Anne E Fernald
The Oxford Handbook of Virginia Woolf
Anne E Fernald
The Oxford Handbook of Virginia Woolf
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A Handbook on Woolf's achievements as an innovative novelist and pioneering feminist theorist. It studies her life, her works, her relationships with other writers, her professional career, and themes in her work including among others feminism, sexuality, education, and class.
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A Handbook on Woolf's achievements as an innovative novelist and pioneering feminist theorist. It studies her life, her works, her relationships with other writers, her professional career, and themes in her work including among others feminism, sexuality, education, and class.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Oxford Handbooks
- Verlag: Oxford University Press
- Seitenzahl: 688
- Erscheinungstermin: 24. November 2023
- Englisch
- Abmessung: 236mm x 180mm x 53mm
- Gewicht: 1194g
- ISBN-13: 9780198885511
- ISBN-10: 0198885512
- Artikelnr.: 68058765
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Oxford Handbooks
- Verlag: Oxford University Press
- Seitenzahl: 688
- Erscheinungstermin: 24. November 2023
- Englisch
- Abmessung: 236mm x 180mm x 53mm
- Gewicht: 1194g
- ISBN-13: 9780198885511
- ISBN-10: 0198885512
- Artikelnr.: 68058765
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Anne E. Fernald is Professor of English and Women's, Gender, and Sexuality Studies at Fordham University. She is the editor of the Cambridge University Press edition of Mrs. Dalloway (2014) and The Norton Critical Edition of Mrs. Dalloway (2021). She is co-editor of Modernism/modernity and one of the editors of The Norton Reader, a widely-used anthology of essays. She is the author of Virginia Woolf: Feminism and the Reader (2006) as well as articles and reviews on Woolf and feminist modernism
Part I: Life
1.: Urmila Seshagiri: Family and Place
2.: Kathryn Simpson: Friends and Lovers
3.: Regina Marler: Traditions and Transformations
Part II: Texts
4.: Caroline Pollentier: Private Writings
5.: Jocelyn Rodal: Early Novels and Stories (1915-1923)
6.: Gabrielle McIntire: Mature Works I (1924-1927)
7.: Elsa Högberg: Mature Works II (1928-1932)
8.: Alice Wood: Late Works (1933-1941)
Part III: Experiments in Form and Style
9.: Dora Zhang: Stream of Consciousness
10.: Amy Bromley: Character, Form, and Fiction
11.: Jesse Matz: Time
12.: Janine Utell: Narrative Ethics
13.: Jane de Gay: Allusion and Metaphor
14.: Laura Marcus: Biography and Autobiography
Part IV: Professions of Writing
15.: Helen Southworth: Literary London
16.: Alice Staveley: The Hogarth Press
17.: Eleanor McNees: Woolf as Reviewer-Critic
18.: Beth C. Rosenberg: The Essays
19.: Claire Davison: The Lyrical Mode of Translating,
Part V: Contexts
20.: Stephanie J Brown: Woolf's Feminism
21.: Chris Coffman: Queer Theory
22.: Anna Snaith: Woolf and Education
23.: Barbara Green: Woolf and Suffrage
24.: Tamar Katz: Impressionism and Post-Impressionism
25.: Maxwell Uphaus: Oceans and Empire
26.: Madelyn Detloff: Biopower
27.: Cliff Mak: The Natural World and the Anthropocene
28.: Beryl Pong: War and Peace
29.: Mary Wilson: Work
30.: Elizabeth M. Sheehan: Consumer Culture
Part VI: Afterlives
31.: Jean Mills: Feminist Theory
32.: Elizabeth Outka: Disability, Illness, and Pain
33.: Vara Neverow: The Academy and Publishing
34.: Roxana Robinson: Modern Woolfian Fiction
35.: Laura Mª Lojo-Rodríguez: Magic Realism and Experimental Fiction
36.: Tonya Krause: Narrative Futures of the Feminist Novel
37.: Stacey D'Erasmo: Creative Non-fiction and Poetry
38.: Jacqueline Shin: Virginia Woolf, Filmmake
39.: Laura Smith: Woolfian Afterlives
1.: Urmila Seshagiri: Family and Place
2.: Kathryn Simpson: Friends and Lovers
3.: Regina Marler: Traditions and Transformations
Part II: Texts
4.: Caroline Pollentier: Private Writings
5.: Jocelyn Rodal: Early Novels and Stories (1915-1923)
6.: Gabrielle McIntire: Mature Works I (1924-1927)
7.: Elsa Högberg: Mature Works II (1928-1932)
8.: Alice Wood: Late Works (1933-1941)
Part III: Experiments in Form and Style
9.: Dora Zhang: Stream of Consciousness
10.: Amy Bromley: Character, Form, and Fiction
11.: Jesse Matz: Time
12.: Janine Utell: Narrative Ethics
13.: Jane de Gay: Allusion and Metaphor
14.: Laura Marcus: Biography and Autobiography
Part IV: Professions of Writing
15.: Helen Southworth: Literary London
16.: Alice Staveley: The Hogarth Press
17.: Eleanor McNees: Woolf as Reviewer-Critic
18.: Beth C. Rosenberg: The Essays
