The Oxford Handbook of W.B. Yeats
Herausgeber: Arrington, Lauren; Campbell, Matthew
The Oxford Handbook of W.B. Yeats
Herausgeber: Arrington, Lauren; Campbell, Matthew
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A Handbook devoted to the poet W.B. Yeats (1865-1939) that examines how his work as a poet, playwright, critic, and public figure in the late nineteenth through the mid-twentieth century continues to influence writing in English, Irish, and worldwide Anglophone literatures.
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A Handbook devoted to the poet W.B. Yeats (1865-1939) that examines how his work as a poet, playwright, critic, and public figure in the late nineteenth through the mid-twentieth century continues to influence writing in English, Irish, and worldwide Anglophone literatures.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Oxford Handbooks
- Verlag: Oxford University Press
- Seitenzahl: 752
- Erscheinungstermin: 20. September 2023
- Englisch
- Abmessung: 247mm x 180mm x 45mm
- Gewicht: 1416g
- ISBN-13: 9780198834670
- ISBN-10: 0198834675
- Artikelnr.: 67732709
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Oxford Handbooks
- Verlag: Oxford University Press
- Seitenzahl: 752
- Erscheinungstermin: 20. September 2023
- Englisch
- Abmessung: 247mm x 180mm x 45mm
- Gewicht: 1416g
- ISBN-13: 9780198834670
- ISBN-10: 0198834675
- Artikelnr.: 67732709
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Lauren Arrington is Professor of English at Maynooth University where she also serves as Head of Department. She is the author of three monographs in the fields of twentieth-century literature and drama, most recently The Poets of Rapallo (OUP, 2021). Her writing has appeared in scholarly and popular publications including TLS and LitHub. From 2018 to 2021, she served as co-Director of the International Yeats Summer School. Matthew Campbell is Professor of Modern Literature at the University of York. He is the author of Irish Poetry under the Union (CUP, 2013) and Rhythm and Will in Victorian Poetry (CUP, 1999). He has edited or co-edited five other books, including The Cambridge Companion to Contemporary Irish Poetry (2003) and Irish Literature in Transition, 1830-1880 (CUP, 2020). He was Co-Director of the Yeats International Summer School from 2013 to 2019.
* Preface
* Part 1. Such Friends: Predecessors and Collaborators
* 1: Claire Lynch: Self-Making
* 2: Seán Hewitt: Fairy and Folk Tales of Bedford Park
* 3: Peter McDonald: 'Never to leave that valley': Sligo
* 4: Francis O'Gorman: Among the Victorians
* 5: Nicholas Grene: Lady Gregory: Patronage, Collaboration, Mythopoeia
* 6: Joseph Hassett: John Quinn and the Literary Marketplace
* 7: Margaret Mills Harper: George Yeats
* 8: Nicholas Allen: The Writings of Jack Yeats
* Part 2. In and Through History
* 9: Geraldine Parsons: Ancient Ireland
* 10: R.F. Foster: The Ghost of Parnell
* 11: Edna Longley: Renaissance Italy: 'courtly images'
* 12: Hugh Haughton: Tradition and Phantasmagoria: Dante and
Shakespeare
* 13: Geraldine Higgins: Talking back to history: From 'September 1913'
to 'Easter, 1916'
* 14: Fran Brearton: 'Knights of the Air': Flight and Modernity
* 15: David Dwan: Revolution and Counter-Revolution
* 16: Lauren Arrington: Fascist Italy
* 17: Alan Gillis: The Thirties: 'The day brings round the night'
* 18: Adam Hanna: The Senate and the Stage
* 19: Adam Piette: 'Cast a cold eye': Death in Wartime
* Part 3. From the Global to the Interplanetary
* 20: Justin Quinn: Tagore, Pound and World English
* 21: Nathan Suhr-Sytsma: Africa
* 22: Jahan Ramazani: Asias
* 23: Katherine Ebury: 'The Scientific Revolution'
* 24: Cóilín Parsons: Planets
* 25: Neil Mann: Visionary Poetics
* Part 4. Genres and Medias
* 26: Charles Armstrong: Romanticism and Aestheticism
* 27: Claire Nally: Rites and Rhymes
* 28: Tom Walker: The most characteristic poet of modern Europe':
Modernist Accommodations
* 29: Jack Quin: Illustrating
