Marcos Nadal (University of the Balearic Islands), Oshin Vartanian (University of Toronto)
The Oxford Handbook of Empirical Aesthetics
Marcos Nadal (University of the Balearic Islands), Oshin Vartanian (University of Toronto)
The Oxford Handbook of Empirical Aesthetics
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The Oxford Handbook of Empirical Aesthetics provides the most comprehensive coverage of the domain of empirical aesthetics to date. With sections on visual art, dance, music, and other art forms, the breadth of this volume reflects the richness and variety of topics and methods used by scientists to understand the way human beings appreciate art.
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The Oxford Handbook of Empirical Aesthetics provides the most comprehensive coverage of the domain of empirical aesthetics to date. With sections on visual art, dance, music, and other art forms, the breadth of this volume reflects the richness and variety of topics and methods used by scientists to understand the way human beings appreciate art.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 1104
- Erscheinungstermin: 20. Januar 2023
- Englisch
- Abmessung: 250mm x 181mm x 62mm
- Gewicht: 2230g
- ISBN-13: 9780198824350
- ISBN-10: 0198824351
- Artikelnr.: 66118179
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Oxford University Press
- Seitenzahl: 1104
- Erscheinungstermin: 20. Januar 2023
- Englisch
- Abmessung: 250mm x 181mm x 62mm
- Gewicht: 2230g
- ISBN-13: 9780198824350
- ISBN-10: 0198824351
- Artikelnr.: 66118179
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Marcos Nadal received his B.Sc. in Psychology from the University of the Balearic Islands (Spain) in 2000, and his Ph.D. in Psychology: Human Evolution and Cognition from the same university in 2007. From 2012 to 2015 he enjoyed a postdoctoral fellowship at the Department of Basic Psychology and Research Methods of the University of Vienna. He is Professor at the Department of Psychology at the University of the University of the Balearic Islands. He is the Executive Editor of Empirical Studies of the Arts, and serves on the editorial board of Psychology of Aesthetics, Creativity, and the Arts. He is the co-editor of Art, Aesthetics, and the Brain (OUP Press). His research is devoted to characterizing the psychological, neural, and evolutionary foundations of humans' capacity for aesthetic appreciation and creation. Oshin Vartanian received his PhD in experimental psychology from the University of Maine under the supervision of Colin Martindale. He is the Co-Editor of Psychology of Aesthetics, Creativity, and the Arts, and past Editor of Empirical Studies of the Arts. He is the recipient of the American Psychological Association's (APA) Division 10 Daniel E. Berlyne Award in recognition of outstanding research by a junior scholar. His co-edited volumes include "Neuroaesthetics" (Baywood Publishing Company), "Neuroscience of creativity" (The MIT Press), "Neuroscience of decision making" (Psychology Press), and most recently "The Cambridge handbook of the neuroscience of creativity" (Cambridge University Press). His main areas of interest include the cognitive and neural bases of aesthetics and creativity.
