The Oxford Handbook of Music and Queerness looks at music and queer experience across a range of venues and approaches, from gospel to electronic dance music; from Hong Kong public music to Ukranian pop.
The Oxford Handbook of Music and Queerness looks at music and queer experience across a range of venues and approaches, from gospel to electronic dance music; from Hong Kong public music to Ukranian pop.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Fred Everett Maus is Director of Undergraduate Programs for Music and Associate Professor at the University of Virginia. He was a founding member of the editorial board of the journal Women and Music. Sheila Whiteley was Professsor Emeritus of Music at the University of Salford. She wrote, edited, or co-edited several books, including Women and Popular Music: Popular Music and Gender , Sexing the Groove: Popular Music and Gender, and Queering the Popular Pitch. Tavia Nyong'o is Chair and Professor of Theater & Performance Studies, Professor of American Studies, and Professor of African-American Studies at Yale University. He is author of The Amalgamation Waltz: Race, Performance, and the Ruses of Memory and Afro-Fabulations: The Queer Drama of Black Life . Zoe Sherinian is Professor of Ethnomusicology and Division Chair at the University of Oklahoma. She is author of Tamil Folk Music as Dalit Liberation Theology.
Inhaltsangabe
* Introduction * Fred Everett Maus * Whose Refuge, This House?: The Estrangement of Queers of Color in Electronic Dance Music * Luis-Manuel Garcia * The Queer Pleasures of Musicals * Bradley Rogers * The Gospel According to the Gays: Queering the Roots of Gospel Music * E. Patrick Johnson * Queer as Trad: LGBTQ Performers and Irish Traditional Music in the United States * Tes Slominski * Gay Country, TransAmericana, and Queer Sincerity * Shana Goldin-Perschbacher * Queer Hip Hop: A Brief Historiography * Shanté Paradigm Smalls * From Queer Musicology to Indecent Theology: Liberal and Liberationist Protestant Theology and Musical Queerings of the Bible * Dirk von der Horst * Operatic Adaptations and the Representation of Non-normative Sexualities * Freya Jarman * Queer Audiovisual Creativity: Fan-Created Music Videos from Star Trek to Bad Girls * Nina Treadwell * Karaoke, Queer Theory, Queer Performance: Dedicated to José Esteban Muñoz * Karen Tongson * Free as a Bird? Thinking with the Grain of Meshell Ndegeocello's Butch Voice * Tavia Nyong'o * Transgender Passing Guides and the Vocal Performance of Gender and Sexuality * Stephan Pennington * Sound Desires: Auralism, the Sexual Fetishization of Music * Jodie Taylor * Transcripts: Toward A Queer Phenomenology of the Field Recording * Drew Daniel * Queering Brighton * Sheila Whiteley * (To) Queer: "A" Life to Music * Elizabeth Gould * Endangered Tenderness: Schubert, Chopin, and Schumann * Charles Fisk * Musical Awakenings: The Experiences of a Queer Music Therapist in the Face of HIV and AIDS * Colin Andrew Lee * Toward a Trans* Method in Musicology * Dana Baitz * Quare Times: An Introduction to a Queer Perspective on Afrofuturism and a Reading of Sun Ra's Space Is the Place * Tim Stüttgen * Musical Abjects: Sounds and Objectionable Sexualities * Jenny Olivia Johnson * Music in the Margins: Queerness in the Clerical Imagination, 1200-1500 * Lisa Colton * The Queer History of the Castrato * Emily Wilbourne * Queering Middle Class Gender in Nineteenth-Century US Theater * Gillian Rodger * Anglophone Songs about HIV/AIDS * Matthew J. Jones * Queer Patriotism in the Eurovision Song Contest * Ivan Raykoff * Interdisciplinary Enqueeries from India: Moving Toward a Queer Ethnomusicology * Zoe Sherinian * Kunqu Cross-dressing as Artistic and/or Queer Performance * Joseph S. C. Lam * Non-ordinary Gender and Sexuality in Indonesian Performance * Henry Spiller * Out in the Undercurrents: Queer Politics in Hong Kong Popular Music * Yiu Fai Chow and Jeroen De Kloet * How to Do Things with Theory: Cultural "Transcription," "Queerness," and Ukrainian Pop * Stephen Amico
* Introduction * Fred Everett Maus * Whose Refuge, This House?: The Estrangement of Queers of Color in Electronic Dance Music * Luis-Manuel Garcia * The Queer Pleasures of Musicals * Bradley Rogers * The Gospel According to the Gays: Queering the Roots of Gospel Music * E. Patrick Johnson * Queer as Trad: LGBTQ Performers and Irish Traditional Music in the United States * Tes Slominski * Gay Country, TransAmericana, and Queer Sincerity * Shana Goldin-Perschbacher * Queer Hip Hop: A Brief Historiography * Shanté Paradigm Smalls * From Queer Musicology to Indecent Theology: Liberal and Liberationist Protestant Theology and Musical Queerings of the Bible * Dirk von der Horst * Operatic Adaptations and the Representation of Non-normative Sexualities * Freya Jarman * Queer Audiovisual Creativity: Fan-Created Music Videos from Star Trek to Bad Girls * Nina Treadwell * Karaoke, Queer Theory, Queer Performance: Dedicated to José Esteban Muñoz * Karen Tongson * Free as a Bird? Thinking with the Grain of Meshell Ndegeocello's Butch Voice * Tavia Nyong'o * Transgender Passing Guides and the Vocal Performance of Gender and Sexuality * Stephan Pennington * Sound Desires: Auralism, the Sexual Fetishization of Music * Jodie Taylor * Transcripts: Toward A Queer Phenomenology of the Field Recording * Drew Daniel * Queering Brighton * Sheila Whiteley * (To) Queer: "A" Life to Music * Elizabeth Gould * Endangered Tenderness: Schubert, Chopin, and Schumann * Charles Fisk * Musical Awakenings: The Experiences of a Queer Music Therapist in the Face of HIV and AIDS * Colin Andrew Lee * Toward a Trans* Method in Musicology * Dana Baitz * Quare Times: An Introduction to a Queer Perspective on Afrofuturism and a Reading of Sun Ra's Space Is the Place * Tim Stüttgen * Musical Abjects: Sounds and Objectionable Sexualities * Jenny Olivia Johnson * Music in the Margins: Queerness in the Clerical Imagination, 1200-1500 * Lisa Colton * The Queer History of the Castrato * Emily Wilbourne * Queering Middle Class Gender in Nineteenth-Century US Theater * Gillian Rodger * Anglophone Songs about HIV/AIDS * Matthew J. Jones * Queer Patriotism in the Eurovision Song Contest * Ivan Raykoff * Interdisciplinary Enqueeries from India: Moving Toward a Queer Ethnomusicology * Zoe Sherinian * Kunqu Cross-dressing as Artistic and/or Queer Performance * Joseph S. C. Lam * Non-ordinary Gender and Sexuality in Indonesian Performance * Henry Spiller * Out in the Undercurrents: Queer Politics in Hong Kong Popular Music * Yiu Fai Chow and Jeroen De Kloet * How to Do Things with Theory: Cultural "Transcription," "Queerness," and Ukrainian Pop * Stephen Amico
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