The Oxford Handbook of Medieval Literature in English
Herausgeber: Treharne, Elaine; Walker, Greg
The Oxford Handbook of Medieval Literature in English
Herausgeber: Treharne, Elaine; Walker, Greg
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Bringing together the insights of new fields and approaches with those of more familiar texts and methods, this handbook provides a comprehensive overview of the state of Medieval Literature today. It discusses texts such as Beowulf, Wulf and Eadwacer, and Ancrene Wisse and authors from ¿fric to Chaucer, Langland, and the Gawain Poet.
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Bringing together the insights of new fields and approaches with those of more familiar texts and methods, this handbook provides a comprehensive overview of the state of Medieval Literature today. It discusses texts such as Beowulf, Wulf and Eadwacer, and Ancrene Wisse and authors from ¿fric to Chaucer, Langland, and the Gawain Poet.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: OUP Oxford
- Seitenzahl: 790
- Erscheinungstermin: 7. September 2017
- Englisch
- Abmessung: 244mm x 170mm x 43mm
- Gewicht: 1336g
- ISBN-13: 9780198798088
- ISBN-10: 0198798083
- Artikelnr.: 47864878
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: OUP Oxford
- Seitenzahl: 790
- Erscheinungstermin: 7. September 2017
- Englisch
- Abmessung: 244mm x 170mm x 43mm
- Gewicht: 1336g
- ISBN-13: 9780198798088
- ISBN-10: 0198798083
- Artikelnr.: 47864878
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Greg Walker is Regius Professor of Rhetoric and English Literature at the University of Edinburgh. Prior to that he was Professor of early-modern literature and culture at the University of Leicester. He has written extensively on the drama, poetry, and prose, and the political and religious history of the late medieval period and the sixteenth century in England and Scotland. He has edited the Oxford Anthology of Tudor Drama and is co-editor with Thomas Betteridge of The Oxford Handbook of Tudor Drama. Elaine Treharne is Roberta Bowman Denning Professor of Humanities and Professor of English, and, by Courtesy, of German Studies at Stanford University. Elaine was previously Professor of Early English at Florida State University and Visiting Professor of Medieval Literature at the University of Leicester. She has published extensively on Old and Middle English literature and particularly religious prose, and she works on medieval manuscripts and their contents, focusing recently on the architextuality of early books.
* Prologue
* Speaking of the Medieval
* Literary Production
* 1: A.S.G. Edwards: Books and Manuscripts
* 2: Orietta Da Rold: Textual Copying and Transmission
* 3: Simon Horobin: Professionalization of Writing
* 4: Nicholas Perkins: Writing, Authority, and Bureaucracy
* 5: Elizabeth Evenden: The Impact of Print: The Perceived Worth of the
Printed Book in England, 1476-1575
* Literary Consumption
* 6: Ralph Hanna: Literature and the Cultural Elites
* 7: Jayne Carroll: The Verse of Heroes
* 8: Siân Echard: Insular Romance
* 9: Nicola McDonald: A York Primer and its Alphabet: Reading Women in
a Lay Household
* 10: John McGavin: Performing Communities: Civic Religious Drama
* Literature, Clerical, and Lay
* 11: Bella Millett: Change and Continuity: The English Sermon before
1250
* 12: Diane Watt: Authorizing Female Piety
* 13: Andy Galloway: Visions and Visionaries
* 14: Mishtooni Bose: Writing, Heresy, and the Anticlerical Muse
* 15: Dan Anlezark: Acquiring Wisdom: Teaching Texts and the Lore of
the People
* Literary Realities
* 16: Andrew Prescott: The Yorkshire Partisans and the Literature of
Popular Discontent
* 17: Tom Bredehoft: Gothic Turn and the Twelfth-Century Chronicle
* 18: Stephen Kelly: Antisocial Reform: Writing Rebellion
* 19: Elizabeth Dutton: Secular Drama
* 20: Gillian Rudd: Metaphorical and Real Flowers in Medieval Verse
* Complex Identities
* 21: Kathryn Kerby-Fulton: Authority, Constraint, and the Writing of
the Medieval Self
* 22: Kathy Lavezzo: Complex Identities: Selves and Others
* 23: Samantha Zacher: The Chosen People: Spiritual Identities
* 24: Alcuin Blamires: Individuality
* 25: Jacqueline Stodnick: Emergent Englishness
* Literary Place, Space, and Time
