The Oxford Handbook of Shakespeare's Poetry
Herausgeber: Post, Jonathan F. S.
The Oxford Handbook of Shakespeare's Poetry
Herausgeber: Post, Jonathan F. S.
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The Oxford Handbook of Shakespeare's Poetry provides the widest coverage yet of Shakespeare's poetry and its afterlife in English and other languages.
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The Oxford Handbook of Shakespeare's Poetry provides the widest coverage yet of Shakespeare's poetry and its afterlife in English and other languages.
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Produktdetails
- Produktdetails
- Verlag: OUP Oxford
- Seitenzahl: 776
- Erscheinungstermin: 2. Juni 2016
- Englisch
- Abmessung: 244mm x 170mm x 41mm
- Gewicht: 1313g
- ISBN-13: 9780198778011
- ISBN-10: 0198778015
- Artikelnr.: 47867701
- Verlag: OUP Oxford
- Seitenzahl: 776
- Erscheinungstermin: 2. Juni 2016
- Englisch
- Abmessung: 244mm x 170mm x 41mm
- Gewicht: 1313g
- ISBN-13: 9780198778011
- ISBN-10: 0198778015
- Artikelnr.: 47867701
Jonathan F. S. Post is Distinguished Professor of English at UCLA and the founding director of the UCLA Summer Shakespeare Program in Stratford and London. He is the author of a number of critical studies with a special focus on poetry of the early modern and modern periods--most recently English Lyric Poetry: The Early Seventeenth Century (1999), and Green Thoughts, Green Shades: Contemporary Poets on the Early Modern Lyric (2002). He is currently writing a critical study of Anthony Hecht's poetry for Oxford University Press. He has been a Fellow of the Folger Shakespeare Library, The National Endowment for the Humanities, The John Simon Guggenheim Foundation, and twice a Fellow of the Bogliasco Foundation. He chaired the UCLA English Department from 1989-1993.
* Preface
* Part I: Style and Language
* 1: Gordon Teskey: Shakespeare's Styles
* 2: Goran Stanivukovic: Shakespeare's Style in The 1590s
* 3: R. Braunmuller: Shakespeare's Late Style
* 4: Sophie Read: Shakespeare and the Arts of Cognition
* 5: Margaret Ferguson: Fatal Cleopatras and Golden Apples: Economies
of Wordplay in Some Shakespearean Numbers
* Part II: Inheritance and Invention
* 6: Colin Burrow: Classical Influences
* 7: Anthony Mortimer: Shakespeare and Italian Poetry
* 8: Anne Lake Prescott: Du Bellay and Shakespeare's Sonnets
* 9: Linda Gregerson: Open Voicing: Wyatt and Shakespeare
* 10: Alysia Kolentsis: Grammar Rules in the Sonnets: Sidney and
Shakespeare
* 11: Catherine Nicholson: Commonplace Shakespeare: Value, Vulgarity,
and the Poetics of Increase in Shake-speares Sonnets and Troilus and
Cressida
* 12: Marion Wells: Philomela's Marks: Ekphrasis and Gender in
Shakespeare s Poems and Plays
* 13: John Kerrigan: Shakespeare, Elegy, and Epitaph: 1557-1640
* Part III: Songs, Lyrics, and Ballads
* 14: Gavin Alexander: Song in Shakespeare: Rhetoric, Identity, Agency
* 15: Steven Newman: Shakespeare's Popular Songs and The Great
Temptations of Lesser Lyric
* Part IV: Speaking on Stage
* 16: Abigail Rokison: Shakespeare's Dramatic Verse Line
* 17: Paul Edmondson: Shakespeare's Word Music
* 18: Bruce R. Smith: Finding Your Footing in Shakespeare's Verse
* 19: Jeremy Lopez: From bad to verse: poetry and spectacle on the
modern Shakespearean stage
* 20: Alison Findlay: Make my image but an alehouse sign : The Poetry
of Women in Shakespeare s Drama
* V. Reading Shakespeare s Poems
* 21: Charlotte Scott: To show. . .And so to publish: Reading, Writing,
and Performing in the Narrative Poems
* 22: Subha Mukherji: Outgrowing Adonis, outgrowing Ovid: the