* 30: Elizabeth Bergmann Loizeaux: Family Business at Dun Emer and
Cuala: Collaboration, Contention, and Creativity
* 31: Emilie Morin: In the Media
* Part 5. Playing Yeats
* 32: Susan Cannon Harris: Yeats's Early Plays: Gender, Genre, and
Queer Collaboration
* 33: Akiko Manabe: 'A Country Over Wave': Japan, Noh, Kiogen
* 34: Zsuzsanna Balázs: Reading the Late Plays: Sexual Unorthodoxies
* 35: Patrick Lonergan: Playing in Ireland
* 36: Susan Jones: Dance
* Part 6. Reading Yeats
* 37: Stephanie Burt: Imperfect Forms
* 38: Matthew Campbell: Visionary Comedy
* 39: Lucy McDiarmid: Masculinities
* 40: Wayne K. Chapman: Late Style: Art v. Life
* 41: Warwick Gould: Editing
* Postscript
* 42: Vona Groarke: Yeats and Contemporary Poetry: Twelve Speculative
Takes
* Part 1. Such Friends: Predecessors and Collaborators
* 1: Claire Lynch: Self-Making
* 2: Seán Hewitt: Fairy and Folk Tales of Bedford Park
* 3: Peter McDonald: 'Never to leave that valley': Sligo
* 4: Francis O'Gorman: Among the Victorians
* 5: Nicholas Grene: Lady Gregory: Patronage, Collaboration, Mythopoeia
* 6: Joseph Hassett: John Quinn and the Literary Marketplace
* 7: Margaret Mills Harper: George Yeats
* 8: Nicholas Allen: The Writings of Jack Yeats
* Part 2. In and Through History
* 9: Geraldine Parsons: Ancient Ireland
* 10: R.F. Foster: The Ghost of Parnell
* 11: Edna Longley: Renaissance Italy: 'courtly images'
* 12: Hugh Haughton: Tradition and Phantasmagoria: Dante and
Shakespeare
* 13: Geraldine Higgins: Talking back to history: From 'September 1913'
to 'Easter, 1916'
* 14: Fran Brearton: 'Knights of the Air': Flight and Modernity
* 15: David Dwan: Revolution and Counter-Revolution
* 16: Lauren Arrington: Fascist Italy
* 17: Alan Gillis: The Thirties: 'The day brings round the night'
* 18: Adam Hanna: The Senate and the Stage
* 19: Adam Piette: 'Cast a cold eye': Death in Wartime
* Part 3. From the Global to the Interplanetary
* 20: Justin Quinn: Tagore, Pound and World English
* 21: Nathan Suhr-Sytsma: Africa
* 22: Jahan Ramazani: Asias
* 23: Katherine Ebury: 'The Scientific Revolution'
* 24: Cóilín Parsons: Planets
* 25: Neil Mann: Visionary Poetics
* Part 4. Genres and Medias
* 26: Charles Armstrong: Romanticism and Aestheticism
* 27: Claire Nally: Rites and Rhymes
* 28: Tom Walker: The most characteristic poet of modern Europe':
Modernist Accommodations
* 29: Jack Quin: Illustrating
* 30: Elizabeth Bergmann Loizeaux: Family Business at Dun Emer and
Cuala: Collaboration, Contention, and Creativity
* 31: Emilie Morin: In the Media
* Part 5. Playing Yeats
* 32: Susan Cannon Harris: Yeats's Early Plays: Gender, Genre, and
Queer Collaboration
* 33: Akiko Manabe: 'A Country Over Wave': Japan, Noh, Kiogen
* 34: Zsuzsanna Balázs: Reading the Late Plays: Sexual Unorthodoxies
* 35: Patrick Lonergan: Playing in Ireland
* 36: Susan Jones: Dance
* Part 6. Reading Yeats
* 37: Stephanie Burt: Imperfect Forms
* 38: Matthew Campbell: Visionary Comedy
* 39: Lucy McDiarmid: Masculinities
* 40: Wayne K. Chapman: Late Style: Art v. Life
* 41: Warwick Gould: Editing
* Postscript
* 42: Vona Groarke: Yeats and Contemporary Poetry: Twelve Speculative
Takes
* Preface
* Part 1. Such Friends: Predecessors and Collaborators
* 1: Claire Lynch: Self-Making
* 2: Seán Hewitt: Fairy and Folk Tales of Bedford Park
* 3: Peter McDonald: 'Never to leave that valley': Sligo
* 4: Francis O'Gorman: Among the Victorians
* 5: Nicholas Grene: Lady Gregory: Patronage, Collaboration, Mythopoeia
* 6: Joseph Hassett: John Quinn and the Literary Marketplace
* 7: Margaret Mills Harper: George Yeats
* 8: Nicholas Allen: The Writings of Jack Yeats
* Part 2. In and Through History
* 9: Geraldine Parsons: Ancient Ireland
* 10: R.F. Foster: The Ghost of Parnell
* 11: Edna Longley: Renaissance Italy: 'courtly images'
* 12: Hugh Haughton: Tradition and Phantasmagoria: Dante and
Shakespeare
* 13: Geraldine Higgins: Talking back to history: From 'September 1913'
to 'Easter, 1916'
