The Oxford Handbook of Hip Hop Dance Studies offers insights on individual and social histories of dance, Afrodiasporic and global lineages of the genre, the contribution of B-Girls from Honey Rockwell to Rokafella, the "studio-fication" of hip hop, and the cultural shift into theatre, TV, and the digital social media space.
The Oxford Handbook of Hip Hop Dance Studies offers insights on individual and social histories of dance, Afrodiasporic and global lineages of the genre, the contribution of B-Girls from Honey Rockwell to Rokafella, the "studio-fication" of hip hop, and the cultural shift into theatre, TV, and the digital social media space.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mary Fogarty is Associate Professor in the Department of Dance at York University, Toronto, Canada. She is currently serving as the President of IASPM-Canada and the Editor of IASPM Journal, the members' journal of the International Association for the Study of Popular Music. She is a past Chair of PoP Moves Americas, a network of popular dance scholars. Imani Kai Johnson is an interdisciplinary-trained Professor of Critical Dance Studies at UC Riverside. She is also founder and chair of the Show & Prove Hip Hop Studies Conference series and author of Dark Matter in Breaking Cyphers: The Life of Africanist Aesthetics in Global Hip Hop (OUP, 2022). She currently resides in Long Beach, CA.
Inhaltsangabe
* About the Contributors * Introduction * Mary Fogarty and Imani Kai Johnson * Part I. Hip Hop Dance Legacies and Traditions * 1. Foundation: Context and Components of Breaking Fundamentals * Kenneth "Ken Swift" Gabbert and Yarrow "Osofly" Lutz * 2. The Camera in the Cypher: High Times and Hypervisibility in Early Hip Hop Dance * Vanessa Lakewood * 3. The Technical Developments in Breaking from Conditioning to Mindset * Niels "Storm" Robitzky * 4. Connecting Hip Hop History and Heritage * E. Moncell Durden * 5. Kung Fu Fandom: NYC B-Boys and the Grindhouse Distribution of Kung Fu Films * Eric Pellerin * 6. What Makes a Man Break? * Mary Fogarty * Part II. Hip Hop Dance Methodologies * 7. Learn Your History: Using Academic Oral Histories of NYC B-Girls in the 1990s to Broaden Hip Hop Scholarship * MiRi Park * 8. Hard Love Part. 1: Corporealities of Women Ethnographers of Hip Hop Dances * Imani Kai Johnson * 9. Framing Hip Hop Dance as an Object of Sociological and Cultural Research * Andy Bennett * 10. Through Sound and Space: Notes on Education from the Edge of the Cypher * Emery Petchauer * 11. The Vault: Collecting and Archiving Street Dance Footage * Marc "Scramblelock" Sakalauskas * 12. Hard Love Part 2: Critical Hiphopography in Streetdance Communities * Imani Kai Johnson * Part III. Overstanding Identities in Hip Hop Streetdance Practices * 13. Breaking in My House: Popular Dance, Identity Politics, and Postracial Empathies * Thomas F. DeFrantz * 14. Globalization and the Hip Hop Dance Cipher * Halifu Osumare and Terry Bright Kweku Ofosu * 15. Asian American Liminality: Racial Triangulation in Hip Hop Dance * grace shinhae jun * 16. Breakin' Down the Bloc: Hip Hop Dance in Armenia * Serouj "Midus" Aprahamian * 17. Twerking and P-Popping in the Context of New Orleans' Local Hip-Hop Scene * Matt Miller * 18. Is She B-boying or B-girling? Understanding how B-girls Negotiate Gender and Belonging * Helen Simard * Part IV. Breaking with Convention * 19. Streetdance and Black Aesthetics * Naomi Bragin * 20. Living in the Tension: The Aesthetics and Logics of Popping * Rosemarie A. Roberts * 21. Staging Hip Hop Dance: Fly Girls in the House * Leah "McFly" McKesey, Diana "Fly Lady Di" Reyes and Mary "MJ" Fogarty * 22. Battles and Ballets: Hip Hop Dance in France * Roberta Shapiro (Translation by David Lavin, Roberta Shapiro and