The Oxford Handbook of Shakespeare's Poetry
Herausgeber: Post, Jonathan F. S.
The Oxford Handbook of Shakespeare's Poetry
Herausgeber: Post, Jonathan F. S.
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The Oxford Handbook of Shakespeare's Poetry provides the widest coverage yet of Shakespeare's poetry and its afterlife in English and other languages.
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The Oxford Handbook of Shakespeare's Poetry provides the widest coverage yet of Shakespeare's poetry and its afterlife in English and other languages.
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Produktdetails
- Produktdetails
- Verlag: OUP Oxford
- Seitenzahl: 776
- Erscheinungstermin: 2. Juni 2016
- Englisch
- Abmessung: 244mm x 170mm x 41mm
- Gewicht: 1313g
- ISBN-13: 9780198778011
- ISBN-10: 0198778015
- Artikelnr.: 47867701
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: OUP Oxford
- Seitenzahl: 776
- Erscheinungstermin: 2. Juni 2016
- Englisch
- Abmessung: 244mm x 170mm x 41mm
- Gewicht: 1313g
- ISBN-13: 9780198778011
- ISBN-10: 0198778015
- Artikelnr.: 47867701
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Jonathan F. S. Post is Distinguished Professor of English at UCLA and the founding director of the UCLA Summer Shakespeare Program in Stratford and London. He is the author of a number of critical studies with a special focus on poetry of the early modern and modern periods--most recently English Lyric Poetry: The Early Seventeenth Century (1999), and Green Thoughts, Green Shades: Contemporary Poets on the Early Modern Lyric (2002). He is currently writing a critical study of Anthony Hecht's poetry for Oxford University Press. He has been a Fellow of the Folger Shakespeare Library, The National Endowment for the Humanities, The John Simon Guggenheim Foundation, and twice a Fellow of the Bogliasco Foundation. He chaired the UCLA English Department from 1989-1993.
* Preface
* Part I: Style and Language
* 1: Gordon Teskey: Shakespeare's Styles
* 2: Goran Stanivukovic: Shakespeare's Style in The 1590s
* 3: R. Braunmuller: Shakespeare's Late Style
* 4: Sophie Read: Shakespeare and the Arts of Cognition
* 5: Margaret Ferguson: Fatal Cleopatras and Golden Apples: Economies
of Wordplay in Some Shakespearean Numbers
* Part II: Inheritance and Invention
* 6: Colin Burrow: Classical Influences
* 7: Anthony Mortimer: Shakespeare and Italian Poetry
* 8: Anne Lake Prescott: Du Bellay and Shakespeare's Sonnets
* 9: Linda Gregerson: Open Voicing: Wyatt and Shakespeare
* 10: Alysia Kolentsis: Grammar Rules in the Sonnets: Sidney and
Shakespeare
* 11: Catherine Nicholson: Commonplace Shakespeare: Value, Vulgarity,
and the Poetics of Increase in Shake-speares Sonnets and Troilus and
Cressida
* 12: Marion Wells: Philomela's Marks: Ekphrasis and Gender in
Shakespeare s Poems and Plays
* 13: John Kerrigan: Shakespeare, Elegy, and Epitaph: 1557-1640
* Part III: Songs, Lyrics, and Ballads
* 14: Gavin Alexander: Song in Shakespeare: Rhetoric, Identity, Agency
* 15: Steven Newman: Shakespeare's Popular Songs and The Great
Temptations of Lesser Lyric
* Part IV: Speaking on Stage
* 16: Abigail Rokison: Shakespeare's Dramatic Verse Line
* 17: Paul Edmondson: Shakespeare's Word Music
* 18: Bruce R. Smith: Finding Your Footing in Shakespeare's Verse
* 19: Jeremy Lopez: From bad to verse: poetry and spectacle on the
modern Shakespearean stage
* 20: Alison Findlay: Make my image but an alehouse sign : The Poetry
of Women in Shakespeare s Drama
* V. Reading Shakespeare s Poems
* 21: Charlotte Scott: To show. . .And so to publish: Reading, Writing,
