Tharald Borgir

The Performance of the Basso Continuo in Italian Baroque Music

• Broschiertes Buch

Produktbeschreibung

Demonstrates how the basso continuo line has an independent musical funxtion in ensemble music of the Italian Baroque period.

Produktdetails

• Studies in Musicology
• Verlag: Boydell & Brewer
• Seitenzahl: 188
• Erscheinungstermin: März 1991
• Englisch
• Abmessung: 228mm x 154mm x 14mm
• Gewicht: 269g
• ISBN-13: 9780835719124
• ISBN-10: 083571912X
• Artikelnr.: 29505870

Inhaltsangabe

Acknowledgments Introduction Part One: Bass-Line Doubling in Italian
Baroque Music 1. Bass-Line Doubling in Italian Baroque Music: A Practice
Yet to be Justified 2. The Origin of the Basso Continuo 3. The Church
Sonata 4. Bass-Line Doubling in Opera and Oratorio 5. Secular Vocal Music
6. Sacred Vocal Music 7. Bass and Basso Continuo in Secular Instrumental
Music: Either, Or, or Both? 8. Conclusion to Part One Part Two: The Bowed
Bass Instruments Introduction to Part Two: Problems of Terminology 9. The
Term "Violone" 10. The Bass Violin Part Three: The Extended Lutes 11. The
Instruments 12. The Extended Lutes in Italian Baroque Music 13. The
Extended Lutes as Bass-Line Instruments 14. The Extended Lutes as Double
Bass Instruments 15. Ornamentation on Extended Lutes 16. Conclusion to Part
Three Part Four: The Realization of the Continuo Bass 17. The Early
Seventeenth Century 18. Sources and Approaches after 1650 19. Neapolitan
Continuo Practice: The Partimenti 20. Written-Out Keyboard Parts 21.
Eighteenth-Century Continuo Realizations: Selected Issues Bibliography
Index