Kevin W. Sweeney
The Philosophical Contexts of Sartre's The Wall and Other Stories
Stories of Bad Faith
Kevin W. Sweeney
The Philosophical Contexts of Sartre's The Wall and Other Stories
Stories of Bad Faith
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The Philosophical Contexts of The Wall and Other Stories presents a philosophical analysis of all five stories in Sartre's short-story collection, concentrating on characters' acts of bad faith. Kevin W. Sweeney argues that each of the five stories has its own philosophical problem that serves as the context for the narrative, and that Sartre constructs each story as a reply to the philosophical issue in the context and as support for his position on that issue.
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The Philosophical Contexts of The Wall and Other Stories presents a philosophical analysis of all five stories in Sartre's short-story collection, concentrating on characters' acts of bad faith. Kevin W. Sweeney argues that each of the five stories has its own philosophical problem that serves as the context for the narrative, and that Sartre constructs each story as a reply to the philosophical issue in the context and as support for his position on that issue.
Produktdetails
- Produktdetails
- Verlag: Lexington Books
- Seitenzahl: 146
- Erscheinungstermin: 18. Mai 2016
- Englisch
- Abmessung: 235mm x 157mm x 13mm
- Gewicht: 375g
- ISBN-13: 9781498509367
- ISBN-10: 1498509363
- Artikelnr.: 44675885
- Verlag: Lexington Books
- Seitenzahl: 146
- Erscheinungstermin: 18. Mai 2016
- Englisch
- Abmessung: 235mm x 157mm x 13mm
- Gewicht: 375g
- ISBN-13: 9781498509367
- ISBN-10: 1498509363
- Artikelnr.: 44675885
Kevin W. Sweeney is Professor of Philosophy at the University of Tampa.
Chapter One: Philosophical Ideas in The Wall and Other Stories Resistance
to Finding Philosophical Contexts in Sartre's Stories Strategy for
Interpreting the Five Stories Bad Faith and its Philosophical Foundations
Emotions and Feelings The Four Examples of Bad Faith in Being and
Nothingness Conclusion Chapter Two: Bad Faith and Responsibility in "The
Wall" Constant and Kant in "The Wall" The Prisoners' Trials The Night in
the Cell Pablo's Disengagement and Husserl's Epoché Pablo Considers the
Falangistas' Offer Pablo Faces a Kant Situation The Significance of Pablo's
Laugh/Cry Chapter Three: Eve in Sartre's "The Room": The Freudian Censor in
Bad Faith Freud's Topographical Theory of the Psyche Sartre's Critique of
Freud's Topographical Theory Charles Darbédat Visits His Daughter Eve and
Her Husband Pierre Between Father and Husband: Eve's Role As Censor Is Eve
in Bad Faith? Conclusion Chapter Four: "Erostratus" and Descartes's Example
of Hats and Coats The Downward Perspective Descartes's Example of Hats and
Coats The Significance of Hilbert's Fainting Hilbert's Revolver and His
Gloves The Significance of the Laugh/Cry Erostratus and His Plan The Letter
and Hilbert's Hatred of Humanity Playing the Role of the Violent Killer
Trying to Kill on the Street The Victim and His Look The Plan Goes Awry
Conclusion Chapter Five: Knowledge of One's Emotions in "Intimacy" Lulu's
Stream of Consciousness and Her Ambivalence Purity and Lulu's Aversion to
Bodies Rirette Waits for Lulu at the Dôme Lulu Arrives and Tells Rirette
Her Tale The Scene with Henri on the Sidewalk Lulu Alone in Her Hotel Room
Henri and Lulu Are Miserable Lulu's Letter and Rirette's Bitter Regret
Conclusion Chapter Six: The Existential Childhood of a Leader Lucien's
Infancy Lucien and His Body Lucien in Paris Lucien's Friendship with
Berliac and Bergère Lucien Goes Back to Férolles Lucien Meets Lemordant
Lucien Becomes a Camelot Conclusion Chapter Seven: Bad Faith in The Wall
and Other Stories Bibliography
to Finding Philosophical Contexts in Sartre's Stories Strategy for
Interpreting the Five Stories Bad Faith and its Philosophical Foundations
Emotions and Feelings The Four Examples of Bad Faith in Being and
Nothingness Conclusion Chapter Two: Bad Faith and Responsibility in "The
Wall" Constant and Kant in "The Wall" The Prisoners' Trials The Night in
the Cell Pablo's Disengagement and Husserl's Epoché Pablo Considers the
Falangistas' Offer Pablo Faces a Kant Situation The Significance of Pablo's
Laugh/Cry Chapter Three: Eve in Sartre's "The Room": The Freudian Censor in
Bad Faith Freud's Topographical Theory of the Psyche Sartre's Critique of
Freud's Topographical Theory Charles Darbédat Visits His Daughter Eve and
Her Husband Pierre Between Father and Husband: Eve's Role As Censor Is Eve
in Bad Faith? Conclusion Chapter Four: "Erostratus" and Descartes's Example
of Hats and Coats The Downward Perspective Descartes's Example of Hats and
Coats The Significance of Hilbert's Fainting Hilbert's Revolver and His
