Addressing topics from the conceptual voice as political agency to the disembodied obedience of digital assistants like Alexa, from the evolution of vocal perception to the birth of black radical argument, chapters in The Oxford Handbook of Voice Studies respond to the age-old question: What is voice?
Addressing topics from the conceptual voice as political agency to the disembodied obedience of digital assistants like Alexa, from the evolution of vocal perception to the birth of black radical argument, chapters in The Oxford Handbook of Voice Studies respond to the age-old question: What is voice?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Nina Sun Eidsheim is Professor of Musicology and Special Assistant to Dean, the Herb Alpert School of Music, University of California, Los Angeles. She has previously authored Sensing Sound: Singing and Listening as Vibrational Practice (2015) and The Sound of Race: Listening, Timbre, and Vocality in African American Music (2019). Katherine Meizel is Associate Professor of Ethnomusicology at Bowling Green State University in Ohio. Her book Idolized: Music, Media, and Identity in American Idol was published in 2011, and she wrote on American Idol for Slate from 2007 to 2011.
Inhaltsangabe
* Introduction * Nina Sun Eidsheim and Katherine Meizel * I. Framing Voice: Voice as a Carrier of Meaning * Frontispiece. What is Voice? * Yoko Ono (with Juliette Bellocq and Jessica Fleischmann, graphic design) * 1. What Was the Voice? * Shane Butler * 2. Object, Person, Machine, or What: Practical Ontologies of Voice * Matt Rahaim * 3. Singing High: Black Countertenors and Gendered Sound in Gospel Performance * Alisha Lola Jones * II. Changing Voice: Voice as Barometer * 4. Medical Care of Voice Disorders * Robert T. Sataloff and Mary J. Hawkshaw * 5. Fluid Voices: Processes and Practices in Singing Impersonation * Katherine Meizel and Ronald C. Scherer * 6. This American Voice: The Odd Timbre of a New Standard in Public Radio * Tom McEnaney * 7. The Voice of Feeling: Liberal Subjects, Music, and the Cinematic Speech * Dan Wang * III. Active Voice: Voice as Politics * 8. Trans/forming White Noise: Gender, Race, and Dis/ability in the Music of Joe Stevens * Elias Krell * 9. Voice in Charismatic Leadership * Rosario Signorello * 10. Challenging Voices: Re-Listening to Marshallese Histories of the Present * Jessica A. Schwartz and April L. Brown * 11. Voice Dipped in Black: The Louisville Project and the Birth of Black Radical Argument in College Debate Policy * Shanara R. Reid-Brinkley * IV. Sensing Voice: Voice as (Multi-)Sensory Phenomenon * 12. Voiceness in Musical Instruments * Cornelia Fales * 13. The Evolution of Voice Perception * Katarzyna Pisanski and Gregory A. Bryant * 14. Acoustic Slits and Vocal Incongruences in Los Angeles Union Station * Nina Sun Eidsheim * 15. Tuning a Throat Song in Inner Asia: On the Nature of Vocal Gifts with People's Xöömeizhi of the Tyva Republic Valeriy Mongush (b. 1953) * Robert O. Beahrs * V. Producing Voice: Vocal Modalities * 16. The Echoing Palimpsest: Singing and the Experience of Time at the Ecumenical Patriarchate of Constantinople * Alexander K. Khalil * 17. Laryngeal Dynamics of Taan Gestures in Indian Classical Singing * Nandhakumar Radhakrishnan, Ronald C. Scherer, and Santanu Bandyopadhyay * 18. Proximity/Infinity: The Mediated Voice in Mobile Music * Miriama Young * 19. When Robots Speak on Screen: Imagining the Cinemechanical Ideal * Jennifer Fleeger * VI. Negotiating Voice: Voice as Transaction * 20. Robot Imams!: Standardizing, Centralizing, and Debating the Voice of Islam in Millennial Turkey * Eve McPherson * 21. Singing and Praying among Korean Christian Converts (1896-1915): a Trans-Pacific Genealogy of the Modern Korean Voice * Hyun Kyong Hannah Chang * 22. Building the Broadway Voice * Jake Johnson * Epilogue * 23. Defining and Studying Voice across Disciplinary Boundaries * Jody Kreiman
* Introduction * Nina Sun Eidsheim and Katherine Meizel * I. Framing Voice: Voice as a Carrier of Meaning * Frontispiece. What is Voice? * Yoko Ono (with Juliette Bellocq and Jessica Fleischmann, graphic design) * 1. What Was the Voice? * Shane Butler * 2. Object, Person, Machine, or What: Practical Ontologies of Voice * Matt Rahaim * 3. Singing High: Black Countertenors and Gendered Sound in Gospel Performance * Alisha Lola Jones * II. Changing Voice: Voice as Barometer * 4. Medical Care of Voice Disorders * Robert T. Sataloff and Mary J. Hawkshaw * 5. Fluid Voices: Processes and Practices in Singing Impersonation * Katherine Meizel and Ronald C. Scherer * 6. This American Voice: The Odd Timbre of a New Standard in Public Radio * Tom McEnaney * 7. The Voice of Feeling: Liberal Subjects, Music, and the Cinematic Speech * Dan Wang * III. Active Voice: Voice as Politics * 8. Trans/forming White Noise: Gender, Race, and Dis/ability in the Music of Joe Stevens * Elias Krell * 9. Voice in Charismatic Leadership * Rosario Signorello * 10. Challenging Voices: Re-Listening to Marshallese Histories of the Present * Jessica A. Schwartz and April L. Brown * 11. Voice Dipped in Black: The Louisville Project and the Birth of Black Radical Argument in College Debate Policy * Shanara R. Reid-Brinkley * IV. Sensing Voice: Voice as (Multi-)Sensory Phenomenon * 12. Voiceness in Musical Instruments * Cornelia Fales * 13. The Evolution of Voice Perception * Katarzyna Pisanski and Gregory A. Bryant * 14. Acoustic Slits and Vocal Incongruences in Los Angeles Union Station * Nina Sun Eidsheim * 15. Tuning a Throat Song in Inner Asia: On the Nature of Vocal Gifts with People's Xöömeizhi of the Tyva Republic Valeriy Mongush (b. 1953) * Robert O. Beahrs * V. Producing Voice: Vocal Modalities * 16. The Echoing Palimpsest: Singing and the Experience of Time at the Ecumenical Patriarchate of Constantinople * Alexander K. Khalil * 17. Laryngeal Dynamics of Taan Gestures in Indian Classical Singing * Nandhakumar Radhakrishnan, Ronald C. Scherer, and Santanu Bandyopadhyay * 18. Proximity/Infinity: The Mediated Voice in Mobile Music * Miriama Young * 19. When Robots Speak on Screen: Imagining the Cinemechanical Ideal * Jennifer Fleeger * VI. Negotiating Voice: Voice as Transaction * 20. Robot Imams!: Standardizing, Centralizing, and Debating the Voice of Islam in Millennial Turkey * Eve McPherson * 21. Singing and Praying among Korean Christian Converts (1896-1915): a Trans-Pacific Genealogy of the Modern Korean Voice * Hyun Kyong Hannah Chang * 22. Building the Broadway Voice * Jake Johnson * Epilogue * 23. Defining and Studying Voice across Disciplinary Boundaries * Jody Kreiman
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