disorienting narrative of Venus and Adonis
* 23: Joshua Scodel: Shame, Fear, and Love in The Rape of Lucrece
* 24: David Sofield: The Sonnets in the Classroom: Student, Teacher,
Editor-Annotator(s), and Cruxes
* 25: L. E. Semler: Fortify yourself in your decay: Sounding Rhyme and
Rhyming Effects in Shakespeare's Sonnets
* 26: David Schalkwyk: The Conceptual Investigations of Sonnets
* 27: Russ McDonald: Pretty Rooms: Shakespeare's Sonnets, Elizabethan
Architecture, and Early Modern Visual Design
* 28: Melissa Sanchez: The Poetics of Feminine Subjectivity in
Shakespeare's Sonnets and 'A Lover's Complaint'
* 29: Katharine Craik: Poetry and Compassion in Shakespeare's `A
Lover's Complaint'
* 30: John Kerrigan: Reading 'The Phoenix and Turtle'
* VI: Later Reflections
* 31: Michael O Neill: Shakespearean Poetry and the Romantics
* 32: Herbert F. Tucker: Shakespearean Being: The Victorian Bard
* 33: Peter Robinson: Shakespeare's Loose Ends and the Contemporary
Poet
* 34: James Longenbach: The Sound of Shakespeare Thinking
* 35: Judith Hall: Melted in American Air
* VII: Translating Shakespeare
* 36: Efraín Kristal: Yves Bonnefoy and Shakespeare
* 37: Christa Jansohn: Glocal Shakespeare: Shakespeare's Poems in
Germany
* 38: Belén Bistué: Negotiating the Universal: Translations of
Shakespeare s Poetry In (Between) Spain and Spanish America
* Part I: Style and Language
* 1: Gordon Teskey: Shakespeare's Styles
* 2: Goran Stanivukovic: Shakespeare's Style in The 1590s
* 3: R. Braunmuller: Shakespeare's Late Style
* 4: Sophie Read: Shakespeare and the Arts of Cognition
* 5: Margaret Ferguson: Fatal Cleopatras and Golden Apples: Economies
of Wordplay in Some Shakespearean Numbers
* Part II: Inheritance and Invention
* 6: Colin Burrow: Classical Influences
* 7: Anthony Mortimer: Shakespeare and Italian Poetry
* 8: Anne Lake Prescott: Du Bellay and Shakespeare's Sonnets
* 9: Linda Gregerson: Open Voicing: Wyatt and Shakespeare
* 10: Alysia Kolentsis: Grammar Rules in the Sonnets: Sidney and
Shakespeare
* 11: Catherine Nicholson: Commonplace Shakespeare: Value, Vulgarity,
and the Poetics of Increase in Shake-speares Sonnets and Troilus and
Cressida
* 12: Marion Wells: Philomela's Marks: Ekphrasis and Gender in
Shakespeare s Poems and Plays
* 13: John Kerrigan: Shakespeare, Elegy, and Epitaph: 1557-1640
* Part III: Songs, Lyrics, and Ballads
* 14: Gavin Alexander: Song in Shakespeare: Rhetoric, Identity, Agency
* 15: Steven Newman: Shakespeare's Popular Songs and The Great
Temptations of Lesser Lyric
* Part IV: Speaking on Stage
* 16: Abigail Rokison: Shakespeare's Dramatic Verse Line
* 17: Paul Edmondson: Shakespeare's Word Music
* 18: Bruce R. Smith: Finding Your Footing in Shakespeare's Verse
* 19: Jeremy Lopez: From bad to verse: poetry and spectacle on the
modern Shakespearean stage
* 20: Alison Findlay: Make my image but an alehouse sign : The Poetry
of Women in Shakespeare s Drama
* V. Reading Shakespeare s Poems
* 21: Charlotte Scott: To show. . .And so to publish: Reading, Writing,
and Performing in the Narrative Poems
* 22: Subha Mukherji: Outgrowing Adonis, outgrowing Ovid: the
disorienting narrative of Venus and Adonis
* 23: Joshua Scodel: Shame, Fear, and Love in The Rape of Lucrece
* 24: David Sofield: The Sonnets in the Classroom: Student, Teacher,
Editor-Annotator(s), and Cruxes
* 25: L. E. Semler: Fortify yourself in your decay: Sounding Rhyme and
Rhyming Effects in Shakespeare's Sonnets
* 26: David Schalkwyk: The Conceptual Investigations of Sonnets
* 27: Russ McDonald: Pretty Rooms: Shakespeare's Sonnets, Elizabethan