* 26: Helen Fulton: Regions and Communities
* 27: Alison Wiggins: The City and the Text: London Literature
* 28: Wendy Scase: Provincial Reading Communities
* 29: Elizabeth Elliott: Scottish Writing
* 30: Thorlac Turville-Petre: Places of the Imagination: The Gawain
-Poet
* Literary Journeys
* 31: Jeffrey Jerome Cohen: Pilgrimages, Travel Writing, and the
Medieval Exotic
* 32: Anke Bernau: 'Britain': Originary Myths and the Stories of
Peoples
* 33: Alfred Hiatt: Maps and Margins: Other Lands, Other Peoples
* 34: Asa Simon Mittman and Susan Kim: Monsters and the Medieval Exotic
in Medieval England
* 35: Mary Baine Campbell: Spiritual Quest and Social Space: Texts of
Hard Travel for God on Earth and in the Heart
* Epilogue
* When did 'The Medieval End?' Retrospection, Foresight and The End(s)
of the English Middle Ages
* Index of Manuscripts
* General Index
* Speaking of the Medieval
* Literary Production
* 1: A.S.G. Edwards: Books and Manuscripts
* 2: Orietta Da Rold: Textual Copying and Transmission
* 3: Simon Horobin: Professionalization of Writing
* 4: Nicholas Perkins: Writing, Authority, and Bureaucracy
* 5: Elizabeth Evenden: The Impact of Print: The Perceived Worth of the
Printed Book in England, 1476-1575
* Literary Consumption
* 6: Ralph Hanna: Literature and the Cultural Elites
* 7: Jayne Carroll: The Verse of Heroes
* 8: Siân Echard: Insular Romance
* 9: Nicola McDonald: A York Primer and its Alphabet: Reading Women in
a Lay Household
* 10: John McGavin: Performing Communities: Civic Religious Drama
* Literature, Clerical, and Lay
* 11: Bella Millett: Change and Continuity: The English Sermon before
1250
* 12: Diane Watt: Authorizing Female Piety
* 13: Andy Galloway: Visions and Visionaries
* 14: Mishtooni Bose: Writing, Heresy, and the Anticlerical Muse
* 15: Dan Anlezark: Acquiring Wisdom: Teaching Texts and the Lore of
the People
* Literary Realities
* 16: Andrew Prescott: The Yorkshire Partisans and the Literature of
Popular Discontent
* 17: Tom Bredehoft: Gothic Turn and the Twelfth-Century Chronicle
* 18: Stephen Kelly: Antisocial Reform: Writing Rebellion
* 19: Elizabeth Dutton: Secular Drama
* 20: Gillian Rudd: Metaphorical and Real Flowers in Medieval Verse
* Complex Identities
* 21: Kathryn Kerby-Fulton: Authority, Constraint, and the Writing of
the Medieval Self
* 22: Kathy Lavezzo: Complex Identities: Selves and Others
* 23: Samantha Zacher: The Chosen People: Spiritual Identities
* 24: Alcuin Blamires: Individuality
* 25: Jacqueline Stodnick: Emergent Englishness
* Literary Place, Space, and Time
* 26: Helen Fulton: Regions and Communities
* 27: Alison Wiggins: The City and the Text: London Literature
* 28: Wendy Scase: Provincial Reading Communities
* 29: Elizabeth Elliott: Scottish Writing
* 30: Thorlac Turville-Petre: Places of the Imagination: The Gawain
-Poet
* Literary Journeys
* 31: Jeffrey Jerome Cohen: Pilgrimages, Travel Writing, and the
Medieval Exotic
* 32: Anke Bernau: 'Britain': Originary Myths and the Stories of
Peoples
* 33: Alfred Hiatt: Maps and Margins: Other Lands, Other Peoples
* 34: Asa Simon Mittman and Susan Kim: Monsters and the Medieval Exotic
in Medieval England
* 35: Mary Baine Campbell: Spiritual Quest and Social Space: Texts of
Hard Travel for God on Earth and in the Heart
* Epilogue
* When did 'The Medieval End?' Retrospection, Foresight and The End(s)
of the English Middle Ages
* Index of Manuscripts
* General Index
* Prologue
* Speaking of the Medieval
* Literary Production
* 1: A.S.G. Edwards: Books and Manuscripts
* 2: Orietta Da Rold: Textual Copying and Transmission
* 3: Simon Horobin: Professionalization of Writing
* 4: Nicholas Perkins: Writing, Authority, and Bureaucracy
* 5: Elizabeth Evenden: The Impact of Print: The Perceived Worth of the
Printed Book in England, 1476-1575
* Literary Consumption
* 6: Ralph Hanna: Literature and the Cultural Elites
* 7: Jayne Carroll: The Verse of Heroes
* 8: Siân Echard: Insular Romance
* 9: Nicola McDonald: A York Primer and its Alphabet: Reading Women in
a Lay Household
* 10: John McGavin: Performing Communities: Civic Religious Drama
* Literature, Clerical, and Lay
* 11: Bella Millett: Change and Continuity: The English Sermon before
1250
* 12: Diane Watt: Authorizing Female Piety
* 13: Andy Galloway: Visions and Visionaries