* Preface
* SECTION 1. FOUNDATIONS
* 1: Marcos Nadal and Oshin Vartanian: Empirical Aesthetics: An
overview
* 2: Marcos Nadal and Esther Ureña: 100 years of Empirical Aesthetics:
1876 - 1976
* 3: Gesche Westphal-Fitch: Revisiting Fechner's methods
* 4: William P. Seeley: The link between Empirical Aesthetics and
philosophy
* 5: Rolf Reber: Appreciation modes in Empirical Aesthetics
* 6: Gerald C. Cupchik: Exploring the landscape of emotion in aesthetic
experience
* 7: Martin Skov: The neurobiology of sensory valuation
* 8: Dahlia W. Zaidel: The evolution of aesthetics and beauty
* SECTION 2. METHODS
* 9: Dean Keith Simonton: Historiometric methods
* 10: Pablo P. L. Tinio and Eva Specker: Observation method in
Empirical Aesthetics
* 11: Justin Ostrofsky: Observational drawing research methods
* 12: Letizia Palumbo: Implicit measures in the aesthetic domain
* 13: Paul Locher: The study of eye movements in Empirical Aesthetics
* 14: Thomas Jacobsen and Stina Klein: Electrophysiology
* 15: Tomohiro Ishizu: Functional neuroimaging in Empirical Aesthetics
and Neuroaesthetics
* 16: Zaira Cattaneo: Noninvasive brain stimulation. Contribution to
research in Neuroaesthetics
* 17: Martin Tröndle, Steven Greenwood, Chandrasekhar Ramakrishnan,
Folkert Uhde, Hauke Egermann, and Wolfgang Tschacher: Integrated
methods: A call for integrative and interdisciplinary aesthetics
research
* SECTION 3. OBJECT FEATURES
* 18: Daniel Graham: The use of visual statistical features in
Empirical Aesthetics
* 19: Oshin Vartanian: Color
* 20: Manuela Marin: The role of collative variables in aesthetic
experience
* 21: Michael Forster: Processing fluency
* 22: Marco Bertamini and Giulia Rampone: The study of symmetry in
Empirical Aesthetics
* 23: Guido Corradi and Enric Munar: The curvature effect
* 24: Aleksandra Mitrovic and Jürgen Goller: Facial attractiveness
* SECTION 4. ARTFORMS
* 25: Elvira Brattico: The empirical aesthetics of music
* 26: Emily S. Cross and Andrea Orlandi: The aesthetics of action and
movement
* 27: Beatriz Calvo-Merino: The aesthetics of dance
* 28: Guido Orgs and Claire Howlin: The audio-visual aesthetics of
music and dance
* 29: Alexander Coburn and Anjan Chatterjee: Aesthetic responses to
architecture
* 30: James E. Cutting: Aesthetics, technology, and popular movies
* 31: Winfried Menninghaus and Stefan Blohm: Empirical Aesthetics of
poetry
* 32: Marta M. Maslej, Joshua A. Quinlan, and Raymond A. Mar: Aesthetic
responses to the characters, plots, worlds, and style of stories
* SECTION 5. THE PERSON
* 33: John W. Mullennix: The role of attention, executive processes,
and memory in aesthetic experience
* 34: Thalia R. Goldstein: Children's appreciation of art
* 35: Aaron Kozbelt: The influence of expertise on aesthetics
* 36: Viren Swami and Adrian Furnham: The influence of personality on
aesthetic preferences
* 37: Nils Myszkowski: Aesthetic sensitivity
* 38: Jiajia Che and Xiaolei Sun: Cross-cultural empirical aesthetics
* SECTION 6. THE CONTEXT
* 39: Matthew Pelowski and Eva Specker: The general impact of context
on aesthetic experience
* 40: Helmut Leder and Matthew Pelowski: Empirical Aesthetics -
Context, extra information and framing
* 41: Jeffrey K. Smith and Lisa F. Smith: Studying Empirical Aesthetics
in museum contexts
* 42: Paul J. Silvia and Katherine N. Cotter: Aesthetic experience in
everyday environments
* 43: Stefano Mastandrea: The impact of the social context on aesthetic
experience
* SECTION 7. APPLICATIONS
* 44: Paul Hekkert: Design and aesthetics
* 45: Vanessa M. Patrick and Henrik Hagtvedt: The role of Empirical
Aesthetics in consumer behavior
* 46: Charles Spence: On the Empirical Aesthetics of plating
