The Oxford History of English Music - Caldwell, John
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This first volume of a magisterial two-volume survey of English music charts its development from its beginnings to about 1715. It looks at the music of early monastic institutions and the development of polyphony, including the extraordinarily advanced mid-thirteenth-century canon, "Sumeris icumen in." It deals with the first Golden Age of English music, namely the mid-fifteenth-century composers represented in the Old Hall Manuscript, such as Dunstable and Power. It looks at the remarkable flowering of sixteenth-century choral music, of which Tallis's 'Spem in Alium' is a splendid example.…mehr

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Produktbeschreibung
This first volume of a magisterial two-volume survey of English music charts its development from its beginnings to about 1715. It looks at the music of early monastic institutions and the development of polyphony, including the extraordinarily advanced mid-thirteenth-century canon, "Sumeris icumen in." It deals with the first Golden Age of English music, namely the mid-fifteenth-century composers represented in the Old Hall Manuscript, such as Dunstable and Power. It looks at the remarkable flowering of sixteenth-century choral music, of which Tallis's 'Spem in Alium' is a splendid example. And it charts the rise of the carol, the madrigal, and the seventeenth-century opera and masque and instrumental music, culminating in the genius of Henry Purcell. A well-balanced, judicious survey, with a unity of style and outlook resulting from its single author, the book makes a discussion of the actual music the focus of each chapter, without excluding social and historical comment.
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Autorenporträt
John Caldwell is the author of Editing Early Music (OUP, 1985), co-editor of The Well Enchanting Skill: Music, Poetry, and Drama in the Culture of the Renaissance(OUP, 1990), series editor for OUP's Musica de Camera series, editor of John Stanley: Complete Works for Flute and Basso Continuo: Six Concertos (OUP 1974-78 and 1987), and editor of William Boyce: Ten Voluntaries for the Organ or Harpsichord (OUP, 1972)