The Oxford Handbook of the Victorian Novel
Herausgeber: Rodensky, Lisa
The Oxford Handbook of the Victorian Novel
Herausgeber: Rodensky, Lisa
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The Oxford Handbook of the Victorian Novel contributes substantially to a thriving scholarly field by offering new approaches to familiar topics as well as essays on topics often overlooked.
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The Oxford Handbook of the Victorian Novel contributes substantially to a thriving scholarly field by offering new approaches to familiar topics as well as essays on topics often overlooked.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Oxford Handbooks
- Verlag: Oxford University Press
- Seitenzahl: 830
- Erscheinungstermin: 11. August 2016
- Englisch
- Abmessung: 244mm x 170mm x 44mm
- Gewicht: 1422g
- ISBN-13: 9780198744689
- ISBN-10: 0198744684
- Artikelnr.: 47867296
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Oxford Handbooks
- Verlag: Oxford University Press
- Seitenzahl: 830
- Erscheinungstermin: 11. August 2016
- Englisch
- Abmessung: 244mm x 170mm x 44mm
- Gewicht: 1422g
- ISBN-13: 9780198744689
- ISBN-10: 0198744684
- Artikelnr.: 47867296
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Lisa Rodensky is the Barbara Morris Caspersen Associate Professor in the Humanities (2011-14) at Wellesley College. She is the author of The Crime in Mind: Criminal Responsibility and the Victorian Novel (2003) and the editor of Decadent Poetry from Wilde to Naidu (2006). Her essays have appeared in Victorian Literature and Culture and Essays in Criticism. She is currently at work on an analysis of the critical vocabulary of the nineteenth-century novel review.
* Introduction
* Beginnings.
* The Early Nineteenth-Century English Novel, 1820-1836
* New Histories of English Literature and the Rise of the Novel,
1835-1859
* Genre, Criticism and the Early Victorian Novel
* Publishing, Reading, Reviewing, Quoting, Censoring.
* Publishing the Victorian Novel
* The Victorian Novel and Its Readers
* The Victorian Novel and the Reviews
* The Victorian Novel and the OED
* The Novel and Censorship in Late-Victorian England
* The Victorian Novel Elsewhere.
* Victorian Novels in France
* Victorian Literature and Russian Culture: Translation, Reception,
Influence, Affinity
* The Victorian Novel and America
* Colonial India and Victorian Storytelling
* Technologies: Communication, Travel, Visual
* The Victorian Novel and Communication Networks
* Technologies of Travel and the Victorian Novel
* Victorian Photography and the Novel
* The Middle.
* Novels of the 1860s
* Commerce, Work, Professions.
* Industrialism and the Victorian Novel
* The Protestant Ethic and the Spirit of Money: Max Weber, Silas
Marner, and the Victorian Novel
* The Novel and the Professions
* Gentleman's Latin, Lady's Greek
* The Novel and Other Disciplines.
* The Victorian Novel and Science
* The Victorian Novel and Medicine
* Naturalizing the Mind in the Victorian Novel: Consciousness in Wilkie
Collins's Poor Miss Finch and Thomas Hardy's Woodlanders Two Case
Studies
* The Victorian Novel and the Law
* The Novel and Religion: Catholicism and Victorian Women's Novels
* The Victorian Novel and Horticulture
* The Victorian Novel and Theater
* Poetry and Criticism.
* Verse Versus the Novel
* Poetic Allusion and the Novel
* The Novelist as Critic
* Distinguishing the Victorian Novel.
* The Moral Scope of the English Bildungsroman
* Three Matters of Style
* Endings.
* The Novel, its Critics, and the University: A New Beginning?
* The Victorian Novel and the New Woman
* The Last Victorian Novel
* Slapstick Noir: The Secret Agent Works the Victorian Novel
* The Quest of the Silver Fleece, by W. E. B. Du Bois
* Beginnings.
* The Early Nineteenth-Century English Novel, 1820-1836
* New Histories of English Literature and the Rise of the Novel,
1835-1859
* Genre, Criticism and the Early Victorian Novel
* Publishing, Reading, Reviewing, Quoting, Censoring.
* Publishing the Victorian Novel
* The Victorian Novel and Its Readers
* The Victorian Novel and the Reviews
* The Victorian Novel and the OED
* The Novel and Censorship in Late-Victorian England
* The Victorian Novel Elsewhere.
* Victorian Novels in France
* Victorian Literature and Russian Culture: Translation, Reception,
Influence, Affinity
* The Victorian Novel and America
* Colonial India and Victorian Storytelling
* Technologies: Communication, Travel, Visual
* The Victorian Novel and Communication Networks
* Technologies of Travel and the Victorian Novel
* Victorian Photography and the Novel
* The Middle.
* Novels of the 1860s
* Commerce, Work, Professions.
* Industrialism and the Victorian Novel
* The Protestant Ethic and the Spirit of Money: Max Weber, Silas
Marner, and the Victorian Novel
* The Novel and the Professions
* Gentleman's Latin, Lady's Greek
* The Novel and Other Disciplines.
