Andere Kunden interessierten sich auch für
![The Reach of the Republic of Letters: Literary and Learned Societies in Late Medieval and Early Modern Europe (2 Vols.)]( "The Reach of the Republic of Letters: Literary and Learned Societies in Late Medieval and Early Modern Europe (2 Vols.)")
The Reach of the Republic of Letters: Literary and Learned Societies in Late Medieval and Early Modern Europe (2 Vols.)288,99 €![Abraham Kuyper's Commentatio (1860): The Young Kuyper about Calvin, a Lasco, and the Church (2 Vols.)]( "Abraham Kuyper's Commentatio (1860): The Young Kuyper about Calvin, a Lasco, and the Church (2 Vols.)")
Abraham Kuyper's Commentatio (1860): The Young Kuyper about Calvin, a Lasco, and the Church (2 Vols.)174,99 €![A Voyage Round the World, 2 Vols.]( "A Voyage Round the World, 2 Vols.")
A Voyage Round the World, 2 Vols.71,99 €![Dispositio: Problematic Ordering in French Renaissance Literature]( "Dispositio: Problematic Ordering in French Renaissance Literature")
Dispositio: Problematic Ordering in French Renaissance Literature190,99 €![The World Upside Down in 16th-Century French Literature and Visual Culture]( "The World Upside Down in 16th-Century French Literature and Visual Culture")
The World Upside Down in 16th-Century French Literature and Visual Culture172,99 €![Early Modern French Autobiography]( "Early Modern French Autobiography")
Early Modern French Autobiography136,99 €![The Judgment of Palaemon]( "The Judgment of Palaemon")
The Judgment of Palaemon178,99 €
This collection of thirteen essays examines sixteenth-century type design in France. Typefaces developed during this period were to influence decisively the typography of the centuries which followed, and they continue to influence a great many contemporary typefaces. The papers' common goal is to establish the paternity of the typefaces described and critically to appraise their attributions, many of which have previously been inadequately ascribed. Such an approach will be of interest to type historians and type designers seeking better-documented attributions, and to historians, philologists, and bibliographers, whose study of historical imprints will benefit from more accurate type descriptions. The papers and illustrations focus on the most important letter-cutters of the French Renaissance, including Simon de Colines, Robert Estienne, Claude Garamont, Robert Granjon, Pierre Haultin, and also include a number of minor masters of the period.