19.: Claire Davison: The Lyrical Mode of Translating,
Part V: Contexts
20.: Stephanie J Brown: Woolf's Feminism
21.: Chris Coffman: Queer Theory
22.: Anna Snaith: Woolf and Education
23.: Barbara Green: Woolf and Suffrage
24.: Tamar Katz: Impressionism and Post-Impressionism
25.: Maxwell Uphaus: Oceans and Empire
26.: Madelyn Detloff: Biopower
27.: Cliff Mak: The Natural World and the Anthropocene
28.: Beryl Pong: War and Peace
29.: Mary Wilson: Work
30.: Elizabeth M. Sheehan: Consumer Culture
Part VI: Afterlives
31.: Jean Mills: Feminist Theory
32.: Elizabeth Outka: Disability, Illness, and Pain
33.: Vara Neverow: The Academy and Publishing
34.: Roxana Robinson: Modern Woolfian Fiction
35.: Laura Mª Lojo-Rodríguez: Magic Realism and Experimental Fiction
36.: Tonya Krause: Narrative Futures of the Feminist Novel
37.: Stacey D'Erasmo: Creative Non-fiction and Poetry
38.: Jacqueline Shin: Virginia Woolf, Filmmake
39.: Laura Smith: Woolfian Afterlives
Part I: Life
1.: Urmila Seshagiri: Family and Place
2.: Kathryn Simpson: Friends and Lovers
3.: Regina Marler: Traditions and Transformations
Part II: Texts
4.: Caroline Pollentier: Private Writings
5.: Jocelyn Rodal: Early Novels and Stories (1915-1923)
6.: Gabrielle McIntire: Mature Works I (1924-1927)
7.: Elsa Högberg: Mature Works II (1928-1932)
8.: Alice Wood: Late Works (1933-1941)
Part III: Experiments in Form and Style
9.: Dora Zhang: Stream of Consciousness
10.: Amy Bromley: Character, Form, and Fiction
11.: Jesse Matz: Time
12.: Janine Utell: Narrative Ethics
13.: Jane de Gay: Allusion and Metaphor
14.: Laura Marcus: Biography and Autobiography
Part IV: Professions of Writing
15.: Helen Southworth: Literary London
16.: Alice Staveley: The Hogarth Press
17.: Eleanor McNees: Woolf as Reviewer-Critic
18.: Beth C. Rosenberg: The Essays
19.: Claire Davison: The Lyrical Mode of Translating,
Part V: Contexts
20.: Stephanie J Brown: Woolf's Feminism
21.: Chris Coffman: Queer Theory
22.: Anna Snaith: Woolf and Education
23.: Barbara Green: Woolf and Suffrage
24.: Tamar Katz: Impressionism and Post-Impressionism
25.: Maxwell Uphaus: Oceans and Empire
26.: Madelyn Detloff: Biopower
27.: Cliff Mak: The Natural World and the Anthropocene
28.: Beryl Pong: War and Peace
29.: Mary Wilson: Work
30.: Elizabeth M. Sheehan: Consumer Culture
Part VI: Afterlives
31.: Jean Mills: Feminist Theory
32.: Elizabeth Outka: Disability, Illness, and Pain
33.: Vara Neverow: The Academy and Publishing
34.: Roxana Robinson: Modern Woolfian Fiction
35.: Laura Mª Lojo-Rodríguez: Magic Realism and Experimental Fiction
36.: Tonya Krause: Narrative Futures of the Feminist Novel
37.: Stacey D'Erasmo: Creative Non-fiction and Poetry
38.: Jacqueline Shin: Virginia Woolf, Filmmake
39.: Laura Smith: Woolfian Afterlives
1.: Urmila Seshagiri: Family and Place
2.: Kathryn Simpson: Friends and Lovers
3.: Regina Marler: Traditions and Transformations
Part II: Texts
4.: Caroline Pollentier: Private Writings
5.: Jocelyn Rodal: Early Novels and Stories (1915-1923)
6.: Gabrielle McIntire: Mature Works I (1924-1927)
7.: Elsa Högberg: Mature Works II (1928-1932)
8.: Alice Wood: Late Works (1933-1941)
Part III: Experiments in Form and Style
9.: Dora Zhang: Stream of Consciousness
10.: Amy Bromley: Character, Form, and Fiction
11.: Jesse Matz: Time
12.: Janine Utell: Narrative Ethics
13.: Jane de Gay: Allusion and Metaphor
14.: Laura Marcus: Biography and Autobiography
Part IV: Professions of Writing
15.: Helen Southworth: Literary London
16.: Alice Staveley: The Hogarth Press
17.: Eleanor McNees: Woolf as Reviewer-Critic
18.: Beth C. Rosenberg: The Essays
19.: Claire Davison: The Lyrical Mode of Translating,
Part V: Contexts
20.: Stephanie J Brown: Woolf's Feminism
21.: Chris Coffman: Queer Theory
22.: Anna Snaith: Woolf and Education
23.: Barbara Green: Woolf and Suffrage
24.: Tamar Katz: Impressionism and Post-Impressionism
25.: Maxwell Uphaus: Oceans and Empire
26.: Madelyn Detloff: Biopower
27.: Cliff Mak: The Natural World and the Anthropocene
28.: Beryl Pong: War and Peace
29.: Mary Wilson: Work
30.: Elizabeth M. Sheehan: Consumer Culture
Part VI: Afterlives
31.: Jean Mills: Feminist Theory
32.: Elizabeth Outka: Disability, Illness, and Pain
33.: Vara Neverow: The Academy and Publishing
34.: Roxana Robinson: Modern Woolfian Fiction
35.: Laura Mª Lojo-Rodríguez: Magic Realism and Experimental Fiction
36.: Tonya Krause: Narrative Futures of the Feminist Novel
37.: Stacey D'Erasmo: Creative Non-fiction and Poetry
38.: Jacqueline Shin: Virginia Woolf, Filmmake
39.: Laura Smith: Woolfian Afterlives