The Oxford History of the Novel in English
Volume 8: American Fiction Since 1940
Herausgeber: Patell, Cyrus R K; Williams, Deborah Lindsay
The Oxford History of the Novel in English
Volume 8: American Fiction Since 1940
Herausgeber: Patell, Cyrus R K; Williams, Deborah Lindsay
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An overview of US fiction since 1940 that explores the history of literary forms, the history of narrative forms, the history of the book, the history of media, and the history of higher education in the United States.
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An overview of US fiction since 1940 that explores the history of literary forms, the history of narrative forms, the history of the book, the history of media, and the history of higher education in the United States.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 704
- Erscheinungstermin: 24. September 2024
- Englisch
- Abmessung: 239mm x 183mm x 71mm
- Gewicht: 1406g
- ISBN-13: 9780192844729
- ISBN-10: 0192844725
- Artikelnr.: 69117647
- Verlag: Oxford University Press
- Seitenzahl: 704
- Erscheinungstermin: 24. September 2024
- Englisch
- Abmessung: 239mm x 183mm x 71mm
- Gewicht: 1406g
- ISBN-13: 9780192844729
- ISBN-10: 0192844725
- Artikelnr.: 69117647
Cyrus R. K. Patell is Professor of English at New York University. He received his AB, AM, and PhD in English and American Literature and Language from Harvard University. His scholarship and teaching center on the theory and practice of world literature; cosmopolitanism; Global Shakespeare; Star Wars; minority discourse theory; literary historiography; and US literary history. His books include Emergent Us Literatures: From Multiculturalism in the Late Twentieth Century (NYU Press, 2014); Cosmopolitanism and the Literary Imagination (Palgrave Macmillan, 2015); and, most recently, Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe (Bloomsbury, 2021). Deborah Lindsay Williams is Clinical Professor of Liberal Studies at New York University. Her essays have appeared in such publications as The New York Times, Paris Review, Brevity, and The Common. She has published widely about children's literature and about US women's writing, including Not in Sisterhood: Edith Wharton, Willa Cather, Zona Gale, and the Politics of Female Authorship (Palgrave Macmillan, 2001) and, most recently, The Necessity of Young Adult Fiction in OUP's Literary Agenda series (2023).
* Introduction
* Exemplum: Vladimir Nabokov, Lolita (1958)
* Part I. THE NOVEL AND THE CULTURE INDUSTRY
* 1: Nikolaj Ramsdal Nielsen, Cyrus R. K. Patell, and Deborah Lindsay
Williams: The Production and Circulation of the US Novel
* Exemplum: Andrew Sean Greer, Less (2017)
* 2: Ella Williamson and Cyrus R. K. Patell: Prize Winning Modernism
and Its Discontents
* Exemplum: William Faulkner, A Fable (1954)
* 3: Jaime Harker: Middlebrow Reading
* Exemplum: Patricia Highsmith, The Price of Salt (1952)
* 4: Marc Dolan: The Novel versus the Moving Image
* Exemplum: Clockers (novel by Richard Price, 1992; film by Spike Lee,
1995)
* 5: Bryan Waterman: Mediating the Novel in the Age of Warhol
* Exemplum: Don DeLillo, Americana (1971)
* 6: Heinz Ickstadt: US Postmodernist Fiction
* Exemplum: Robert Coover, The Public Burning (1977)
* 7: Catherine Keyser: Shattering the Feminine Mystique
* Exemplum: Shirley Jackson, We Have Always Lived in the Castle (1962)
* 8: Patrick Deer: The US War Novel
* Exemplum: Karl Marlantes, Matterhorn (2009)
* Part II. FICTIONS OF IDENTITY
