The book addresses critical omissions in du Maurier studies by carefully examining her less well-known shorter fiction. The analysis covers nine stories chosen to illustrate how du Maurier employs the diseased, disabled, and maimed human form as a recurrent symbol for social, political, and domestic misalignment.
The book addresses critical omissions in du Maurier studies by carefully examining her less well-known shorter fiction. The analysis covers nine stories chosen to illustrate how du Maurier employs the diseased, disabled, and maimed human form as a recurrent symbol for social, political, and domestic misalignment.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Setara Pracha is senior research fellow and lecturer in the Department of English at the University of Buckingham.
Inhaltsangabe
Acknowledgments Section I: The Corpus Introduction: Corporeality: The Conceptual Skeleton Chapter One: 'The critics will never forgive you for writing Rebecca': Repositioning Daphne du Maurier and an Anatomy of the Short Story Collections Section II: The Dismembered Self Chapter Two: 'Split Second' [head] (1980) Chapter Three: 'The Blue Lenses' [eyes] (1952) Chapter Four: 'The Lordly Ones' [tongue] (1959) Chapter Five: 'Monte Verità' [breasts/ yoni] (1952) Chapter Six: 'The Apple Tree' [limbs] (1952) Chapter Seven: 'The Alibi' [phallus] (1959) Chapter Eight: 'The Little Photographer' [feet] (1952) Chapter Nine: 'The Doll' [body] (1937, 2011) Section III: A Pathology of Desire Chapter Ten: Reconstructive Surgery Appendix: The Bare Bones Bibliography About the Author
Acknowledgments Section I: The Corpus Introduction: Corporeality: The Conceptual Skeleton Chapter One: 'The critics will never forgive you for writing Rebecca': Repositioning Daphne du Maurier and an Anatomy of the Short Story Collections Section II: The Dismembered Self Chapter Two: 'Split Second' [head] (1980) Chapter Three: 'The Blue Lenses' [eyes] (1952) Chapter Four: 'The Lordly Ones' [tongue] (1959) Chapter Five: 'Monte Verità' [breasts/ yoni] (1952) Chapter Six: 'The Apple Tree' [limbs] (1952) Chapter Seven: 'The Alibi' [phallus] (1959) Chapter Eight: 'The Little Photographer' [feet] (1952) Chapter Nine: 'The Doll' [body] (1937, 2011) Section III: A Pathology of Desire Chapter Ten: Reconstructive Surgery Appendix: The Bare Bones Bibliography About the Author
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