and Performing in the Narrative Poems
* 22: Subha Mukherji: Outgrowing Adonis, outgrowing Ovid: the
disorienting narrative of Venus and Adonis
* 23: Joshua Scodel: Shame, Fear, and Love in The Rape of Lucrece
* 24: David Sofield: The Sonnets in the Classroom: Student, Teacher,
Editor-Annotator(s), and Cruxes
* 25: L. E. Semler: Fortify yourself in your decay: Sounding Rhyme and
Rhyming Effects in Shakespeare's Sonnets
* 26: David Schalkwyk: The Conceptual Investigations of Sonnets
* 27: Russ McDonald: Pretty Rooms: Shakespeare's Sonnets, Elizabethan
Architecture, and Early Modern Visual Design
* 28: Melissa Sanchez: The Poetics of Feminine Subjectivity in
Shakespeare's Sonnets and 'A Lover's Complaint'
* 29: Katharine Craik: Poetry and Compassion in Shakespeare's `A
Lover's Complaint'
* 30: John Kerrigan: Reading 'The Phoenix and Turtle'
* VI: Later Reflections
* 31: Michael O Neill: Shakespearean Poetry and the Romantics
* 32: Herbert F. Tucker: Shakespearean Being: The Victorian Bard
* 33: Peter Robinson: Shakespeare's Loose Ends and the Contemporary
Poet
* 34: James Longenbach: The Sound of Shakespeare Thinking
* 35: Judith Hall: Melted in American Air
* VII: Translating Shakespeare
* 36: Efraín Kristal: Yves Bonnefoy and Shakespeare
* 37: Christa Jansohn: Glocal Shakespeare: Shakespeare's Poems in
Germany
* 38: Belén Bistué: Negotiating the Universal: Translations of
Shakespeare s Poetry In (Between) Spain and Spanish America
* Part I: Style and Language
* 1: Gordon Teskey: Shakespeare's Styles
* 2: Goran Stanivukovic: Shakespeare's Style in The 1590s
* 3: R. Braunmuller: Shakespeare's Late Style
* 4: Sophie Read: Shakespeare and the Arts of Cognition
* 5: Margaret Ferguson: Fatal Cleopatras and Golden Apples: Economies
of Wordplay in Some Shakespearean Numbers
* Part II: Inheritance and Invention
* 6: Colin Burrow: Classical Influences
* 7: Anthony Mortimer: Shakespeare and Italian Poetry
* 8: Anne Lake Prescott: Du Bellay and Shakespeare's Sonnets
* 9: Linda Gregerson: Open Voicing: Wyatt and Shakespeare
* 10: Alysia Kolentsis: Grammar Rules in the Sonnets: Sidney and
Shakespeare
* 11: Catherine Nicholson: Commonplace Shakespeare: Value, Vulgarity,
and the Poetics of Increase in Shake-speares Sonnets and Troilus and
Cressida
* 12: Marion Wells: Philomela's Marks: Ekphrasis and Gender in
Shakespeare s Poems and Plays
* 13: John Kerrigan: Shakespeare, Elegy, and Epitaph: 1557-1640
* Part III: Songs, Lyrics, and Ballads
* 14: Gavin Alexander: Song in Shakespeare: Rhetoric, Identity, Agency
* 15: Steven Newman: Shakespeare's Popular Songs and The Great
Temptations of Lesser Lyric
* Part IV: Speaking on Stage
* 16: Abigail Rokison: Shakespeare's Dramatic Verse Line
* 17: Paul Edmondson: Shakespeare's Word Music
* 18: Bruce R. Smith: Finding Your Footing in Shakespeare's Verse
* 19: Jeremy Lopez: From bad to verse: poetry and spectacle on the
modern Shakespearean stage
* 20: Alison Findlay: Make my image but an alehouse sign : The Poetry
of Women in Shakespeare s Drama
* V. Reading Shakespeare s Poems
* 21: Charlotte Scott: To show. . .And so to publish: Reading, Writing,
and Performing in the Narrative Poems
* 22: Subha Mukherji: Outgrowing Adonis, outgrowing Ovid: the
disorienting narrative of Venus and Adonis
* 23: Joshua Scodel: Shame, Fear, and Love in The Rape of Lucrece
* 24: David Sofield: The Sonnets in the Classroom: Student, Teacher,
Editor-Annotator(s), and Cruxes
* 25: L. E. Semler: Fortify yourself in your decay: Sounding Rhyme and
Rhyming Effects in Shakespeare's Sonnets
* 26: David Schalkwyk: The Conceptual Investigations of Sonnets