* 9: Werner Sollors: The Wright Era
* Exemplum: Richard Wright, Native Son (1940)
* 10: Karen E. H. Skinazi: Jewish American Fiction
* Exemplum: Allegra Goodman, Kaaterskill Falls: An American Story
(1998)
* 11: Cyrus R. K. Patell: Cosmopolitanism and the Indigenous Novel
* Exemplum: Leslie Marmon Silko, Ceremony (1977)
* 12: Ralph E. Rodriguez: The Latinx Novel
* Exemplum: Manuel Muñoz, What You See in the Dark (2011)
* 13: Tina Chen: The Asian American Novel
* Exemplum: Theresa Hak Kyung Cha, Dictee (1982)
* 14: Scott Herring: The LGBTQ Novel
* Exemplum: Andrew Holleran, Dancer from the Dance (1978)
* 15: Waïl S. Hassan: The Hemispheric Arab American Novel
* Exemplum: Susan Abulhawa's Mornings in Jenin (2010)
* 16: Rachel Adams: Disability and the Novel
* Exemplum: Jonathan Lethem, Motherless Brooklyn (1999)
* Part III. FORMS AND GENRES
* 17: James J. Donahue: Historical Fiction
* Exemplum: Joyce Carol Oates, Blonde (2000)
* 18: Siobhan Fallon: The Short Story
* Exemplum: Russell Banks, Trailerpark (1981)
* 19: Edward James: Science Fiction
* Exemplum: Frank Herbert, Dune (1965)
* 20: Lauren Horst: The Romance Novel
* Exemplum: J. R. Ward, Dark Lover (2005)
* 21: Paul Grimstad: The Detective Novel and Film
* Exemplum: Paul Auster, City of Glass (1985)
* 22: Deborah Lindsay Williams: Children's and Young Adult Fiction
* Exemplum: Nnedi Okorafor, Akata Witch (2011)
* 23: Eliot Borenstein: The Graphic Novel
* Exemplum: Alan Moore and Dave Gibbons, Watchmen (1987)
* Part IV. CRITICAL GEOGRAPHIES
* 24: Donna L. Campbell: Regionalism
* Exemplum: Marilynne Robinson, Gilead (2004)
* 25: Birgit Däwes: Ground Zero Fiction and the 9/11 Novel
* Exemplum: Jonathan Safran Foer, Extremely Loud and Incredibly Close
(2005)
* 26: Stephanie LeMenager: The Anthropocene Novel
* Exemplum: Octavia Butler, Parable of the Sower (1993)
* Coda
* Exemplum: Vladimir Nabokov, Lolita (1958)
* Part I. THE NOVEL AND THE CULTURE INDUSTRY
* 1: Nikolaj Ramsdal Nielsen, Cyrus R. K. Patell, and Deborah Lindsay
Williams: The Production and Circulation of the US Novel
* Exemplum: Andrew Sean Greer, Less (2017)
* 2: Ella Williamson and Cyrus R. K. Patell: Prize Winning Modernism
and Its Discontents
* Exemplum: William Faulkner, A Fable (1954)
* 3: Jaime Harker: Middlebrow Reading
* Exemplum: Patricia Highsmith, The Price of Salt (1952)
* 4: Marc Dolan: The Novel versus the Moving Image
* Exemplum: Clockers (novel by Richard Price, 1992; film by Spike Lee,
1995)
* 5: Bryan Waterman: Mediating the Novel in the Age of Warhol
* Exemplum: Don DeLillo, Americana (1971)
* 6: Heinz Ickstadt: US Postmodernist Fiction
* Exemplum: Robert Coover, The Public Burning (1977)
* 7: Catherine Keyser: Shattering the Feminine Mystique
* Exemplum: Shirley Jackson, We Have Always Lived in the Castle (1962)
* 8: Patrick Deer: The US War Novel
* Exemplum: Karl Marlantes, Matterhorn (2009)
* Part II. FICTIONS OF IDENTITY
* 9: Werner Sollors: The Wright Era
* Exemplum: Richard Wright, Native Son (1940)
* 10: Karen E. H. Skinazi: Jewish American Fiction
* Exemplum: Allegra Goodman, Kaaterskill Falls: An American Story
(1998)
* 11: Cyrus R. K. Patell: Cosmopolitanism and the Indigenous Novel
* Exemplum: Leslie Marmon Silko, Ceremony (1977)
* 12: Ralph E. Rodriguez: The Latinx Novel
* Exemplum: Manuel Muñoz, What You See in the Dark (2011)
* 13: Tina Chen: The Asian American Novel
* Exemplum: Theresa Hak Kyung Cha, Dictee (1982)
* 14: Scott Herring: The LGBTQ Novel
* Exemplum: Andrew Holleran, Dancer from the Dance (1978)
