Presents essays by thirty-five leading scholars of Irish fiction that provide authoritative assessments of the breadth and achievement of Irish novelists and short story writers.
Presents essays by thirty-five leading scholars of Irish fiction that provide authoritative assessments of the breadth and achievement of Irish novelists and short story writers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Liam Harte is Professor of Irish Literature at the University of Manchester. His publications include A History of Irish Autobiography (Cambridge University Press, 2018), Reading the Contemporary Irish Novel 1987-2007 (Wiley Blackwell, 2014), The Literature of the Irish in Britain: Autobiography and Memoir, 1725-2001 (Palgrave Macmillan, 2009), Modern Irish Autobiography: Self, Nation and Society (Palgrave Macmillan, 2007), and Contemporary Irish Fiction: Themes, Tropes, Theories (Macmillan, 2000; co-edited with Michael Parker).
Inhaltsangabe
* Part I: Introduction * 1: Liam Harte: Modern Irish Fiction: Renewing the Art of the New * Part II: Nineteenth-Century Contexts and Legacies * 2: Jarlath Killeen: Irish Gothic Fiction * 3: Gerardine Meaney: Nation, Gender, and Genre: Nineteenth-Century Women's Writing and the Development of Irish Fiction * 4: James H. Murphy: Shame is the Spur: Novels by Irish Catholics, 1873-1922 * Part III: Irish Revivalism and Irish Modernism * 5: Elizabeth Grubgeld: George Moore: Gender, Place, and Narrative * 6: Gregory Castle: Revival Fiction: Proclaiming the Future * 7: Gregory Dobbins: The Materialist Fabulist Dialectic: James Stephens, Eimar O'Duffy, and Magic Naturalism * 8: Sam Slote: Epic Modernism: Ulysses and Finnegans Wake * 9: Brian Ó Conchubhair: The Parallax of Irish-Language Modernism, 1900-1940 * Part IV: After the Revival, In Joyce's Wake * 10: Louis de Paor: Lethal in Two Languages: Narrative Form and Cultural Politics in the Fiction of Flann O'Brien and Máirtín Ó Cadhain * 11: Sinéad Mooney: Effing the Ineffable: Samuel Beckett's Narrators * 12: Allan Hepburn: Obliquities: Elizabeth Bowen and the Modern Short Story * 13: Gerry Smyth: The Role and Representation of Betrayal in the Irish Short Story Since Dubliners * 14: Heather Ingman: Arrows in Flight: Success and Failure in Mid-Twentieth-Century Irish Fiction * 15: Norman Vance: 'Proud of Our Wee Ulster'?: Writing Region and Identity in Ulster Fiction * Part V: Fiction in the Modernizing Republic and the Troubled North * 16: Jane Elizabeth Dougherty: Edna O'Brien and the Politics of Belatedness * 17: Frank Shovlin: 'Half-Arsed Modern': John McGahern and the Failed State * 18: Neil Murphy: John Banville's Fictions of Art * 19: Caroline Magennis: Intimacy, Sex, and Violence in Northern Irish Women's Fiction * Part VI: Irish Genre Fiction * 20: Ian Campbell Ross: Irish Crime Fiction * 21: Jack Fennell: Irish Science Fiction * 22: Pádraic Whyte: House, Land, and Family Life: Children's Fiction and Irish Homes * Part VII: Fact into Fiction, Fiction into Film * 23: Melissa Fegan: The Great Famine in Fiction, 1901-2015 * 24: Laura O'Connor: Fictions of 1916 in the Story of Ireland * 25: Kevin Rockett: Irish Literary Cinema * Part VIII: Crossings and Crosscurrents * 26: Tony Murray: The Fiction of the Irish in England * 27: Stefanie Lehner: Devolutionary States: Crosscurrents in Contemporary Irish and Scottish Fiction * 28: Sally Barr Ebest: Sex, Violence, and Religion in the Irish-American Domestic Novel * 29: Sinéad Moynihan: 'A Sly, Mid-Atlantic Appropriation': Ireland, the United States, and Transnational Fictions of Spain * Part IX: Contemporary Irish Fiction * 30: Derek Hand: Dublin in the Rare New Times * 31: Fiona McCann: Northern Irish Fiction After the Troubles * 32: Michael G. Cronin: 'Our Nameless Desires': The Erotics of Time and Space in Contemporary Irish Lesbian and Gay Fiction * 33: Pádraig Ó Siadhail: Contemporary Irish-Language Fiction * 34: Susan Cahill: Post-Millennial Irish Fiction * Part X: Critical Evaluations * 35: Eve Patten: The Irish Novelist as Critic and Anthologist