* 27: Russ McDonald: Pretty Rooms: Shakespeare's Sonnets, Elizabethan
Architecture, and Early Modern Visual Design
* 28: Melissa Sanchez: The Poetics of Feminine Subjectivity in
Shakespeare's Sonnets and 'A Lover's Complaint'
* 29: Katharine Craik: Poetry and Compassion in Shakespeare's `A
Lover's Complaint'
* 30: John Kerrigan: Reading 'The Phoenix and Turtle'
* VI: Later Reflections
* 31: Michael O Neill: Shakespearean Poetry and the Romantics
* 32: Herbert F. Tucker: Shakespearean Being: The Victorian Bard
* 33: Peter Robinson: Shakespeare's Loose Ends and the Contemporary
Poet
* 34: James Longenbach: The Sound of Shakespeare Thinking
* 35: Judith Hall: Melted in American Air
* VII: Translating Shakespeare
* 36: Efraín Kristal: Yves Bonnefoy and Shakespeare
* 37: Christa Jansohn: Glocal Shakespeare: Shakespeare's Poems in
Germany
* 38: Belén Bistué: Negotiating the Universal: Translations of
Shakespeare s Poetry In (Between) Spain and Spanish America
* Preface
* Part I: Style and Language
* 1: Gordon Teskey: Shakespeare's Styles
* 2: Goran Stanivukovic: Shakespeare's Style in The 1590s
* 3: R. Braunmuller: Shakespeare's Late Style
* 4: Sophie Read: Shakespeare and the Arts of Cognition
* 5: Margaret Ferguson: Fatal Cleopatras and Golden Apples: Economies
of Wordplay in Some Shakespearean Numbers
* Part II: Inheritance and Invention
* 6: Colin Burrow: Classical Influences
* 7: Anthony Mortimer: Shakespeare and Italian Poetry
* 8: Anne Lake Prescott: Du Bellay and Shakespeare's Sonnets
* 9: Linda Gregerson: Open Voicing: Wyatt and Shakespeare
* 10: Alysia Kolentsis: Grammar Rules in the Sonnets: Sidney and
Shakespeare
* 11: Catherine Nicholson: Commonplace Shakespeare: Value, Vulgarity,
and the Poetics of Increase in Shake-speares Sonnets and Troilus and
Cressida
* 12: Marion Wells: Philomela's Marks: Ekphrasis and Gender in
Shakespeare s Poems and Plays
* 13: John Kerrigan: Shakespeare, Elegy, and Epitaph: 1557-1640
* Part III: Songs, Lyrics, and Ballads
* 14: Gavin Alexander: Song in Shakespeare: Rhetoric, Identity, Agency
* 15: Steven Newman: Shakespeare's Popular Songs and The Great
Temptations of Lesser Lyric
* Part IV: Speaking on Stage
* 16: Abigail Rokison: Shakespeare's Dramatic Verse Line
* 17: Paul Edmondson: Shakespeare's Word Music
* 18: Bruce R. Smith: Finding Your Footing in Shakespeare's Verse
* 19: Jeremy Lopez: From bad to verse: poetry and spectacle on the
modern Shakespearean stage
* 20: Alison Findlay: Make my image but an alehouse sign : The Poetry
of Women in Shakespeare s Drama
* V. Reading Shakespeare s Poems
* 21: Charlotte Scott: To show. . .And so to publish: Reading, Writing,
and Performing in the Narrative Poems
* 22: Subha Mukherji: Outgrowing Adonis, outgrowing Ovid: the
disorienting narrative of Venus and Adonis
* 23: Joshua Scodel: Shame, Fear, and Love in The Rape of Lucrece
* 24: David Sofield: The Sonnets in the Classroom: Student, Teacher,
Editor-Annotator(s), and Cruxes
* 25: L. E. Semler: Fortify yourself in your decay: Sounding Rhyme and
Rhyming Effects in Shakespeare's Sonnets
* 26: David Schalkwyk: The Conceptual Investigations of Sonnets
* 27: Russ McDonald: Pretty Rooms: Shakespeare's Sonnets, Elizabethan
Architecture, and Early Modern Visual Design
* 28: Melissa Sanchez: The Poetics of Feminine Subjectivity in
Shakespeare's Sonnets and 'A Lover's Complaint'
* 29: Katharine Craik: Poetry and Compassion in Shakespeare's `A
Lover's Complaint'
* 30: John Kerrigan: Reading 'The Phoenix and Turtle'
* VI: Later Reflections
* 31: Michael O Neill: Shakespearean Poetry and the Romantics
