The Oxford Handbook of Shakespeare
Herausgeber: Kinney, Arthur F.
The Oxford Handbook of Shakespeare
Herausgeber: Kinney, Arthur F.
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An essential resource for the study of Shakespeare, The Oxford Handbook to Shakespeare contains forty specially written essays. It provides fresh and distinctive readings of his plays and poems, reflects on the current state of Shakespeare Studies, and speculates on the likely future directions it will take.
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An essential resource for the study of Shakespeare, The Oxford Handbook to Shakespeare contains forty specially written essays. It provides fresh and distinctive readings of his plays and poems, reflects on the current state of Shakespeare Studies, and speculates on the likely future directions it will take.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press(UK)
- Seitenzahl: 846
- Erscheinungstermin: 11. Dezember 2014
- Englisch
- Abmessung: 244mm x 170mm x 46mm
- Gewicht: 1429g
- ISBN-13: 9780198703495
- ISBN-10: 019870349X
- Artikelnr.: 40443013
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Oxford University Press(UK)
- Seitenzahl: 846
- Erscheinungstermin: 11. Dezember 2014
- Englisch
- Abmessung: 244mm x 170mm x 46mm
- Gewicht: 1429g
- ISBN-13: 9780198703495
- ISBN-10: 019870349X
- Artikelnr.: 40443013
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Arthur F. Kinney is Thomas W. Copeland Professor of Literary History and Director of the Center for Renaissance Studies at the University of Massachusetts, Amherst. He is the author of numerous books, including Tudor England: An Encyclopedia, Shakespeare, Macbeth, and the Cultural Moment, Shakespeare's Web Shakespeare and Cognition, Shakespeare by Stages , and Shakespeare, Computers, and the Mysteries of Authorship (with Hugh Craig). He is the recipient of the Paul Oskar Kristeller Lifetime Achievement Award from the Renaissance Society of America and the Jean Robertson Lifetime Achievement Award from the International Sidney Society. He has edited Renaissance Drama: An Anthology of Plays and Entertainments and A Companion to Renaissance Drama for Blackwell.
Introduction
I. TEXTS
1: HUGH CRAIG: Authorship
2: MACDONALD P. JACKSON: Collaboration
3: ARTHUR F. MAROTTI AND LAURA ESTILL: Manuscript Circulation
4: ANN THOMPSON: Quarto and Folio
5: GRACE IOPPOLO: Revisions
6: MATTEO A. PANGALLO: Dramatic Meter
7: ADAM G. HOOKS: Book Trade
8: SONIA MASSAI: Early Readers
II. CONDITIONS
9: IAN ARCHER: Economy
10: JAMES KEARNEY: Status
11: CATHERINE RICHARDSON: Domestic Life
12: ANDREW HISCOCK: Gender
13: LYNNE MAGNUSSON: Language
14: BRIAN GIBBONS: Dramaturgy
15: JANET CLARE: Censorship
III. WORKS
16: DAVID BEVINGTON: Early Shakespeare
17: JAMES MARINO: Middle Shakespeare
18: CATHERINE BATES: Poetry
19: ADAM ZUCKER: Late Shakespeare
IV. PERFORMANCES
20: ALAN SOMERSET: Local Records
21: ANDREW GURR: Patronage
22: ROSLYN L. KNUTSON: Repertory
23: JANE HWANG DEGENHARDT: Foreign Worlds
24: MELISSA AARON: Theater as Business
25: TANYA POLLARD: Audience Reception
26: LAURY MAGNUS: Shakespeare on Film
27: DOUGLAS M. LANIER: Marketing Shakespeare
V. CURRENT SPECULATIONS
28: JESSICA WOLFE: Classics
29: CHRISTY DESMET: Character
30: REBECCA LEMON: Law
31: CATHY SHRANK: Formation of Nationhood
32: ANDREW HADFIELD: Republicanism
33: BRIAN C. LOCKEY: Empire
34: TZACHI ZAMIR: Philosophy
35: LARS ENGLE: Pragmatism
36: BRIAN CUMMINGS: Religion
37: FREDERICK KIEFER: Architecture
38: ADAM MAX COHEN: Science and Technology
39: FRAN TEAGUE: Shakespeare and America
40: TON HOENSLAARS: Shakespeare and the World
I. TEXTS
1: HUGH CRAIG: Authorship
2: MACDONALD P. JACKSON: Collaboration
3: ARTHUR F. MAROTTI AND LAURA ESTILL: Manuscript Circulation
4: ANN THOMPSON: Quarto and Folio
5: GRACE IOPPOLO: Revisions
6: MATTEO A. PANGALLO: Dramatic Meter
7: ADAM G. HOOKS: Book Trade
8: SONIA MASSAI: Early Readers
II. CONDITIONS
9: IAN ARCHER: Economy
