The Parallax View - Campbell, Mark (Royal College of Art, UK)
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"Mark Campbell's study of The Parallax View (1974) situates the film within its historical moment of paranoia and delusional conspiracy, analyzing the ways in which it not only reflected its political and social contexts, but also actively constructed an understanding of political history as driven by shadowy conspiracy. He contextualizes the film as an adaptation of Loren Singer's 1970 pulp novel by the same name, and highlights the role of influential cinematographer, Gordon Willis, in constructing the visual style that was essential to the filmic representation of paranoia"--

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Produktbeschreibung
"Mark Campbell's study of The Parallax View (1974) situates the film within its historical moment of paranoia and delusional conspiracy, analyzing the ways in which it not only reflected its political and social contexts, but also actively constructed an understanding of political history as driven by shadowy conspiracy. He contextualizes the film as an adaptation of Loren Singer's 1970 pulp novel by the same name, and highlights the role of influential cinematographer, Gordon Willis, in constructing the visual style that was essential to the filmic representation of paranoia"--
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Autorenporträt
Mark Campbell is a Professor of Architecture at Southeast University, Nanjing, China and Senior Tutor in Architecture at the Royal College of Art, London, UK. He is a member of the UK Arts and Humanities Research Council and has served on the editorial board of the Journal of Architecture and as Managing Editor of Grey Room. His book publications include: Paradise Lost (2016), and the forthcoming contracted works, Bernard Berenson and the Art Market (2023) and Double Standards: The Post-Architectural Landscape of the United States (2026).