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Jessie Catherine Couvreur (pseudonym Tasma) (28 October 1848 - 23 October 1897) was an Australian novelist. In 1873 she visited Europe, and between 1879 and 1883 spent much time there giving courses of lectures in French at various European cities. She also wrote for the Nouvelle Revue and received from the French government the decoration of Officier d'Académie. She revisited Tasmania but returned in 1883 to live permanently in Europe. In 1885 she married Auguste Couvreur, a well-known Belgian politician and publicist. Her first novel, Uncle Piper of Piper's Hill, appeared serially in the…mehr

Produktbeschreibung
Jessie Catherine Couvreur (pseudonym Tasma) (28 October 1848 - 23 October 1897) was an Australian novelist. In 1873 she visited Europe, and between 1879 and 1883 spent much time there giving courses of lectures in French at various European cities. She also wrote for the Nouvelle Revue and received from the French government the decoration of Officier d'Académie. She revisited Tasmania but returned in 1883 to live permanently in Europe. In 1885 she married Auguste Couvreur, a well-known Belgian politician and publicist. Her first novel, Uncle Piper of Piper's Hill, appeared serially in the Australian Journal in 1888, and was published in London in 1889 under the pseudonym of Tasma. It had an immediate success.
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Autorenporträt
Tasma, the nom de plume of Jessie Couvreur (1848-1897), was a writer of significant literary standing during the late 19th century. Born in Highgate, London, as Jessie Catherine Huybers, she moved to the colony of Tasmania with her family in 1852, a heritage that explained her choice of pseudonym. Tasma lived an itinerant life; after her father's death, the family moved to Melbourne where she became a governess and later moved to Belgium after marrying Auguste Couvreur, a Belgian politician and journalist. Tasma's literary career was marked by insightful and often incisive portrayals of colonial life. Her work 'The Penance of Portia James', sheds light on the intricacies of personal and societal conflict, drawing on her experiences and observations of life in Australia and Europe. Her prose typically wove intricate character studies and societal critiques, evident in this novel where the protagonist grapples with self-imposed penance. Both lauded and critiqued for her forthright depictions of social injustices and the female experience in a patriarchal world, Tasma's writing remains a resonant social commentary. Her pen afforded her a distinguished position amongst colonial writers, her work outliving her and serving as a crucial reference for understanding the complexities of her time.