"The Papist Represented situates eighteenth-century literature within the history and culture of the English Catholic community and its interactions with the nation's Protestant majority. It demonstrates Catholic influence on some of the period's most popular and experimental literary works, challenging the assumption that eighteenth-century literature was a fundamentally Protestant enterprise --
"The Papist Represented situates eighteenth-century literature within the history and culture of the English Catholic community and its interactions with the nation's Protestant majority. It demonstrates Catholic influence on some of the period's most popular and experimental literary works, challenging the assumption that eighteenth-century literature was a fundamentally Protestant enterprise --
Geremy Carnes is assistant professor of English at Lindenwood University.
Inhaltsangabe
Introduction "Allways in a veile": Catholic difference in Dryden's Don Sebastian "To act a lover's or a Roman's part": Catholic division in Pope's Eloisa to Abelard and Elegy to the memory of an unfortunate lady "The French behaviour under the Mahometan dress": Defoe's Roxana and England's Catholic captivity "Left to perdition": Richardson's Sir Charles Grandison and the papist unrepresented "Let not religion be named between us": Catholic and female oppression in Inchbald's A simple story Afterword
Introduction "Allways in a veile": Catholic difference in Dryden's Don Sebastian "To act a lover's or a Roman's part": Catholic division in Pope's Eloisa to Abelard and Elegy to the memory of an unfortunate lady "The French behaviour under the Mahometan dress": Defoe's Roxana and England's Catholic captivity "Left to perdition": Richardson's Sir Charles Grandison and the papist unrepresented "Let not religion be named between us": Catholic and female oppression in Inchbald's A simple story Afterword
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