* 14: Fran Brearton: 'Knights of the Air': Flight and Modernity
* 15: David Dwan: Revolution and Counter-Revolution
* 16: Lauren Arrington: Fascist Italy
* 17: Alan Gillis: The Thirties: 'The day brings round the night'
* 18: Adam Hanna: The Senate and the Stage
* 19: Adam Piette: 'Cast a cold eye': Death in Wartime
* Part 3. From the Global to the Interplanetary
* 20: Justin Quinn: Tagore, Pound and World English
* 21: Nathan Suhr-Sytsma: Africa
* 22: Jahan Ramazani: Asias
* 23: Katherine Ebury: 'The Scientific Revolution'
* 24: Cóilín Parsons: Planets
* 25: Neil Mann: Visionary Poetics
* Part 4. Genres and Medias
* 26: Charles Armstrong: Romanticism and Aestheticism
* 27: Claire Nally: Rites and Rhymes
* 28: Tom Walker: The most characteristic poet of modern Europe':
Modernist Accommodations
* 29: Jack Quin: Illustrating
* 30: Elizabeth Bergmann Loizeaux: Family Business at Dun Emer and
Cuala: Collaboration, Contention, and Creativity
* 31: Emilie Morin: In the Media
* Part 5. Playing Yeats
* 32: Susan Cannon Harris: Yeats's Early Plays: Gender, Genre, and
Queer Collaboration
* 33: Akiko Manabe: 'A Country Over Wave': Japan, Noh, Kiogen
* 34: Zsuzsanna Balázs: Reading the Late Plays: Sexual Unorthodoxies
* 35: Patrick Lonergan: Playing in Ireland
* 36: Susan Jones: Dance
* Part 6. Reading Yeats
* 37: Stephanie Burt: Imperfect Forms
* 38: Matthew Campbell: Visionary Comedy
* 39: Lucy McDiarmid: Masculinities
* 40: Wayne K. Chapman: Late Style: Art v. Life
* 41: Warwick Gould: Editing
* Postscript
* 42: Vona Groarke: Yeats and Contemporary Poetry: Twelve Speculative
Takes
* Part 1. Such Friends: Predecessors and Collaborators
* 1: Claire Lynch: Self-Making
* 2: Seán Hewitt: Fairy and Folk Tales of Bedford Park
* 3: Peter McDonald: 'Never to leave that valley': Sligo
* 4: Francis O'Gorman: Among the Victorians
* 5: Nicholas Grene: Lady Gregory: Patronage, Collaboration, Mythopoeia
* 6: Joseph Hassett: John Quinn and the Literary Marketplace
* 7: Margaret Mills Harper: George Yeats
* 8: Nicholas Allen: The Writings of Jack Yeats
* Part 2. In and Through History
* 9: Geraldine Parsons: Ancient Ireland
* 10: R.F. Foster: The Ghost of Parnell
* 11: Edna Longley: Renaissance Italy: 'courtly images'
* 12: Hugh Haughton: Tradition and Phantasmagoria: Dante and
Shakespeare
* 13: Geraldine Higgins: Talking back to history: From 'September 1913'
to 'Easter, 1916'
* 14: Fran Brearton: 'Knights of the Air': Flight and Modernity
* 15: David Dwan: Revolution and Counter-Revolution
* 16: Lauren Arrington: Fascist Italy
* 17: Alan Gillis: The Thirties: 'The day brings round the night'
* 18: Adam Hanna: The Senate and the Stage
* 19: Adam Piette: 'Cast a cold eye': Death in Wartime
* Part 3. From the Global to the Interplanetary
* 20: Justin Quinn: Tagore, Pound and World English
* 21: Nathan Suhr-Sytsma: Africa
* 22: Jahan Ramazani: Asias
* 23: Katherine Ebury: 'The Scientific Revolution'
* 24: Cóilín Parsons: Planets
* 25: Neil Mann: Visionary Poetics
* Part 4. Genres and Medias
* 26: Charles Armstrong: Romanticism and Aestheticism
* 27: Claire Nally: Rites and Rhymes
* 28: Tom Walker: The most characteristic poet of modern Europe':
Modernist Accommodations
* 29: Jack Quin: Illustrating
* 30: Elizabeth Bergmann Loizeaux: Family Business at Dun Emer and
Cuala: Collaboration, Contention, and Creativity
* 31: Emilie Morin: In the Media
* Part 5. Playing Yeats
* 32: Susan Cannon Harris: Yeats's Early Plays: Gender, Genre, and
Queer Collaboration
* 33: Akiko Manabe: 'A Country Over Wave': Japan, Noh, Kiogen
* 34: Zsuzsanna Balázs: Reading the Late Plays: Sexual Unorthodoxies
* 35: Patrick Lonergan: Playing in Ireland
* 36: Susan Jones: Dance
* Part 6. Reading Yeats
* 37: Stephanie Burt: Imperfect Forms
* 38: Matthew Campbell: Visionary Comedy
* 39: Lucy McDiarmid: Masculinities
* 40: Wayne K. Chapman: Late Style: Art v. Life
* 41: Warwick Gould: Editing
* Postscript
* 42: Vona Groarke: Yeats and Contemporary Poetry: Twelve Speculative
Takes