous Evasions * 32: Alexis Tadié: Quarrelling * 33: Jill Campbell: Sexing Satire * 34: Lawrence E. Klein: Ridicule as a Tool for Discovering Truth * PART VI: SATIRICAL TRANSITIONS * 35: James Fowler: Moralizing Satire: Cross-Channel Perspectives * 36: Jennie Batchelor: Pamela and the Satirists: The Case for Eliza Haywood's Anti-Pamela (1741) * 37: Peter Robinson: The Edge of Satire: Post-Mortem and other Effects * 38: Lynn Festa: Satire to Sentiment: Mixing Modes in the Later Eighteenth-Century British Novel * 39: Jon Mee: Satire in the Age of the French Revolution * 40: Carolyn Steedman: Out of Somerset: Or, Satire in Metropolis and Province * 41: Clare Bucknell: Satire, Morality, and Criticism, 1930-1965 * Index
* List of Figures * List of Abbreviations * Notes on Contributors * 1: Paddy Bullard: Describing Eighteenth-Century British Satire * PART I: SATIRICAL ALIGNMENTS * 2: Judith Hawley: Corporate Acts of Satire * 3: Marcus Walsh: Against Hypocrisy and Dissent * 4: George Southcombe: The Satire of Dissent * 5: Claudine Van Hensbergen: The Female Wits: Gender, Satire, and Drama * 6: David O'Shaughnessy: National Identity and Satire * 7: Adam Rounce: Banter, Nonsense, and Irony: Churchill and his Circle * 8: Robert W. Jones: Foxite Satire: Politics, Print, and Celebrity * PART II: SATIRICAL INHERITANCES * 9: Nicholas Mcdowell: The Double Personality of Lucianic Satire from Dryden to Fielding * 10: Matthew C. Augustine: The Invention of Dryden as Satirist * 11: Kristine Louise Haugen: Alexander Pope and the Philosophical Horace * 12: Daniel Carey: Swift, Gulliver, and Travel Satire * 13: Sophie Gee: Believing and Unbelieving in The Dunciad * 14: Matthew Scott: Augustan Romantics * PART III: SATIRICAL MODES * 15: Paul Baines: Mixing It: Satire in the Miscellanies, 1680-1732 * 16: Gillian Wright: Fable and Allegory * 17: Bonnie Latimer: Burlesque and Travesty: Pope's Early Satires * 18: Jesse Molesworth: Graphic Satire: Hogarth and Gillray * 19: Jonathan Lamb: Romance, Satire, and the Exploitation of Disorder * 20: Ros Ballaster: Dramatic Satire * 21: David Francis Taylor: The Practice of Parody * PART IV: SATIRICAL OBJECTS * 22: Sean Silver: Satirical Objects * 23: Gregory Lynall: Science and Satire * 24: Paddy Bullard: Against the Experts: Swift and Political Satire * 25: Helen Deutsch: The Body of Thersites: Misanthropy and Violence * 26: Louise Curran: Self-Portraiture * 27: Melinda Alliker Rabb: 'Little Snarling Lapdogs': Satire and Domesticity * PART V: SATIRICAL ACTIONS * 28: Ashley Marshall: Thinking about Satire * 29: Kate Loveman: Epigram and Spontaneous Wit * 30: John McTague: Satire as Event * 31: Joseph Hone: Legal Constraints, Libellous Evasions * 32: Alexis Tadié: Quarrelling * 33: Jill Campbell: Sexing Satire * 34: Lawrence E. Klein: Ridicule as a Tool for Discovering Truth * PART VI: SATIRICAL TRANSITIONS * 35: James Fowler: Moralizing Satire: Cross-Channel Perspectives * 36: Jennie Batchelor: Pamela and the Satirists: The Case for Eliza Haywood's Anti-Pamela (1741) * 37: Peter Robinson: The Edge of Satire: Post-Mortem and other Effects * 38: Lynn Festa: Satire to Sentiment: Mixing Modes in the Later Eighteenth-Century British Novel * 39: Jon Mee: Satire in the Age of the French Revolution * 40: Carolyn Steedman: Out of Somerset: Or, Satire in Metropolis and Province * 41: Clare Bucknell: Satire, Morality, and Criticism, 1930-1965 * Index
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