Architecture, and Early Modern Visual Design
* 28: Melissa Sanchez: The Poetics of Feminine Subjectivity in
Shakespeare's Sonnets and 'A Lover's Complaint'
* 29: Katharine Craik: Poetry and Compassion in Shakespeare's `A
Lover's Complaint'
* 30: John Kerrigan: Reading 'The Phoenix and Turtle'
* VI: Later Reflections
* 31: Michael O Neill: Shakespearean Poetry and the Romantics
* 32: Herbert F. Tucker: Shakespearean Being: The Victorian Bard
* 33: Peter Robinson: Shakespeare's Loose Ends and the Contemporary
Poet
* 34: James Longenbach: The Sound of Shakespeare Thinking
* 35: Judith Hall: Melted in American Air
* VII: Translating Shakespeare
* 36: Efraín Kristal: Yves Bonnefoy and Shakespeare
* 37: Christa Jansohn: Glocal Shakespeare: Shakespeare's Poems in
Germany
* 38: Belén Bistué: Negotiating the Universal: Translations of
Shakespeare s Poetry In (Between) Spain and Spanish America
* Preface
* Part I: Style and Language
* 1: Gordon Teskey: Shakespeare's Styles
* 2: Goran Stanivukovic: Shakespeare's Style in The 1590s
* 3: R. Braunmuller: Shakespeare's Late Style
* 4: Sophie Read: Shakespeare and the Arts of Cognition
* 5: Margaret Ferguson: Fatal Cleopatras and Golden Apples: Economies
of Wordplay in Some Shakespearean Numbers
* Part II: Inheritance and Invention
* 6: Colin Burrow: Classical Influences
* 7: Anthony Mortimer: Shakespeare and Italian Poetry
* 8: Anne Lake Prescott: Du Bellay and Shakespeare's Sonnets
* 9: Linda Gregerson: Open Voicing: Wyatt and Shakespeare
* 10: Alysia Kolentsis: Grammar Rules in the Sonnets: Sidney and
Shakespeare
* 11: Catherine Nicholson: Commonplace Shakespeare: Value, Vulgarity,
and the Poetics of Increase in Shake-speares Sonnets and Troilus and
Cressida
* 12: Marion Wells: Philomela's Marks: Ekphrasis and Gender in
Shakespeare s Poems and Plays
* 13: John Kerrigan: Shakespeare, Elegy, and Epitaph: 1557-1640
* Part III: Songs, Lyrics, and Ballads
* 14: Gavin Alexander: Song in Shakespeare: Rhetoric, Identity, Agency
* 15: Steven Newman: Shakespeare's Popular Songs and The Great
Temptations of Lesser Lyric
* Part IV: Speaking on Stage
* 16: Abigail Rokison: Shakespeare's Dramatic Verse Line
* 17: Paul Edmondson: Shakespeare's Word Music
* 18: Bruce R. Smith: Finding Your Footing in Shakespeare's Verse
* 19: Jeremy Lopez: From bad to verse: poetry and spectacle on the
modern Shakespearean stage
* 20: Alison Findlay: Make my image but an alehouse sign : The Poetry
of Women in Shakespeare s Drama
* V. Reading Shakespeare s Poems
* 21: Charlotte Scott: To show. . .And so to publish: Reading, Writing,
and Performing in the Narrative Poems
* 22: Subha Mukherji: Outgrowing Adonis, outgrowing Ovid: the
disorienting narrative of Venus and Adonis
* 23: Joshua Scodel: Shame, Fear, and Love in The Rape of Lucrece
* 24: David Sofield: The Sonnets in the Classroom: Student, Teacher,
Editor-Annotator(s), and Cruxes
* 25: L. E. Semler: Fortify yourself in your decay: Sounding Rhyme and
Rhyming Effects in Shakespeare's Sonnets
* 26: David Schalkwyk: The Conceptual Investigations of Sonnets
* 27: Russ McDonald: Pretty Rooms: Shakespeare's Sonnets, Elizabethan
Architecture, and Early Modern Visual Design
* 28: Melissa Sanchez: The Poetics of Feminine Subjectivity in
Shakespeare's Sonnets and 'A Lover's Complaint'
* 29: Katharine Craik: Poetry and Compassion in Shakespeare's `A
Lover's Complaint'
* 30: John Kerrigan: Reading 'The Phoenix and Turtle'
* VI: Later Reflections
* 31: Michael O Neill: Shakespearean Poetry and the Romantics
* 32: Herbert F. Tucker: Shakespearean Being: The Victorian Bard