Imani Kai Johnson) * 23. Negotiating the Metaspace: Hip Hop Dance Artists in the Space of UK Dance/Theatre * Paul Sadot * 24. Make the Letters Dance: A Hip Hop Approach to Creative Practice * Anthony "YNOT" DeNaro and Mary Fogarty * Part V. Hip Hop Health: Injury, Healing and Rehabilitation * 25. Hip Hop Dance and Injury Prevention * Tony Ingram * 26. They Come for the Hip Hop, But Stay for the Healing * Stephen "Buddha" Leafloor * 27. Can Expert Dancers Be A Springboard Model to Examine Neurorehabilitation Via Dance? * Rebecca Barnstaple, Débora B. Rabinovich, and Joseph FX DeSouza * Afterword: Dance, Hip Hop Studies and the Academy * Joseph Schloss * Acknowledgments * Index
* About the Contributors * Introduction * Mary Fogarty and Imani Kai Johnson * Part I. Hip Hop Dance Legacies and Traditions * 1. Foundation: Context and Components of Breaking Fundamentals * Kenneth "Ken Swift" Gabbert and Yarrow "Osofly" Lutz * 2. The Camera in the Cypher: High Times and Hypervisibility in Early Hip Hop Dance * Vanessa Lakewood * 3. The Technical Developments in Breaking from Conditioning to Mindset * Niels "Storm" Robitzky * 4. Connecting Hip Hop History and Heritage * E. Moncell Durden * 5. Kung Fu Fandom: NYC B-Boys and the Grindhouse Distribution of Kung Fu Films * Eric Pellerin * 6. What Makes a Man Break? * Mary Fogarty * Part II. Hip Hop Dance Methodologies * 7. Learn Your History: Using Academic Oral Histories of NYC B-Girls in the 1990s to Broaden Hip Hop Scholarship * MiRi Park * 8. Hard Love Part. 1: Corporealities of Women Ethnographers of Hip Hop Dances * Imani Kai Johnson * 9. Framing Hip Hop Dance as an Object of Sociological and Cultural Research * Andy Bennett * 10. Through Sound and Space: Notes on Education from the Edge of the Cypher * Emery Petchauer * 11. The Vault: Collecting and Archiving Street Dance Footage * Marc "Scramblelock" Sakalauskas * 12. Hard Love Part 2: Critical Hiphopography in Streetdance Communities * Imani Kai Johnson * Part III. Overstanding Identities in Hip Hop Streetdance Practices * 13. Breaking in My House: Popular Dance, Identity Politics, and Postracial Empathies * Thomas F. DeFrantz * 14. Globalization and the Hip Hop Dance Cipher * Halifu Osumare and Terry Bright Kweku Ofosu * 15. Asian American Liminality: Racial Triangulation in Hip Hop Dance * grace shinhae jun * 16. Breakin' Down the Bloc: Hip Hop Dance in Armenia * Serouj "Midus" Aprahamian * 17. Twerking and P-Popping in the Context of New Orleans' Local Hip-Hop Scene * Matt Miller * 18. Is She B-boying or B-girling? Understanding how B-girls Negotiate Gender and Belonging * Helen Simard * Part IV. Breaking with Convention * 19. Streetdance and Black Aesthetics * Naomi Bragin * 20. Living in the Tension: The Aesthetics and Logics of Popping * Rosemarie A. Roberts * 21. Staging Hip Hop Dance: Fly Girls in the House * Leah "McFly" McKesey, Diana "Fly Lady Di" Reyes and Mary "MJ" Fogarty * 22. Battles and Ballets: Hip Hop Dance in France * Roberta Shapiro (Translation by David Lavin, Roberta Shapiro and Imani Kai Johnson) * 23. Negotiating the Metaspace: Hip Hop Dance Artists in the Space of UK Dance/Theatre * Paul Sadot * 24. Make the Letters Dance: A Hip Hop Approach to Creative Practice * Anthony "YNOT" DeNaro and Mary Fogarty * Part V. Hip Hop Health: Injury, Healing and Rehabilitation * 25. Hip Hop Dance and Injury Prevention * Tony Ingram * 26. They Come for the Hip Hop, But Stay for the Healing * Stephen "Buddha" Leafloor * 27. Can Expert Dancers Be A Springboard Model to Examine Neurorehabilitation Via Dance? * Rebecca Barnstaple, Débora B. Rabinovich, and Joseph FX DeSouza * Afterword: Dance, Hip Hop Studies and the Academy * Joseph Schloss * Acknowledgments * Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
