The Oxford Handbook of Greek Drama in the Americas
Herausgegeben von Bosher, Kathryn; Macintosh, Fiona; McConnell, Justine; Rankine, Patrice
The Oxford Handbook of Greek Drama in the Americas
Herausgegeben von Bosher, Kathryn; Macintosh, Fiona; McConnell, Justine; Rankine, Patrice
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The Oxford Handbook of Greek Drama in the Americas is the first edited collection to discuss the performance of Greek drama across the continents and archipelagos of the Americas from the beginning of the nineteenth century to the present.
The study and interpretation of the classics have never been restricted by geographical or linguistic boundaries but, in the case of the Americas, long colonial histories have often imposed such boundaries arbitrarily. This volume tracks networks across continents and oceans and uncovers the ways in which the shared histories and practices in the…mehr
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The study and interpretation of the classics have never been restricted by geographical or linguistic boundaries but, in the case of the Americas, long colonial histories have often imposed such boundaries arbitrarily. This volume tracks networks across continents and oceans and uncovers the ways in which the shared histories and practices in the performance arts in the Americas have routinely defied national boundaries.
With contributions from classicists, Latin American specialists, theatre and performance theorists, and historians, the Handbook also includes interviews with key writers, including Nobel Laureate Derek Walcott, Charles Mee, and Anne Carson, and leading theatre directors such as Peter Sellars, Carey Perloff, Héctor Daniel-Levy, and Heron Coelho.
This richly illustrated volume seeks to define the complex contours of the reception of Greek drama in the Americas, and to articulate how these different engagements - at local, national, or trans-continental levels, as well as across borders - have been distinct both from each other, and from those of Europe and Asia.
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- Produktdetails
- Oxford Handbooks in Classics and Ancient History
- Verlag: Oxford University Press
- Seitenzahl: 944
- Erscheinungstermin: 29. Dezember 2015
- Englisch
- Abmessung: 249mm x 173mm x 58mm
- Gewicht: 1768g
- ISBN-13: 9780199661305
- ISBN-10: 0199661308
- Artikelnr.: 42363211
- Oxford Handbooks in Classics and Ancient History
- Verlag: Oxford University Press
- Seitenzahl: 944
- Erscheinungstermin: 29. Dezember 2015
- Englisch
- Abmessung: 249mm x 173mm x 58mm
- Gewicht: 1768g
- ISBN-13: 9780199661305
- ISBN-10: 0199661308
- Artikelnr.: 42363211
* List of Contributors
* Note on Nomenclature, Spelling, and Texts
* Part I: Theories and Methods
* 1: Fiona Macintosh, Justine McConnell, and Patrice Rankine:
Introduction
* 2: Susan Curtis: An Archival Interrogation
* 3: Barbara Goff and Michael Simpson: New Worlds, Old Dreams?
Postcolonial Theory and Reception of Greek Drama
* 4: Lee T. Pearcy: Grecian Theater in Philadelphia, 1800-1870
* 5: Fiona Macintosh: Thebes in the New World: Revisiting the New York
Antigone of 1845
* 6: Helene Foley: Julia Ward Howe's Hippolytus
* 7: Kathryn Bosher and Jordana Cox: Professional Tragedy: The Case of
Medea in Chicago, 1867
* 8: Robert Davis: Barbarian Queens: Race, Violence, and Antiquity on
the Nineteenth-Century American Stage
* 9: David Mayer: When Greeks Stand You Up, Invite Romans: The Ancient
World on the Nineteenth-Century American Stage
* Part III: Modernisms in the Americas (1900-1930)
* 10: Edith Hall: The Migrant Muse: Greek Drama as Feminist Window on
American Identity, 1900-1925
* 11: Niall W. Slater: Iphigenia Amongst the Ivies, 1915
* 12: Moira Day: Treading the Arduous Road to Eleusis, Nationalism and
Feminism in Early Post-World War I Canada: Roy Mitchell's 1920 The
Trojan Women