* 33: Peter Robinson: Shakespeare's Loose Ends and the Contemporary
Poet
* 34: James Longenbach: The Sound of Shakespeare Thinking
* 35: Judith Hall: Melted in American Air
* VII: Translating Shakespeare
* 36: Efraín Kristal: Yves Bonnefoy and Shakespeare
* 37: Christa Jansohn: Glocal Shakespeare: Shakespeare's Poems in
Germany
* 38: Belén Bistué: Negotiating the Universal: Translations of
Shakespeare s Poetry In (Between) Spain and Spanish America
* Part I: Style and Language
* 1: Gordon Teskey: Shakespeare's Styles
* 2: Goran Stanivukovic: Shakespeare's Style in The 1590s
* 3: R. Braunmuller: Shakespeare's Late Style
* 4: Sophie Read: Shakespeare and the Arts of Cognition
* 5: Margaret Ferguson: Fatal Cleopatras and Golden Apples: Economies
of Wordplay in Some Shakespearean Numbers
* Part II: Inheritance and Invention
* 6: Colin Burrow: Classical Influences
* 7: Anthony Mortimer: Shakespeare and Italian Poetry
* 8: Anne Lake Prescott: Du Bellay and Shakespeare's Sonnets
* 9: Linda Gregerson: Open Voicing: Wyatt and Shakespeare
* 10: Alysia Kolentsis: Grammar Rules in the Sonnets: Sidney and
Shakespeare
* 11: Catherine Nicholson: Commonplace Shakespeare: Value, Vulgarity,
and the Poetics of Increase in Shake-speares Sonnets and Troilus and
Cressida
* 12: Marion Wells: Philomela's Marks: Ekphrasis and Gender in
Shakespeare s Poems and Plays
* 13: John Kerrigan: Shakespeare, Elegy, and Epitaph: 1557-1640
* Part III: Songs, Lyrics, and Ballads
* 14: Gavin Alexander: Song in Shakespeare: Rhetoric, Identity, Agency
* 15: Steven Newman: Shakespeare's Popular Songs and The Great
Temptations of Lesser Lyric
* Part IV: Speaking on Stage
* 16: Abigail Rokison: Shakespeare's Dramatic Verse Line
* 17: Paul Edmondson: Shakespeare's Word Music
* 18: Bruce R. Smith: Finding Your Footing in Shakespeare's Verse
* 19: Jeremy Lopez: From bad to verse: poetry and spectacle on the
modern Shakespearean stage
* 20: Alison Findlay: Make my image but an alehouse sign : The Poetry
of Women in Shakespeare s Drama
* V. Reading Shakespeare s Poems
* 21: Charlotte Scott: To show. . .And so to publish: Reading, Writing,
and Performing in the Narrative Poems
* 22: Subha Mukherji: Outgrowing Adonis, outgrowing Ovid: the
disorienting narrative of Venus and Adonis
* 23: Joshua Scodel: Shame, Fear, and Love in The Rape of Lucrece
* 24: David Sofield: The Sonnets in the Classroom: Student, Teacher,
Editor-Annotator(s), and Cruxes
* 25: L. E. Semler: Fortify yourself in your decay: Sounding Rhyme and
Rhyming Effects in Shakespeare's Sonnets
* 26: David Schalkwyk: The Conceptual Investigations of Sonnets
* 27: Russ McDonald: Pretty Rooms: Shakespeare's Sonnets, Elizabethan
Architecture, and Early Modern Visual Design
* 28: Melissa Sanchez: The Poetics of Feminine Subjectivity in
Shakespeare's Sonnets and 'A Lover's Complaint'
* 29: Katharine Craik: Poetry and Compassion in Shakespeare's `A
Lover's Complaint'
* 30: John Kerrigan: Reading 'The Phoenix and Turtle'
* VI: Later Reflections
* 31: Michael O Neill: Shakespearean Poetry and the Romantics
* 32: Herbert F. Tucker: Shakespearean Being: The Victorian Bard
* 33: Peter Robinson: Shakespeare's Loose Ends and the Contemporary
Poet
* 34: James Longenbach: The Sound of Shakespeare Thinking
* 35: Judith Hall: Melted in American Air
* VII: Translating Shakespeare
* 36: Efraín Kristal: Yves Bonnefoy and Shakespeare
* 37: Christa Jansohn: Glocal Shakespeare: Shakespeare's Poems in
Germany
* 38: Belén Bistué: Negotiating the Universal: Translations of
Shakespeare s Poetry In (Between) Spain and Spanish America