* 15: Waïl S. Hassan: The Hemispheric Arab American Novel
* Exemplum: Susan Abulhawa's Mornings in Jenin (2010)
* 16: Rachel Adams: Disability and the Novel
* Exemplum: Jonathan Lethem, Motherless Brooklyn (1999)
* Part III. FORMS AND GENRES
* 17: James J. Donahue: Historical Fiction
* Exemplum: Joyce Carol Oates, Blonde (2000)
* 18: Siobhan Fallon: The Short Story
* Exemplum: Russell Banks, Trailerpark (1981)
* 19: Edward James: Science Fiction
* Exemplum: Frank Herbert, Dune (1965)
* 20: Lauren Horst: The Romance Novel
* Exemplum: J. R. Ward, Dark Lover (2005)
* 21: Paul Grimstad: The Detective Novel and Film
* Exemplum: Paul Auster, City of Glass (1985)
* 22: Deborah Lindsay Williams: Children's and Young Adult Fiction
* Exemplum: Nnedi Okorafor, Akata Witch (2011)
* 23: Eliot Borenstein: The Graphic Novel
* Exemplum: Alan Moore and Dave Gibbons, Watchmen (1987)
* Part IV. CRITICAL GEOGRAPHIES
* 24: Donna L. Campbell: Regionalism
* Exemplum: Marilynne Robinson, Gilead (2004)
* 25: Birgit Däwes: Ground Zero Fiction and the 9/11 Novel
* Exemplum: Jonathan Safran Foer, Extremely Loud and Incredibly Close
(2005)
* 26: Stephanie LeMenager: The Anthropocene Novel
* Exemplum: Octavia Butler, Parable of the Sower (1993)
* Coda
* Introduction
* Exemplum: Vladimir Nabokov, Lolita (1958)
* Part I. THE NOVEL AND THE CULTURE INDUSTRY
* 1: Nikolaj Ramsdal Nielsen, Cyrus R. K. Patell, and Deborah Lindsay
Williams: The Production and Circulation of the US Novel
* Exemplum: Andrew Sean Greer, Less (2017)
* 2: Ella Williamson and Cyrus R. K. Patell: Prize Winning Modernism
and Its Discontents
* Exemplum: William Faulkner, A Fable (1954)
* 3: Jaime Harker: Middlebrow Reading
* Exemplum: Patricia Highsmith, The Price of Salt (1952)
* 4: Marc Dolan: The Novel versus the Moving Image
* Exemplum: Clockers (novel by Richard Price, 1992; film by Spike Lee,
1995)
* 5: Bryan Waterman: Mediating the Novel in the Age of Warhol
* Exemplum: Don DeLillo, Americana (1971)
* 6: Heinz Ickstadt: US Postmodernist Fiction
* Exemplum: Robert Coover, The Public Burning (1977)
* 7: Catherine Keyser: Shattering the Feminine Mystique
* Exemplum: Shirley Jackson, We Have Always Lived in the Castle (1962)
* 8: Patrick Deer: The US War Novel
* Exemplum: Karl Marlantes, Matterhorn (2009)
* Part II. FICTIONS OF IDENTITY
* 9: Werner Sollors: The Wright Era
* Exemplum: Richard Wright, Native Son (1940)
* 10: Karen E. H. Skinazi: Jewish American Fiction
* Exemplum: Allegra Goodman, Kaaterskill Falls: An American Story
(1998)
* 11: Cyrus R. K. Patell: Cosmopolitanism and the Indigenous Novel
* Exemplum: Leslie Marmon Silko, Ceremony (1977)
* 12: Ralph E. Rodriguez: The Latinx Novel
* Exemplum: Manuel Muñoz, What You See in the Dark (2011)
* 13: Tina Chen: The Asian American Novel
* Exemplum: Theresa Hak Kyung Cha, Dictee (1982)
* 14: Scott Herring: The LGBTQ Novel
* Exemplum: Andrew Holleran, Dancer from the Dance (1978)
* 15: Waïl S. Hassan: The Hemispheric Arab American Novel
* Exemplum: Susan Abulhawa's Mornings in Jenin (2010)
* 16: Rachel Adams: Disability and the Novel
* Exemplum: Jonathan Lethem, Motherless Brooklyn (1999)
* Part III. FORMS AND GENRES
* 17: James J. Donahue: Historical Fiction
* Exemplum: Joyce Carol Oates, Blonde (2000)
* 18: Siobhan Fallon: The Short Story
* Exemplum: Russell Banks, Trailerpark (1981)
* 19: Edward James: Science Fiction
* Exemplum: Frank Herbert, Dune (1965)
* 20: Lauren Horst: The Romance Novel
* Exemplum: J. R. Ward, Dark Lover (2005)
* 21: Paul Grimstad: The Detective Novel and Film