* 13: Artemis Leontis: Greek Theater in Modern Dance: An Alternative
Archaeology
* 14: Vassilis Lambropoulos: Eugene O'Neill's Quest for Greek Tragedy
* Part IV: The Living Pasts (1925-1970)
* 15: Susan Manning: Choreographing the Classics, Performing Sexual
Dissidence
* 16: Francisco Barrenechea: Greek Drama in Mexico
* 17: Judith P. Hallett: Moving and Dramatic Athenian Citizenship:
Edith Hamilton's Americanization of Greek Tragedy
* 18: Lena Hill: A New Stage of Laughter for Zora Neale Hurston and
Theodore Brown: Lysistrata and the Negro Units of the Federal Theatre
Project
* 19: John Given: Aristophanic Comedy in American Musical Theater,
1925-1969
* 20: Konstantinos Nikoloutsos: Cubanizing Greek Drama: José Triana's
Medea in the Mirror, 1960
* Part V: Creative Collisions (1948-1968)
* 21: Rosa Andújar: Revolutionizing Greek Tragedy in Cuba: Virgilio
Piñera's Electra Garrigó, 1948
* 22: Paul Dixon: Alfredo Dias Gomes' O Pagador de promessas and
Antigone's Dilemma
* 23: José de Paiva dos Santos: The Darkening of Medea: Geographies of
Race, (Dis)Placement and Identity in Agostinho Olavo's Além do Rio
(Medea)
* 24: Aníbal A. Biglieri: The Frontiers of David Cureses' La frontera
* 25: Isabelle Torrance: Brothers at War: Aeschylus in Cuba 1968 and
2007
* Part VI: The Search for the Omni-Americas (1970s-2013)
* 26: Thomas E. Jenkins: Metaphor and Modernity: American Themes in
Herakles and Dionysus in '69
* 27: Justine McConnell: Lee Breuer's New American Classicism: The
Gospel at Colonus's Integration Statement
* 28: Nancy Sorkin Rabinowitz: Afrocentrism or Assimilation: The Case
of Rita Dove's The Darker Face of the Earth
* 29: Katie Billotte: The Power of Medea's Sisterhood: America(ns) on
the Margins in Cherríe Moraga's The Hungry Woman: A Mexican Medea
* 30: Patrice Rankine: August Wilson and Greek Drama: Blackface
Minstrelsy, 'Spectacle' from Aristotle's Poetics, and Radio Golf
* 31: Kevin J. Wetmore Jr.: 'Aeschylus Got Flow!': Afrosporic Greek
Tragedy and Will Power's The Seven
* 32: Moira Fradinger: Visibility Strategies: Multiple Antigones on the
Colombian Twenty-First Century Stage
* 33: Dorota Dutsch: Democratic Appropriations: Lysistrata and
Political Activism
* 34: Melinda Powers: Reclaiming Euripides in Harlem
* 35: María Florencia Nelli: Oedipus Tyrannus in South America
* 36: Mary-Kay Gamel: Greek Drama on the West Coast, 1970-2013
* 37: Laura Lodewyck and S. Sara Monoson: Performing for Soldiers:
Twenty-First Century Experiments in Greek Theater in the U.S.
* 38: Hallie Rebecca Marshall: Greek Tragedy in Canada: Women's Voices
and Minority Views
* Part VII: Practioner Perspectives
* 39: Daniel Banks and Patrice Rankine: Countee Cullen's Medea: Daniel
Banks on Adaptation and Change
* 40: Yopie Prins: This Bird That Never Settles: A Virtual Conversation
with Anne Carson about Greek Tragedy
* 41: Cesar Gemelli: An Interview with Heron Coelho
* 42: María Florencia Nelli: An Interview with Héctor Levy-Daniel
* 43: Erin B. Mee: Charles Mee's '(Re)Making' of Greek Drama
* 45: Margaret Williamson: An Interview with Carey Perloff
* 46: Rush Rehm: Eclectic Encounters: Staging Greek Tragedy in America,
1973 - 2009
* 47: Justine McConnell and Patrice Rankine: The Shock of Recognition:
Nicholas Rudall's Translation of Greek Drama for the Chicago Stage at
Court Theatre
* 48: Avery Willis Hoffman: In Conversation with Peter Sellars: 'What
Does Greek Tragedy Mean to You?'
* 49: Peggy Shannon: Women and War
* 50: Shawn Sides: Dionysus in 69 in 2009
* 51: Helen Eastman: Talking Greeks with Derek Walcott
* Afterword
* 52: Lorna Hardwick: Audiences Across the Pond: Oceans Apart or Shared
Experiences?
* List of Contributors
* Note on Nomenclature, Spelling, and Texts
* Part I: Theories and Methods
* 1: Fiona Macintosh, Justine McConnell, and Patrice Rankine:
Introduction
* 2: Susan Curtis: An Archival Interrogation
* 3: Barbara Goff and Michael Simpson: New Worlds, Old Dreams?
