The Philosophy of Christopher Nolan collects sixteen essays written by philosophers and film theorists analyzing moral, metaphysical, epistemological, and political themes that characterize the films of Christopher Nolan.
The Philosophy of Christopher Nolan collects sixteen essays written by philosophers and film theorists analyzing moral, metaphysical, epistemological, and political themes that characterize the films of Christopher Nolan.
Jason T. Eberl is Semler Endowed Chair for Medical Ethics and professor of philosophy at Marian University. George A. Dunn lectures in philosophy and religion at the University of Indianapolis and the Ningbo Institute of Technology in Zhejiang Province.
Inhaltsangabe
Introduction Part 1: Moral Philosophy 1. George A. Dunn-Deceit, Desire, and Mimetic Doubling in the Films of Christopher Nolan 2. Jason T. Eberl-"So You Can Be My 'John G.'": Moral Culpability in Memento 3. J. L. A. Garcia: White Nights of the Soul-Insomnia and the Struggle for Purity of Heart 4. Lance Belluomini & George A. Dunn-Love, Value, and the Human Destiny in Interstellar Part 2: Politics and Culture 5. Joseph J. Foy & Timothy M. Dale-"They Turned to a Man They Didn't Fully Understand": The Dark Knight and the Conservative Critique of Political Liberalism 6. Kevin S. Decker-The Vale of Top Hats: Duplicability, Duplicity and The Prestige 7. Jason Burke Murphy-Plato, Habermas, and the Demonic Cobb 8. Deborah Knight & George McKnight-"Are You Watching Closely?" Narrative Comprehension in Nolan's Early Films Part 3: Epistemology and Metaphysics 9. Dennis Knepp-Remembering, Reminding, and Forgetting with Leonard Shelby 10. Karen D. Hoffman-False Tattoos and Failed Totems: Kierkegaard and Subjective Truth in Memento and Inception 11. Jamie Carlin Watson-Inception and Perception: What Should A Dream Thief Believe? 12. William A. Lindenmuth-Spinning Tops and Brains in Vats: Nolan's Inception and Nozick's "Experience Machine" Part 4: Time and Selfhood 13. Peter S. Fosl-"You Don't Know Who You Are": Imagining the Self in the Films of Christopher Nolan 14. David LaRocca-"Memory Man": The Constitution of Personal Identity in Memento 15. Louis-Paul Willis-Engaging Otherness through Following: Subjectivity and Contemporary Film Spectatorship 16. Todd McGowan-We Are the Change That We Seek: The Subjectivity of Substance in Interstellar Bibliography
Introduction Part 1: Moral Philosophy 1. George A. Dunn-Deceit, Desire, and Mimetic Doubling in the Films of Christopher Nolan 2. Jason T. Eberl-"So You Can Be My 'John G.'": Moral Culpability in Memento 3. J. L. A. Garcia: White Nights of the Soul-Insomnia and the Struggle for Purity of Heart 4. Lance Belluomini & George A. Dunn-Love, Value, and the Human Destiny in Interstellar Part 2: Politics and Culture 5. Joseph J. Foy & Timothy M. Dale-"They Turned to a Man They Didn't Fully Understand": The Dark Knight and the Conservative Critique of Political Liberalism 6. Kevin S. Decker-The Vale of Top Hats: Duplicability, Duplicity and The Prestige 7. Jason Burke Murphy-Plato, Habermas, and the Demonic Cobb 8. Deborah Knight & George McKnight-"Are You Watching Closely?" Narrative Comprehension in Nolan's Early Films Part 3: Epistemology and Metaphysics 9. Dennis Knepp-Remembering, Reminding, and Forgetting with Leonard Shelby 10. Karen D. Hoffman-False Tattoos and Failed Totems: Kierkegaard and Subjective Truth in Memento and Inception 11. Jamie Carlin Watson-Inception and Perception: What Should A Dream Thief Believe? 12. William A. Lindenmuth-Spinning Tops and Brains in Vats: Nolan's Inception and Nozick's "Experience Machine" Part 4: Time and Selfhood 13. Peter S. Fosl-"You Don't Know Who You Are": Imagining the Self in the Films of Christopher Nolan 14. David LaRocca-"Memory Man": The Constitution of Personal Identity in Memento 15. Louis-Paul Willis-Engaging Otherness through Following: Subjectivity and Contemporary Film Spectatorship 16. Todd McGowan-We Are the Change That We Seek: The Subjectivity of Substance in Interstellar Bibliography
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