* Exemplum: Paul Auster, City of Glass (1985)
* 22: Deborah Lindsay Williams: Children's and Young Adult Fiction
* Exemplum: Nnedi Okorafor, Akata Witch (2011)
* 23: Eliot Borenstein: The Graphic Novel
* Exemplum: Alan Moore and Dave Gibbons, Watchmen (1987)
* Part IV. CRITICAL GEOGRAPHIES
* 24: Donna L. Campbell: Regionalism
* Exemplum: Marilynne Robinson, Gilead (2004)
* 25: Birgit Däwes: Ground Zero Fiction and the 9/11 Novel
* Exemplum: Jonathan Safran Foer, Extremely Loud and Incredibly Close
(2005)
* 26: Stephanie LeMenager: The Anthropocene Novel
* Exemplum: Octavia Butler, Parable of the Sower (1993)
* Coda
* Exemplum: Vladimir Nabokov, Lolita (1958)
* Part I. THE NOVEL AND THE CULTURE INDUSTRY
* 1: Nikolaj Ramsdal Nielsen, Cyrus R. K. Patell, and Deborah Lindsay
Williams: The Production and Circulation of the US Novel
* Exemplum: Andrew Sean Greer, Less (2017)
* 2: Ella Williamson and Cyrus R. K. Patell: Prize Winning Modernism
and Its Discontents
* Exemplum: William Faulkner, A Fable (1954)
* 3: Jaime Harker: Middlebrow Reading
* Exemplum: Patricia Highsmith, The Price of Salt (1952)
* 4: Marc Dolan: The Novel versus the Moving Image
* Exemplum: Clockers (novel by Richard Price, 1992; film by Spike Lee,
1995)
* 5: Bryan Waterman: Mediating the Novel in the Age of Warhol
* Exemplum: Don DeLillo, Americana (1971)
* 6: Heinz Ickstadt: US Postmodernist Fiction
* Exemplum: Robert Coover, The Public Burning (1977)
* 7: Catherine Keyser: Shattering the Feminine Mystique
* Exemplum: Shirley Jackson, We Have Always Lived in the Castle (1962)
* 8: Patrick Deer: The US War Novel
* Exemplum: Karl Marlantes, Matterhorn (2009)
* Part II. FICTIONS OF IDENTITY
* 9: Werner Sollors: The Wright Era
* Exemplum: Richard Wright, Native Son (1940)
* 10: Karen E. H. Skinazi: Jewish American Fiction
* Exemplum: Allegra Goodman, Kaaterskill Falls: An American Story
(1998)
* 11: Cyrus R. K. Patell: Cosmopolitanism and the Indigenous Novel
* Exemplum: Leslie Marmon Silko, Ceremony (1977)
* 12: Ralph E. Rodriguez: The Latinx Novel
* Exemplum: Manuel Muñoz, What You See in the Dark (2011)
* 13: Tina Chen: The Asian American Novel
* Exemplum: Theresa Hak Kyung Cha, Dictee (1982)
* 14: Scott Herring: The LGBTQ Novel
* Exemplum: Andrew Holleran, Dancer from the Dance (1978)
* 15: Waïl S. Hassan: The Hemispheric Arab American Novel
* Exemplum: Susan Abulhawa's Mornings in Jenin (2010)
* 16: Rachel Adams: Disability and the Novel
* Exemplum: Jonathan Lethem, Motherless Brooklyn (1999)
* Part III. FORMS AND GENRES
* 17: James J. Donahue: Historical Fiction
* Exemplum: Joyce Carol Oates, Blonde (2000)
* 18: Siobhan Fallon: The Short Story
* Exemplum: Russell Banks, Trailerpark (1981)
* 19: Edward James: Science Fiction
* Exemplum: Frank Herbert, Dune (1965)
* 20: Lauren Horst: The Romance Novel
* Exemplum: J. R. Ward, Dark Lover (2005)
* 21: Paul Grimstad: The Detective Novel and Film
* Exemplum: Paul Auster, City of Glass (1985)
* 22: Deborah Lindsay Williams: Children's and Young Adult Fiction
* Exemplum: Nnedi Okorafor, Akata Witch (2011)
* 23: Eliot Borenstein: The Graphic Novel
* Exemplum: Alan Moore and Dave Gibbons, Watchmen (1987)
* Part IV. CRITICAL GEOGRAPHIES
* 24: Donna L. Campbell: Regionalism
* Exemplum: Marilynne Robinson, Gilead (2004)
* 25: Birgit Däwes: Ground Zero Fiction and the 9/11 Novel
* Exemplum: Jonathan Safran Foer, Extremely Loud and Incredibly Close
(2005)
* 26: Stephanie LeMenager: The Anthropocene Novel
* Exemplum: Octavia Butler, Parable of the Sower (1993)
* Coda