The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.
The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Julia Swindells was a writer and teacher in Cambridge. She authored Glorious Causes: The Grand Theatre of Political Change, 1789-1833 (2001), and co-edited Pickering & Chatto's edition of Eighteenth-Century Women's Theatrical Memoirs (2007-8). David Francis Taylor is Associate Professor of English at the University of Warwick. He is the author of Theatres of Opposition: Empire, Revolution, and Richard Brinsley Sheridan (2012), as well as a number of articles on the political contexts of theatre in the Georgian period.
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Abbreviations and Conventions List of Figures List of Contributors Introduction Theatre, Theory, Historiography Enlightenment, Exclusion, and the Publics of the Georgian Theatre Theorizing Audience and Spectatorial Agency Theorizing the Performative Event Theatre Managers and the Managing of Theatre History Legislating Drama The 1737 Licensing Act and its Impact The Political Context of the 1737 Licensing Act The Dialectics of Print and Performance after 1737 The 1832 Select Committee Looking Towards 1843 and the End of the Monopoly The Changing Cultures of Performance Georgian Theories of the Actor Theatrical Celebrity and the Commodification of the Actor Shakespeare in the Georgian Theatre Performing Variety, Packaging Difference Interrogating Legitimacy in Britain and America The Whole Show: Spectacles, Sounds, Spaces Painting the Scene Manufacturing Spectacle Orchestra and Theatre Music Dance and the Theatre Restoring a Georgian Playhouse Genres and Forms Genealogies of Comedy The Challenge of Tragedy Pantomimic Politics The Gothic Drama: Tragedy or Comedy? The Writing and Staging of Georgian Romantic Opera The Stages of Closet Drama The Formation of Melodrama Theatre and the Romantic Canon The Case of Byron's Marino Faliero Shelley, Viganò, and Coreodramma William Godwin and the Politics of Playgoing Jane Austen's Stage Women and the Stage Theorizing the Woman Performer Women Theatre Managers Women Playwrights Retrieving Elizabeth Inchbald Performing Race and Empire Empire, Sentiment, and Theatre Theatre, Islam, and the Question of Monarchy The Georgian Theatre in Colonial America Staging Atlantic Slavery Colman's Inkle and Yarico: four perspectives Historic Williamsburg: Theatre, Memory, and Colonial Slavery Index
Abbreviations and Conventions List of Figures List of Contributors Introduction Theatre, Theory, Historiography Enlightenment, Exclusion, and the Publics of the Georgian Theatre Theorizing Audience and Spectatorial Agency Theorizing the Performative Event Theatre Managers and the Managing of Theatre History Legislating Drama The 1737 Licensing Act and its Impact The Political Context of the 1737 Licensing Act The Dialectics of Print and Performance after 1737 The 1832 Select Committee Looking Towards 1843 and the End of the Monopoly The Changing Cultures of Performance Georgian Theories of the Actor Theatrical Celebrity and the Commodification of the Actor Shakespeare in the Georgian Theatre Performing Variety, Packaging Difference Interrogating Legitimacy in Britain and America The Whole Show: Spectacles, Sounds, Spaces Painting the Scene Manufacturing Spectacle Orchestra and Theatre Music Dance and the Theatre Restoring a Georgian Playhouse Genres and Forms Genealogies of Comedy The Challenge of Tragedy Pantomimic Politics The Gothic Drama: Tragedy or Comedy? The Writing and Staging of Georgian Romantic Opera The Stages of Closet Drama The Formation of Melodrama Theatre and the Romantic Canon The Case of Byron's Marino Faliero Shelley, Viganò, and Coreodramma William Godwin and the Politics of Playgoing Jane Austen's Stage Women and the Stage Theorizing the Woman Performer Women Theatre Managers Women Playwrights Retrieving Elizabeth Inchbald Performing Race and Empire Empire, Sentiment, and Theatre Theatre, Islam, and the Question of Monarchy The Georgian Theatre in Colonial America Staging Atlantic Slavery Colman's Inkle and Yarico: four perspectives Historic Williamsburg: Theatre, Memory, and Colonial Slavery Index
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