10: JAMES KEARNEY: Status
11: CATHERINE RICHARDSON: Domestic Life
12: ANDREW HISCOCK: Gender
13: LYNNE MAGNUSSON: Language
14: BRIAN GIBBONS: Dramaturgy
15: JANET CLARE: Censorship
III. WORKS
16: DAVID BEVINGTON: Early Shakespeare
17: JAMES MARINO: Middle Shakespeare
18: CATHERINE BATES: Poetry
19: ADAM ZUCKER: Late Shakespeare
IV. PERFORMANCES
20: ALAN SOMERSET: Local Records
21: ANDREW GURR: Patronage
22: ROSLYN L. KNUTSON: Repertory
23: JANE HWANG DEGENHARDT: Foreign Worlds
24: MELISSA AARON: Theater as Business
25: TANYA POLLARD: Audience Reception
26: LAURY MAGNUS: Shakespeare on Film
27: DOUGLAS M. LANIER: Marketing Shakespeare
V. CURRENT SPECULATIONS
28: JESSICA WOLFE: Classics
29: CHRISTY DESMET: Character
30: REBECCA LEMON: Law
31: CATHY SHRANK: Formation of Nationhood
32: ANDREW HADFIELD: Republicanism
33: BRIAN C. LOCKEY: Empire
34: TZACHI ZAMIR: Philosophy
35: LARS ENGLE: Pragmatism
36: BRIAN CUMMINGS: Religion
37: FREDERICK KIEFER: Architecture
38: ADAM MAX COHEN: Science and Technology
39: FRAN TEAGUE: Shakespeare and America
40: TON HOENSLAARS: Shakespeare and the World
Introduction
I. TEXTS
1: HUGH CRAIG: Authorship
2: MACDONALD P. JACKSON: Collaboration
3: ARTHUR F. MAROTTI AND LAURA ESTILL: Manuscript Circulation
4: ANN THOMPSON: Quarto and Folio
5: GRACE IOPPOLO: Revisions
6: MATTEO A. PANGALLO: Dramatic Meter
7: ADAM G. HOOKS: Book Trade
8: SONIA MASSAI: Early Readers
II. CONDITIONS
9: IAN ARCHER: Economy
10: JAMES KEARNEY: Status
11: CATHERINE RICHARDSON: Domestic Life
12: ANDREW HISCOCK: Gender
13: LYNNE MAGNUSSON: Language
14: BRIAN GIBBONS: Dramaturgy
15: JANET CLARE: Censorship
III. WORKS
16: DAVID BEVINGTON: Early Shakespeare
17: JAMES MARINO: Middle Shakespeare
18: CATHERINE BATES: Poetry
19: ADAM ZUCKER: Late Shakespeare
IV. PERFORMANCES
20: ALAN SOMERSET: Local Records
21: ANDREW GURR: Patronage
22: ROSLYN L. KNUTSON: Repertory
23: JANE HWANG DEGENHARDT: Foreign Worlds
24: MELISSA AARON: Theater as Business
25: TANYA POLLARD: Audience Reception
26: LAURY MAGNUS: Shakespeare on Film
27: DOUGLAS M. LANIER: Marketing Shakespeare
V. CURRENT SPECULATIONS
28: JESSICA WOLFE: Classics
29: CHRISTY DESMET: Character
30: REBECCA LEMON: Law
31: CATHY SHRANK: Formation of Nationhood
32: ANDREW HADFIELD: Republicanism
33: BRIAN C. LOCKEY: Empire
34: TZACHI ZAMIR: Philosophy
35: LARS ENGLE: Pragmatism
36: BRIAN CUMMINGS: Religion
37: FREDERICK KIEFER: Architecture
38: ADAM MAX COHEN: Science and Technology
39: FRAN TEAGUE: Shakespeare and America
40: TON HOENSLAARS: Shakespeare and the World
I. TEXTS
1: HUGH CRAIG: Authorship
2: MACDONALD P. JACKSON: Collaboration
3: ARTHUR F. MAROTTI AND LAURA ESTILL: Manuscript Circulation
4: ANN THOMPSON: Quarto and Folio
5: GRACE IOPPOLO: Revisions
6: MATTEO A. PANGALLO: Dramatic Meter
7: ADAM G. HOOKS: Book Trade
8: SONIA MASSAI: Early Readers
II. CONDITIONS
9: IAN ARCHER: Economy
10: JAMES KEARNEY: Status
11: CATHERINE RICHARDSON: Domestic Life
12: ANDREW HISCOCK: Gender
13: LYNNE MAGNUSSON: Language
14: BRIAN GIBBONS: Dramaturgy
15: JANET CLARE: Censorship
III. WORKS
16: DAVID BEVINGTON: Early Shakespeare
17: JAMES MARINO: Middle Shakespeare
18: CATHERINE BATES: Poetry
19: ADAM ZUCKER: Late Shakespeare
IV. PERFORMANCES
20: ALAN SOMERSET: Local Records
21: ANDREW GURR: Patronage
22: ROSLYN L. KNUTSON: Repertory
23: JANE HWANG DEGENHARDT: Foreign Worlds
24: MELISSA AARON: Theater as Business
25: TANYA POLLARD: Audience Reception
26: LAURY MAGNUS: Shakespeare on Film
27: DOUGLAS M. LANIER: Marketing Shakespeare
V. CURRENT SPECULATIONS
28: JESSICA WOLFE: Classics
29: CHRISTY DESMET: Character
30: REBECCA LEMON: Law
31: CATHY SHRANK: Formation of Nationhood
32: ANDREW HADFIELD: Republicanism
33: BRIAN C. LOCKEY: Empire
34: TZACHI ZAMIR: Philosophy
35: LARS ENGLE: Pragmatism
36: BRIAN CUMMINGS: Religion
37: FREDERICK KIEFER: Architecture
38: ADAM MAX COHEN: Science and Technology
39: FRAN TEAGUE: Shakespeare and America
40: TON HOENSLAARS: Shakespeare and the World