Demonstrates how the basso continuo line has an independent musical funxtion in ensemble music of the Italian Baroque period.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments Introduction Part One: Bass-Line Doubling in Italian Baroque Music 1. Bass-Line Doubling in Italian Baroque Music: A Practice Yet to be Justified 2. The Origin of the Basso Continuo 3. The Church Sonata 4. Bass-Line Doubling in Opera and Oratorio 5. Secular Vocal Music 6. Sacred Vocal Music 7. Bass and Basso Continuo in Secular Instrumental Music: Either, Or, or Both? 8. Conclusion to Part One Part Two: The Bowed Bass Instruments Introduction to Part Two: Problems of Terminology 9. The Term "Violone" 10. The Bass Violin Part Three: The Extended Lutes 11. The Instruments 12. The Extended Lutes in Italian Baroque Music 13. The Extended Lutes as Bass-Line Instruments 14. The Extended Lutes as Double Bass Instruments 15. Ornamentation on Extended Lutes 16. Conclusion to Part Three Part Four: The Realization of the Continuo Bass 17. The Early Seventeenth Century 18. Sources and Approaches after 1650 19. Neapolitan Continuo Practice: The Partimenti 20. Written-Out Keyboard Parts 21. Eighteenth-Century Continuo Realizations: Selected Issues Bibliography Index
Acknowledgments Introduction Part One: Bass-Line Doubling in Italian Baroque Music 1. Bass-Line Doubling in Italian Baroque Music: A Practice Yet to be Justified 2. The Origin of the Basso Continuo 3. The Church Sonata 4. Bass-Line Doubling in Opera and Oratorio 5. Secular Vocal Music 6. Sacred Vocal Music 7. Bass and Basso Continuo in Secular Instrumental Music: Either, Or, or Both? 8. Conclusion to Part One Part Two: The Bowed Bass Instruments Introduction to Part Two: Problems of Terminology 9. The Term "Violone" 10. The Bass Violin Part Three: The Extended Lutes 11. The Instruments 12. The Extended Lutes in Italian Baroque Music 13. The Extended Lutes as Bass-Line Instruments 14. The Extended Lutes as Double Bass Instruments 15. Ornamentation on Extended Lutes 16. Conclusion to Part Three Part Four: The Realization of the Continuo Bass 17. The Early Seventeenth Century 18. Sources and Approaches after 1650 19. Neapolitan Continuo Practice: The Partimenti 20. Written-Out Keyboard Parts 21. Eighteenth-Century Continuo Realizations: Selected Issues Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