* The Victorian Novel and Science
* The Victorian Novel and Medicine
* Naturalizing the Mind in the Victorian Novel: Consciousness in Wilkie
Collins's Poor Miss Finch and Thomas Hardy's Woodlanders Two Case
Studies
* The Victorian Novel and the Law
* The Novel and Religion: Catholicism and Victorian Women's Novels
* The Victorian Novel and Horticulture
* The Victorian Novel and Theater
* Poetry and Criticism.
* Verse Versus the Novel
* Poetic Allusion and the Novel
* The Novelist as Critic
* Distinguishing the Victorian Novel.
* The Moral Scope of the English Bildungsroman
* Three Matters of Style
* Endings.
* The Novel, its Critics, and the University: A New Beginning?
* The Victorian Novel and the New Woman
* The Last Victorian Novel
* Slapstick Noir: The Secret Agent Works the Victorian Novel
* The Quest of the Silver Fleece, by W. E. B. Du Bois
* Introduction
* Beginnings.
* The Early Nineteenth-Century English Novel, 1820-1836
* New Histories of English Literature and the Rise of the Novel,
1835-1859
* Genre, Criticism and the Early Victorian Novel
* Publishing, Reading, Reviewing, Quoting, Censoring.
* Publishing the Victorian Novel
* The Victorian Novel and Its Readers
* The Victorian Novel and the Reviews
* The Victorian Novel and the OED
* The Novel and Censorship in Late-Victorian England
* The Victorian Novel Elsewhere.
* Victorian Novels in France
* Victorian Literature and Russian Culture: Translation, Reception,
Influence, Affinity
* The Victorian Novel and America
* Colonial India and Victorian Storytelling
* Technologies: Communication, Travel, Visual
* The Victorian Novel and Communication Networks
* Technologies of Travel and the Victorian Novel
* Victorian Photography and the Novel
* The Middle.
* Novels of the 1860s
* Commerce, Work, Professions.
* Industrialism and the Victorian Novel
* The Protestant Ethic and the Spirit of Money: Max Weber, Silas
Marner, and the Victorian Novel
* The Novel and the Professions
* Gentleman's Latin, Lady's Greek
* The Novel and Other Disciplines.
* The Victorian Novel and Science
* The Victorian Novel and Medicine
* Naturalizing the Mind in the Victorian Novel: Consciousness in Wilkie
Collins's Poor Miss Finch and Thomas Hardy's Woodlanders Two Case
Studies
* The Victorian Novel and the Law
* The Novel and Religion: Catholicism and Victorian Women's Novels
* The Victorian Novel and Horticulture
* The Victorian Novel and Theater
* Poetry and Criticism.
* Verse Versus the Novel
* Poetic Allusion and the Novel
* The Novelist as Critic
* Distinguishing the Victorian Novel.
* The Moral Scope of the English Bildungsroman
* Three Matters of Style
* Endings.
* The Novel, its Critics, and the University: A New Beginning?
* The Victorian Novel and the New Woman
* The Last Victorian Novel
* Slapstick Noir: The Secret Agent Works the Victorian Novel
* The Quest of the Silver Fleece, by W. E. B. Du Bois
* Beginnings.
* The Early Nineteenth-Century English Novel, 1820-1836
* New Histories of English Literature and the Rise of the Novel,
1835-1859
* Genre, Criticism and the Early Victorian Novel
* Publishing, Reading, Reviewing, Quoting, Censoring.
* Publishing the Victorian Novel
* The Victorian Novel and Its Readers
* The Victorian Novel and the Reviews
* The Victorian Novel and the OED
* The Novel and Censorship in Late-Victorian England
* The Victorian Novel Elsewhere.
* Victorian Novels in France
* Victorian Literature and Russian Culture: Translation, Reception,
Influence, Affinity
* The Victorian Novel and America
* Colonial India and Victorian Storytelling
* Technologies: Communication, Travel, Visual
* The Victorian Novel and Communication Networks
* Technologies of Travel and the Victorian Novel
* Victorian Photography and the Novel
* The Middle.
* Novels of the 1860s
* Commerce, Work, Professions.
* Industrialism and the Victorian Novel
* The Protestant Ethic and the Spirit of Money: Max Weber, Silas
Marner, and the Victorian Novel
* The Novel and the Professions
* Gentleman's Latin, Lady's Greek
* The Novel and Other Disciplines.
* The Victorian Novel and Science
* The Victorian Novel and Medicine
* Naturalizing the Mind in the Victorian Novel: Consciousness in Wilkie
Collins's Poor Miss Finch and Thomas Hardy's Woodlanders Two Case
Studies
* The Victorian Novel and the Law
* The Novel and Religion: Catholicism and Victorian Women's Novels
* The Victorian Novel and Horticulture
* The Victorian Novel and Theater
* Poetry and Criticism.
* Verse Versus the Novel
* Poetic Allusion and the Novel
* The Novelist as Critic
* Distinguishing the Victorian Novel.
* The Moral Scope of the English Bildungsroman
* Three Matters of Style
* Endings.
* The Novel, its Critics, and the University: A New Beginning?
* The Victorian Novel and the New Woman
* The Last Victorian Novel
* Slapstick Noir: The Secret Agent Works the Victorian Novel
* The Quest of the Silver Fleece, by W. E. B. Du Bois