* 32: Herbert F. Tucker: Shakespearean Being: The Victorian Bard
* 33: Peter Robinson: Shakespeare's Loose Ends and the Contemporary
Poet
* 34: James Longenbach: The Sound of Shakespeare Thinking
* 35: Judith Hall: Melted in American Air
* VII: Translating Shakespeare
* 36: Efraín Kristal: Yves Bonnefoy and Shakespeare
* 37: Christa Jansohn: Glocal Shakespeare: Shakespeare's Poems in
Germany
* 38: Belén Bistué: Negotiating the Universal: Translations of
Shakespeare s Poetry In (Between) Spain and Spanish America
* Part I: Style and Language
* 1: Gordon Teskey: Shakespeare's Styles
* 2: Goran Stanivukovic: Shakespeare's Style in The 1590s
* 3: R. Braunmuller: Shakespeare's Late Style
* 4: Sophie Read: Shakespeare and the Arts of Cognition
* 5: Margaret Ferguson: Fatal Cleopatras and Golden Apples: Economies
of Wordplay in Some Shakespearean Numbers
* Part II: Inheritance and Invention
* 6: Colin Burrow: Classical Influences
* 7: Anthony Mortimer: Shakespeare and Italian Poetry
* 8: Anne Lake Prescott: Du Bellay and Shakespeare's Sonnets
* 9: Linda Gregerson: Open Voicing: Wyatt and Shakespeare
* 10: Alysia Kolentsis: Grammar Rules in the Sonnets: Sidney and
Shakespeare
* 11: Catherine Nicholson: Commonplace Shakespeare: Value, Vulgarity,
and the Poetics of Increase in Shake-speares Sonnets and Troilus and
Cressida
* 12: Marion Wells: Philomela's Marks: Ekphrasis and Gender in
Shakespeare s Poems and Plays
* 13: John Kerrigan: Shakespeare, Elegy, and Epitaph: 1557-1640
* Part III: Songs, Lyrics, and Ballads
* 14: Gavin Alexander: Song in Shakespeare: Rhetoric, Identity, Agency
* 15: Steven Newman: Shakespeare's Popular Songs and The Great
Temptations of Lesser Lyric
* Part IV: Speaking on Stage
* 16: Abigail Rokison: Shakespeare's Dramatic Verse Line
* 17: Paul Edmondson: Shakespeare's Word Music
* 18: Bruce R. Smith: Finding Your Footing in Shakespeare's Verse
* 19: Jeremy Lopez: From bad to verse: poetry and spectacle on the
modern Shakespearean stage
* 20: Alison Findlay: Make my image but an alehouse sign : The Poetry
of Women in Shakespeare s Drama
* V. Reading Shakespeare s Poems
* 21: Charlotte Scott: To show. . .And so to publish: Reading, Writing,
and Performing in the Narrative Poems
* 22: Subha Mukherji: Outgrowing Adonis, outgrowing Ovid: the
disorienting narrative of Venus and Adonis
* 23: Joshua Scodel: Shame, Fear, and Love in The Rape of Lucrece
* 24: David Sofield: The Sonnets in the Classroom: Student, Teacher,
Editor-Annotator(s), and Cruxes
* 25: L. E. Semler: Fortify yourself in your decay: Sounding Rhyme and
Rhyming Effects in Shakespeare's Sonnets
* 26: David Schalkwyk: The Conceptual Investigations of Sonnets
* 27: Russ McDonald: Pretty Rooms: Shakespeare's Sonnets, Elizabethan
Architecture, and Early Modern Visual Design
* 28: Melissa Sanchez: The Poetics of Feminine Subjectivity in
Shakespeare's Sonnets and 'A Lover's Complaint'
* 29: Katharine Craik: Poetry and Compassion in Shakespeare's `A
Lover's Complaint'
* 30: John Kerrigan: Reading 'The Phoenix and Turtle'
* VI: Later Reflections
* 31: Michael O Neill: Shakespearean Poetry and the Romantics
* 32: Herbert F. Tucker: Shakespearean Being: The Victorian Bard
* 33: Peter Robinson: Shakespeare's Loose Ends and the Contemporary
Poet
* 34: James Longenbach: The Sound of Shakespeare Thinking
* 35: Judith Hall: Melted in American Air
* VII: Translating Shakespeare
* 36: Efraín Kristal: Yves Bonnefoy and Shakespeare
* 37: Christa Jansohn: Glocal Shakespeare: Shakespeare's Poems in
Germany
* 38: Belén Bistué: Negotiating the Universal: Translations of
Shakespeare s Poetry In (Between) Spain and Spanish America