Postcolonial Theory and Reception of Greek Drama
* 4: Lee T. Pearcy: Grecian Theater in Philadelphia, 1800-1870
* 5: Fiona Macintosh: Thebes in the New World: Revisiting the New York
Antigone of 1845
* 6: Helene Foley: Julia Ward Howe's Hippolytus
* 7: Kathryn Bosher and Jordana Cox: Professional Tragedy: The Case of
Medea in Chicago, 1867
* 8: Robert Davis: Barbarian Queens: Race, Violence, and Antiquity on
the Nineteenth-Century American Stage
* 9: David Mayer: When Greeks Stand You Up, Invite Romans: The Ancient
World on the Nineteenth-Century American Stage
* Part III: Modernisms in the Americas (1900-1930)
* 10: Edith Hall: The Migrant Muse: Greek Drama as Feminist Window on
American Identity, 1900-1925
* 11: Niall W. Slater: Iphigenia Amongst the Ivies, 1915
* 12: Moira Day: Treading the Arduous Road to Eleusis, Nationalism and
Feminism in Early Post-World War I Canada: Roy Mitchell's 1920 The
Trojan Women
* 13: Artemis Leontis: Greek Theater in Modern Dance: An Alternative
Archaeology
* 14: Vassilis Lambropoulos: Eugene O'Neill's Quest for Greek Tragedy
* Part IV: The Living Pasts (1925-1970)
* 15: Susan Manning: Choreographing the Classics, Performing Sexual
Dissidence
* 16: Francisco Barrenechea: Greek Drama in Mexico
* 17: Judith P. Hallett: Moving and Dramatic Athenian Citizenship:
Edith Hamilton's Americanization of Greek Tragedy
* 18: Lena Hill: A New Stage of Laughter for Zora Neale Hurston and
Theodore Brown: Lysistrata and the Negro Units of the Federal Theatre
Project
* 19: John Given: Aristophanic Comedy in American Musical Theater,
1925-1969
* 20: Konstantinos Nikoloutsos: Cubanizing Greek Drama: José Triana's
Medea in the Mirror, 1960
* Part V: Creative Collisions (1948-1968)
* 21: Rosa Andújar: Revolutionizing Greek Tragedy in Cuba: Virgilio
Piñera's Electra Garrigó, 1948
* 22: Paul Dixon: Alfredo Dias Gomes' O Pagador de promessas and
Antigone's Dilemma
* 23: José de Paiva dos Santos: The Darkening of Medea: Geographies of
Race, (Dis)Placement and Identity in Agostinho Olavo's Além do Rio
(Medea)
* 24: Aníbal A. Biglieri: The Frontiers of David Cureses' La frontera
* 25: Isabelle Torrance: Brothers at War: Aeschylus in Cuba 1968 and
2007
* Part VI: The Search for the Omni-Americas (1970s-2013)
* 26: Thomas E. Jenkins: Metaphor and Modernity: American Themes in
Herakles and Dionysus in '69
* 27: Justine McConnell: Lee Breuer's New American Classicism: The
Gospel at Colonus's Integration Statement
* 28: Nancy Sorkin Rabinowitz: Afrocentrism or Assimilation: The Case
of Rita Dove's The Darker Face of the Earth
* 29: Katie Billotte: The Power of Medea's Sisterhood: America(ns) on
the Margins in Cherríe Moraga's The Hungry Woman: A Mexican Medea
* 30: Patrice Rankine: August Wilson and Greek Drama: Blackface
Minstrelsy, 'Spectacle' from Aristotle's Poetics, and Radio Golf
* 31: Kevin J. Wetmore Jr.: 'Aeschylus Got Flow!': Afrosporic Greek
Tragedy and Will Power's The Seven
* 32: Moira Fradinger: Visibility Strategies: Multiple Antigones on the
Colombian Twenty-First Century Stage
* 33: Dorota Dutsch: Democratic Appropriations: Lysistrata and
Political Activism
* 34: Melinda Powers: Reclaiming Euripides in Harlem
* 35: María Florencia Nelli: Oedipus Tyrannus in South America
* 36: Mary-Kay Gamel: Greek Drama on the West Coast, 1970-2013
* 37: Laura Lodewyck and S. Sara Monoson: Performing for Soldiers:
Twenty-First Century Experiments in Greek Theater in the U.S.
* 38: Hallie Rebecca Marshall: Greek Tragedy in Canada: Women's Voices
and Minority Views
* Part VII: Practioner Perspectives
* 39: Daniel Banks and Patrice Rankine: Countee Cullen's Medea: Daniel
Banks on Adaptation and Change
* 40: Yopie Prins: This Bird That Never Settles: A Virtual Conversation
with Anne Carson about Greek Tragedy
* 41: Cesar Gemelli: An Interview with Heron Coelho
* 42: María Florencia Nelli: An Interview with Héctor Levy-Daniel
* 43: Erin B. Mee: Charles Mee's '(Re)Making' of Greek Drama
* 45: Margaret Williamson: An Interview with Carey Perloff
* 46: Rush Rehm: Eclectic Encounters: Staging Greek Tragedy in America,
1973 - 2009
* 47: Justine McConnell and Patrice Rankine: The Shock of Recognition:
Nicholas Rudall's Translation of Greek Drama for the Chicago Stage at
Court Theatre
* 48: Avery Willis Hoffman: In Conversation with Peter Sellars: 'What
Does Greek Tragedy Mean to You?'
* 49: Peggy Shannon: Women and War
* 50: Shawn Sides: Dionysus in 69 in 2009
* 51: Helen Eastman: Talking Greeks with Derek Walcott
* Afterword
* 52: Lorna Hardwick: Audiences Across the Pond: Oceans Apart or Shared
Experiences?