* SECTION 1. FOUNDATIONS
* 1: Marcos Nadal and Oshin Vartanian: Empirical Aesthetics: An
overview
* 2: Marcos Nadal and Esther Ureña: 100 years of Empirical Aesthetics:
1876 - 1976
* 3: Gesche Westphal-Fitch: Revisiting Fechner's methods
* 4: William P. Seeley: The link between Empirical Aesthetics and
philosophy
* 5: Rolf Reber: Appreciation modes in Empirical Aesthetics
* 6: Gerald C. Cupchik: Exploring the landscape of emotion in aesthetic
experience
* 7: Martin Skov: The neurobiology of sensory valuation
* 8: Dahlia W. Zaidel: The evolution of aesthetics and beauty
* SECTION 2. METHODS
* 9: Dean Keith Simonton: Historiometric methods
* 10: Pablo P. L. Tinio and Eva Specker: Observation method in
Empirical Aesthetics
* 11: Justin Ostrofsky: Observational drawing research methods
* 12: Letizia Palumbo: Implicit measures in the aesthetic domain
* 13: Paul Locher: The study of eye movements in Empirical Aesthetics
* 14: Thomas Jacobsen and Stina Klein: Electrophysiology
* 15: Tomohiro Ishizu: Functional neuroimaging in Empirical Aesthetics
and Neuroaesthetics
* 16: Zaira Cattaneo: Noninvasive brain stimulation. Contribution to
research in Neuroaesthetics
* 17: Martin Tröndle, Steven Greenwood, Chandrasekhar Ramakrishnan,
Folkert Uhde, Hauke Egermann, and Wolfgang Tschacher: Integrated
methods: A call for integrative and interdisciplinary aesthetics
research
* SECTION 3. OBJECT FEATURES
* 18: Daniel Graham: The use of visual statistical features in
Empirical Aesthetics
* 19: Oshin Vartanian: Color
* 20: Manuela Marin: The role of collative variables in aesthetic
experience
* 21: Michael Forster: Processing fluency
* 22: Marco Bertamini and Giulia Rampone: The study of symmetry in
Empirical Aesthetics
* 23: Guido Corradi and Enric Munar: The curvature effect
* 24: Aleksandra Mitrovic and Jürgen Goller: Facial attractiveness
* SECTION 4. ARTFORMS
* 25: Elvira Brattico: The empirical aesthetics of music
* 26: Emily S. Cross and Andrea Orlandi: The aesthetics of action and
movement
* 27: Beatriz Calvo-Merino: The aesthetics of dance
* 28: Guido Orgs and Claire Howlin: The audio-visual aesthetics of
music and dance
* 29: Alexander Coburn and Anjan Chatterjee: Aesthetic responses to
architecture
* 30: James E. Cutting: Aesthetics, technology, and popular movies
* 31: Winfried Menninghaus and Stefan Blohm: Empirical Aesthetics of
poetry
* 32: Marta M. Maslej, Joshua A. Quinlan, and Raymond A. Mar: Aesthetic
responses to the characters, plots, worlds, and style of stories
* SECTION 5. THE PERSON
* 33: John W. Mullennix: The role of attention, executive processes,
and memory in aesthetic experience
* 34: Thalia R. Goldstein: Children's appreciation of art
* 35: Aaron Kozbelt: The influence of expertise on aesthetics
* 36: Viren Swami and Adrian Furnham: The influence of personality on
aesthetic preferences
* 37: Nils Myszkowski: Aesthetic sensitivity
* 38: Jiajia Che and Xiaolei Sun: Cross-cultural empirical aesthetics
* SECTION 6. THE CONTEXT
* 39: Matthew Pelowski and Eva Specker: The general impact of context
on aesthetic experience
* 40: Helmut Leder and Matthew Pelowski: Empirical Aesthetics -
Context, extra information and framing
* 41: Jeffrey K. Smith and Lisa F. Smith: Studying Empirical Aesthetics
in museum contexts
* 42: Paul J. Silvia and Katherine N. Cotter: Aesthetic experience in
everyday environments
* 43: Stefano Mastandrea: The impact of the social context on aesthetic
experience
* SECTION 7. APPLICATIONS
* 44: Paul Hekkert: Design and aesthetics
* 45: Vanessa M. Patrick and Henrik Hagtvedt: The role of Empirical
Aesthetics in consumer behavior
* 46: Charles Spence: On the Empirical Aesthetics of plating