Gloves The Significance of the Laugh/Cry Erostratus and His Plan The Letter
and Hilbert's Hatred of Humanity Playing the Role of the Violent Killer
Trying to Kill on the Street The Victim and His Look The Plan Goes Awry
Conclusion Chapter Five: Knowledge of One's Emotions in "Intimacy" Lulu's
Stream of Consciousness and Her Ambivalence Purity and Lulu's Aversion to
Bodies Rirette Waits for Lulu at the Dôme Lulu Arrives and Tells Rirette
Her Tale The Scene with Henri on the Sidewalk Lulu Alone in Her Hotel Room
Henri and Lulu Are Miserable Lulu's Letter and Rirette's Bitter Regret
Conclusion Chapter Six: The Existential Childhood of a Leader Lucien's
Infancy Lucien and His Body Lucien in Paris Lucien's Friendship with
Berliac and Bergère Lucien Goes Back to Férolles Lucien Meets Lemordant
Lucien Becomes a Camelot Conclusion Chapter Seven: Bad Faith in The Wall
and Other Stories Bibliography
Chapter One: Philosophical Ideas in The Wall and Other Stories Resistance
to Finding Philosophical Contexts in Sartre's Stories Strategy for
Interpreting the Five Stories Bad Faith and its Philosophical Foundations
Emotions and Feelings The Four Examples of Bad Faith in Being and
Nothingness Conclusion Chapter Two: Bad Faith and Responsibility in "The
Wall" Constant and Kant in "The Wall" The Prisoners' Trials The Night in
the Cell Pablo's Disengagement and Husserl's Epoché Pablo Considers the
Falangistas' Offer Pablo Faces a Kant Situation The Significance of Pablo's
Laugh/Cry Chapter Three: Eve in Sartre's "The Room": The Freudian Censor in
Bad Faith Freud's Topographical Theory of the Psyche Sartre's Critique of
Freud's Topographical Theory Charles Darbédat Visits His Daughter Eve and
Her Husband Pierre Between Father and Husband: Eve's Role As Censor Is Eve
in Bad Faith? Conclusion Chapter Four: "Erostratus" and Descartes's Example
of Hats and Coats The Downward Perspective Descartes's Example of Hats and
Coats The Significance of Hilbert's Fainting Hilbert's Revolver and His
Gloves The Significance of the Laugh/Cry Erostratus and His Plan The Letter
and Hilbert's Hatred of Humanity Playing the Role of the Violent Killer
Trying to Kill on the Street The Victim and His Look The Plan Goes Awry
Conclusion Chapter Five: Knowledge of One's Emotions in "Intimacy" Lulu's
Stream of Consciousness and Her Ambivalence Purity and Lulu's Aversion to
Bodies Rirette Waits for Lulu at the Dôme Lulu Arrives and Tells Rirette
Her Tale The Scene with Henri on the Sidewalk Lulu Alone in Her Hotel Room
Henri and Lulu Are Miserable Lulu's Letter and Rirette's Bitter Regret
Conclusion Chapter Six: The Existential Childhood of a Leader Lucien's
Infancy Lucien and His Body Lucien in Paris Lucien's Friendship with
Berliac and Bergère Lucien Goes Back to Férolles Lucien Meets Lemordant
Lucien Becomes a Camelot Conclusion Chapter Seven: Bad Faith in The Wall
and Other Stories Bibliography
to Finding Philosophical Contexts in Sartre's Stories Strategy for
Interpreting the Five Stories Bad Faith and its Philosophical Foundations
Emotions and Feelings The Four Examples of Bad Faith in Being and
Nothingness Conclusion Chapter Two: Bad Faith and Responsibility in "The
Wall" Constant and Kant in "The Wall" The Prisoners' Trials The Night in
the Cell Pablo's Disengagement and Husserl's Epoché Pablo Considers the
Falangistas' Offer Pablo Faces a Kant Situation The Significance of Pablo's
Laugh/Cry Chapter Three: Eve in Sartre's "The Room": The Freudian Censor in
Bad Faith Freud's Topographical Theory of the Psyche Sartre's Critique of
Freud's Topographical Theory Charles Darbédat Visits His Daughter Eve and
Her Husband Pierre Between Father and Husband: Eve's Role As Censor Is Eve
in Bad Faith? Conclusion Chapter Four: "Erostratus" and Descartes's Example
of Hats and Coats The Downward Perspective Descartes's Example of Hats and
Coats The Significance of Hilbert's Fainting Hilbert's Revolver and His
Gloves The Significance of the Laugh/Cry Erostratus and His Plan The Letter
and Hilbert's Hatred of Humanity Playing the Role of the Violent Killer
Trying to Kill on the Street The Victim and His Look The Plan Goes Awry
Conclusion Chapter Five: Knowledge of One's Emotions in "Intimacy" Lulu's
Stream of Consciousness and Her Ambivalence Purity and Lulu's Aversion to
Bodies Rirette Waits for Lulu at the Dôme Lulu Arrives and Tells Rirette
Her Tale The Scene with Henri on the Sidewalk Lulu Alone in Her Hotel Room
Henri and Lulu Are Miserable Lulu's Letter and Rirette's Bitter Regret
Conclusion Chapter Six: The Existential Childhood of a Leader Lucien's
Infancy Lucien and His Body Lucien in Paris Lucien's Friendship with
Berliac and Bergère Lucien Goes Back to Férolles Lucien Meets Lemordant
Lucien Becomes a Camelot Conclusion Chapter Seven: Bad Faith in The Wall
and Other Stories Bibliography