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This volume is about how and whether art can be morally bad (or morally good). Politicians, media pundits, and others frequently complain that particular works of art are morally dangerous, or, sometimes, that particular works are morally edifying (the "great works" of literature, for example). But little attention is often given to the question of what makes art morally good in the first place. This comprehensive volume explores a wide variety of historical and theoretical perspectives, looking at different art forms and different problems.

Produktbeschreibung
This volume is about how and whether art can be morally bad (or morally good). Politicians, media pundits, and others frequently complain that particular works of art are morally dangerous, or, sometimes, that particular works are morally edifying (the "great works" of literature, for example). But little attention is often given to the question of what makes art morally good in the first place. This comprehensive volume explores a wide variety of historical and theoretical perspectives, looking at different art forms and different problems.
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Autorenporträt
James Harold is Professor of Philosophy at Mount Holyoke College, and the author of Dangerous Art: On Moral Criticism of Artworks (Oxford University Press, 2020). He is the former Director of the Weissman Center for Leadership and the Liberal Arts. He has published widely in ethics and aesthetics, with a focus on imaginative engagement with artworks, audience engagement and interpretation, meta-ethics and meta-aesthetics, and the philosophies of ancient Greece and pre-Han China.