* Preface
* SECTION 1. FOUNDATIONS
* 1: Marcos Nadal and Oshin Vartanian: Empirical Aesthetics: An
overview
* 2: Marcos Nadal and Esther Ureña: 100 years of Empirical Aesthetics:
1876 - 1976
* 3: Gesche Westphal-Fitch: Revisiting Fechner's methods
* 4: William P. Seeley: The link between Empirical Aesthetics and
philosophy
* 5: Rolf Reber: Appreciation modes in Empirical Aesthetics
* 6: Gerald C. Cupchik: Exploring the landscape of emotion in aesthetic
experience
* 7: Martin Skov: The neurobiology of sensory valuation
* 8: Dahlia W. Zaidel: The evolution of aesthetics and beauty
* SECTION 2. METHODS
* 9: Dean Keith Simonton: Historiometric methods
* 10: Pablo P. L. Tinio and Eva Specker: Observation method in
Empirical Aesthetics
* 11: Justin Ostrofsky: Observational drawing research methods
* 12: Letizia Palumbo: Implicit measures in the aesthetic domain
* 13: Paul Locher: The study of eye movements in Empirical Aesthetics
* 14: Thomas Jacobsen and Stina Klein: Electrophysiology
* 15: Tomohiro Ishizu: Functional neuroimaging in Empirical Aesthetics
and Neuroaesthetics
* 16: Zaira Cattaneo: Noninvasive brain stimulation. Contribution to
research in Neuroaesthetics
* 17: Martin Tröndle, Steven Greenwood, Chandrasekhar Ramakrishnan,
Folkert Uhde, Hauke Egermann, and Wolfgang Tschacher: Integrated
methods: A call for integrative and interdisciplinary aesthetics
research
* SECTION 3. OBJECT FEATURES
* 18: Daniel Graham: The use of visual statistical features in
Empirical Aesthetics
* 19: Oshin Vartanian: Color
* 20: Manuela Marin: The role of collative variables in aesthetic
experience
* 21: Michael Forster: Processing fluency
* 22: Marco Bertamini and Giulia Rampone: The study of symmetry in
Empirical Aesthetics
* 23: Guido Corradi and Enric Munar: The curvature effect
* 24: Aleksandra Mitrovic and Jürgen Goller: Facial attractiveness
* SECTION 4. ARTFORMS
* 25: Elvira Brattico: The empirical aesthetics of music
* 26: Emily S. Cross and Andrea Orlandi: The aesthetics of action and
movement
* 27: Beatriz Calvo-Merino: The aesthetics of dance
* 28: Guido Orgs and Claire Howlin: The audio-visual aesthetics of
music and dance
* 29: Alexander Coburn and Anjan Chatterjee: Aesthetic responses to
architecture
* 30: James E. Cutting: Aesthetics, technology, and popular movies
* 31: Winfried Menninghaus and Stefan Blohm: Empirical Aesthetics of
poetry
* 32: Marta M. Maslej, Joshua A. Quinlan, and Raymond A. Mar: Aesthetic
responses to the characters, plots, worlds, and style of stories
* SECTION 5. THE PERSON
* 33: John W. Mullennix: The role of attention, executive processes,
and memory in aesthetic experience
* 34: Thalia R. Goldstein: Children's appreciation of art
* 35: Aaron Kozbelt: The influence of expertise on aesthetics
* 36: Viren Swami and Adrian Furnham: The influence of personality on
aesthetic preferences
* 37: Nils Myszkowski: Aesthetic sensitivity
* 38: Jiajia Che and Xiaolei Sun: Cross-cultural empirical aesthetics
* SECTION 6. THE CONTEXT
* 39: Matthew Pelowski and Eva Specker: The general impact of context
on aesthetic experience
* 40: Helmut Leder and Matthew Pelowski: Empirical Aesthetics -
Context, extra information and framing
* 41: Jeffrey K. Smith and Lisa F. Smith: Studying Empirical Aesthetics
in museum contexts
* 42: Paul J. Silvia and Katherine N. Cotter: Aesthetic experience in
everyday environments
* 43: Stefano Mastandrea: The impact of the social context on aesthetic
experience
* SECTION 7. APPLICATIONS
* 44: Paul Hekkert: Design and aesthetics
* 45: Vanessa M. Patrick and Henrik Hagtvedt: The role of Empirical
Aesthetics in consumer behavior
* 46: Charles Spence: On the Empirical Aesthetics of plating