* Part I: Introduction * 1: Liam Harte: Modern Irish Fiction: Renewing the Art of the New * Part II: Nineteenth-Century Contexts and Legacies * 2: Jarlath Killeen: Irish Gothic Fiction * 3: Gerardine Meaney: Nation, Gender, and Genre: Nineteenth-Century Women's Writing and the Development of Irish Fiction * 4: James H. Murphy: Shame is the Spur: Novels by Irish Catholics, 1873-1922 * Part III: Irish Revivalism and Irish Modernism * 5: Elizabeth Grubgeld: George Moore: Gender, Place, and Narrative * 6: Gregory Castle: Revival Fiction: Proclaiming the Future * 7: Gregory Dobbins: The Materialist Fabulist Dialectic: James Stephens, Eimar O'Duffy, and Magic Naturalism * 8: Sam Slote: Epic Modernism: Ulysses and Finnegans Wake * 9: Brian Ó Conchubhair: The Parallax of Irish-Language Modernism, 1900-1940 * Part IV: After the Revival, In Joyce's Wake * 10: Louis de Paor: Lethal in Two Languages: Narrative Form and Cultural Politics in the Fiction of Flann O'Brien and Máirtín Ó Cadhain * 11: Sinéad Mooney: Effing the Ineffable: Samuel Beckett's Narrators * 12: Allan Hepburn: Obliquities: Elizabeth Bowen and the Modern Short Story * 13: Gerry Smyth: The Role and Representation of Betrayal in the Irish Short Story Since Dubliners * 14: Heather Ingman: Arrows in Flight: Success and Failure in Mid-Twentieth-Century Irish Fiction * 15: Norman Vance: 'Proud of Our Wee Ulster'?: Writing Region and Identity in Ulster Fiction * Part V: Fiction in the Modernizing Republic and the Troubled North * 16: Jane Elizabeth Dougherty: Edna O'Brien and the Politics of Belatedness * 17: Frank Shovlin: 'Half-Arsed Modern': John McGahern and the Failed State * 18: Neil Murphy: John Banville's Fictions of Art * 19: Caroline Magennis: Intimacy, Sex, and Violence in Northern Irish Women's Fiction * Part VI: Irish Genre Fiction * 20: Ian Campbell Ross: Irish Crime Fiction * 21: Jack Fennell: Irish Science Fiction * 22: Pádraic Whyte: House, Land, and Family Life: Children's Fiction and Irish Homes * Part VII: Fact into Fiction, Fiction into Film * 23: Melissa Fegan: The Great Famine in Fiction, 1901-2015 * 24: Laura O'Connor: Fictions of 1916 in the Story of Ireland * 25: Kevin Rockett: Irish Literary Cinema * Part VIII: Crossings and Crosscurrents * 26: Tony Murray: The Fiction of the Irish in England * 27: Stefanie Lehner: Devolutionary States: Crosscurrents in Contemporary Irish and Scottish Fiction * 28: Sally Barr Ebest: Sex, Violence, and Religion in the Irish-American Domestic Novel * 29: Sinéad Moynihan: 'A Sly, Mid-Atlantic Appropriation': Ireland, the United States, and Transnational Fictions of Spain * Part IX: Contemporary Irish Fiction * 30: Derek Hand: Dublin in the Rare New Times * 31: Fiona McCann: Northern Irish Fiction After the Troubles * 32: Michael G. Cronin: 'Our Nameless Desires': The Erotics of Time and Space in Contemporary Irish Lesbian and Gay Fiction * 33: Pádraig Ó Siadhail: Contemporary Irish-Language Fiction * 34: Susan Cahill: Post-Millennial Irish Fiction * Part X: Critical Evaluations * 35: Eve Patten: The Irish Novelist as Critic and Anthologist
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