* 14: Mishtooni Bose: Writing, Heresy, and the Anticlerical Muse
* 15: Dan Anlezark: Acquiring Wisdom: Teaching Texts and the Lore of
the People
* Literary Realities
* 16: Andrew Prescott: The Yorkshire Partisans and the Literature of
Popular Discontent
* 17: Tom Bredehoft: Gothic Turn and the Twelfth-Century Chronicle
* 18: Stephen Kelly: Antisocial Reform: Writing Rebellion
* 19: Elizabeth Dutton: Secular Drama
* 20: Gillian Rudd: Metaphorical and Real Flowers in Medieval Verse
* Complex Identities
* 21: Kathryn Kerby-Fulton: Authority, Constraint, and the Writing of
the Medieval Self
* 22: Kathy Lavezzo: Complex Identities: Selves and Others
* 23: Samantha Zacher: The Chosen People: Spiritual Identities
* 24: Alcuin Blamires: Individuality
* 25: Jacqueline Stodnick: Emergent Englishness
* Literary Place, Space, and Time
* 26: Helen Fulton: Regions and Communities
* 27: Alison Wiggins: The City and the Text: London Literature
* 28: Wendy Scase: Provincial Reading Communities
* 29: Elizabeth Elliott: Scottish Writing
* 30: Thorlac Turville-Petre: Places of the Imagination: The Gawain
-Poet
* Literary Journeys
* 31: Jeffrey Jerome Cohen: Pilgrimages, Travel Writing, and the
Medieval Exotic
* 32: Anke Bernau: 'Britain': Originary Myths and the Stories of
Peoples
* 33: Alfred Hiatt: Maps and Margins: Other Lands, Other Peoples
* 34: Asa Simon Mittman and Susan Kim: Monsters and the Medieval Exotic
in Medieval England
* 35: Mary Baine Campbell: Spiritual Quest and Social Space: Texts of
Hard Travel for God on Earth and in the Heart
* Epilogue
* When did 'The Medieval End?' Retrospection, Foresight and The End(s)
of the English Middle Ages
* Index of Manuscripts
* General Index
* Speaking of the Medieval
* Literary Production
* 1: A.S.G. Edwards: Books and Manuscripts
* 2: Orietta Da Rold: Textual Copying and Transmission
* 3: Simon Horobin: Professionalization of Writing
* 4: Nicholas Perkins: Writing, Authority, and Bureaucracy
* 5: Elizabeth Evenden: The Impact of Print: The Perceived Worth of the
Printed Book in England, 1476-1575
* Literary Consumption
* 6: Ralph Hanna: Literature and the Cultural Elites
* 7: Jayne Carroll: The Verse of Heroes
* 8: Siân Echard: Insular Romance
* 9: Nicola McDonald: A York Primer and its Alphabet: Reading Women in
a Lay Household
* 10: John McGavin: Performing Communities: Civic Religious Drama
* Literature, Clerical, and Lay
* 11: Bella Millett: Change and Continuity: The English Sermon before
1250
* 12: Diane Watt: Authorizing Female Piety
* 13: Andy Galloway: Visions and Visionaries
* 14: Mishtooni Bose: Writing, Heresy, and the Anticlerical Muse
* 15: Dan Anlezark: Acquiring Wisdom: Teaching Texts and the Lore of
the People
* Literary Realities
* 16: Andrew Prescott: The Yorkshire Partisans and the Literature of
Popular Discontent
* 17: Tom Bredehoft: Gothic Turn and the Twelfth-Century Chronicle
* 18: Stephen Kelly: Antisocial Reform: Writing Rebellion
* 19: Elizabeth Dutton: Secular Drama
* 20: Gillian Rudd: Metaphorical and Real Flowers in Medieval Verse
* Complex Identities
* 21: Kathryn Kerby-Fulton: Authority, Constraint, and the Writing of
the Medieval Self
* 22: Kathy Lavezzo: Complex Identities: Selves and Others
* 23: Samantha Zacher: The Chosen People: Spiritual Identities
* 24: Alcuin Blamires: Individuality
* 25: Jacqueline Stodnick: Emergent Englishness
* Literary Place, Space, and Time
* 26: Helen Fulton: Regions and Communities
* 27: Alison Wiggins: The City and the Text: London Literature
* 28: Wendy Scase: Provincial Reading Communities
* 29: Elizabeth Elliott: Scottish Writing
* 30: Thorlac Turville-Petre: Places of the Imagination: The Gawain
-Poet
* Literary Journeys
* 31: Jeffrey Jerome Cohen: Pilgrimages, Travel Writing, and the
Medieval Exotic
* 32: Anke Bernau: 'Britain': Originary Myths and the Stories of
Peoples
* 33: Alfred Hiatt: Maps and Margins: Other Lands, Other Peoples
* 34: Asa Simon Mittman and Susan Kim: Monsters and the Medieval Exotic
in Medieval England
* 35: Mary Baine Campbell: Spiritual Quest and Social Space: Texts of
Hard Travel for God on Earth and in the Heart
* Epilogue
* When did 'The Medieval End?' Retrospection, Foresight and The End(s)
of the English Middle Ages
* Index of Manuscripts
* General Index