* SECTION 1. FOUNDATIONS
* 1: Marcos Nadal and Oshin Vartanian: Empirical Aesthetics: An
overview
* 2: Marcos Nadal and Esther Ureña: 100 years of Empirical Aesthetics:
1876 - 1976
* 3: Gesche Westphal-Fitch: Revisiting Fechner's methods
* 4: William P. Seeley: The link between Empirical Aesthetics and
philosophy
* 5: Rolf Reber: Appreciation modes in Empirical Aesthetics
* 6: Gerald C. Cupchik: Exploring the landscape of emotion in aesthetic
experience
* 7: Martin Skov: The neurobiology of sensory valuation
* 8: Dahlia W. Zaidel: The evolution of aesthetics and beauty
* SECTION 2. METHODS
* 9: Dean Keith Simonton: Historiometric methods
* 10: Pablo P. L. Tinio and Eva Specker: Observation method in
Empirical Aesthetics
* 11: Justin Ostrofsky: Observational drawing research methods
* 12: Letizia Palumbo: Implicit measures in the aesthetic domain
* 13: Paul Locher: The study of eye movements in Empirical Aesthetics
* 14: Thomas Jacobsen and Stina Klein: Electrophysiology
* 15: Tomohiro Ishizu: Functional neuroimaging in Empirical Aesthetics
and Neuroaesthetics
* 16: Zaira Cattaneo: Noninvasive brain stimulation. Contribution to
research in Neuroaesthetics
* 17: Martin Tröndle, Steven Greenwood, Chandrasekhar Ramakrishnan,
Folkert Uhde, Hauke Egermann, and Wolfgang Tschacher: Integrated
methods: A call for integrative and interdisciplinary aesthetics
research
* SECTION 3. OBJECT FEATURES
* 18: Daniel Graham: The use of visual statistical features in
Empirical Aesthetics
* 19: Oshin Vartanian: Color
* 20: Manuela Marin: The role of collative variables in aesthetic
experience
* 21: Michael Forster: Processing fluency
* 22: Marco Bertamini and Giulia Rampone: The study of symmetry in
Empirical Aesthetics
* 23: Guido Corradi and Enric Munar: The curvature effect
* 24: Aleksandra Mitrovic and Jürgen Goller: Facial attractiveness
* SECTION 4. ARTFORMS
* 25: Elvira Brattico: The empirical aesthetics of music
* 26: Emily S. Cross and Andrea Orlandi: The aesthetics of action and
movement
* 27: Beatriz Calvo-Merino: The aesthetics of dance
* 28: Guido Orgs and Claire Howlin: The audio-visual aesthetics of
music and dance
* 29: Alexander Coburn and Anjan Chatterjee: Aesthetic responses to
architecture
* 30: James E. Cutting: Aesthetics, technology, and popular movies
* 31: Winfried Menninghaus and Stefan Blohm: Empirical Aesthetics of
poetry
* 32: Marta M. Maslej, Joshua A. Quinlan, and Raymond A. Mar: Aesthetic
responses to the characters, plots, worlds, and style of stories
* SECTION 5. THE PERSON
* 33: John W. Mullennix: The role of attention, executive processes,
and memory in aesthetic experience
* 34: Thalia R. Goldstein: Children's appreciation of art
* 35: Aaron Kozbelt: The influence of expertise on aesthetics
* 36: Viren Swami and Adrian Furnham: The influence of personality on
aesthetic preferences
* 37: Nils Myszkowski: Aesthetic sensitivity
* 38: Jiajia Che and Xiaolei Sun: Cross-cultural empirical aesthetics
* SECTION 6. THE CONTEXT
* 39: Matthew Pelowski and Eva Specker: The general impact of context
on aesthetic experience
* 40: Helmut Leder and Matthew Pelowski: Empirical Aesthetics -
Context, extra information and framing
* 41: Jeffrey K. Smith and Lisa F. Smith: Studying Empirical Aesthetics
in museum contexts
* 42: Paul J. Silvia and Katherine N. Cotter: Aesthetic experience in
everyday environments
* 43: Stefano Mastandrea: The impact of the social context on aesthetic
experience
* SECTION 7. APPLICATIONS
* 44: Paul Hekkert: Design and aesthetics
* 45: Vanessa M. Patrick and Henrik Hagtvedt: The role of Empirical
Aesthetics in consumer behavior
* 46: Charles Spence: On the Empirical Aesthetics of plating