1. Introduction Tom Stern Part I Historical Perspectives 2. 'Hegel's "Instinct of Reason" and Shakespeare's The Merchant of Venice: What is a Relevant Aufhebung of Nature? Of Justice?' Jennifer Ann Bates 3. The Theatre of Thought: A. W. Schlegel on Modern Drama and Romantic Criticism Kristin Gjesdal Part II Acting 4. Nietzsche, the Mask, and the Problem of the Actor Tom Stern 5. The Image and the Act: Sartre on Dramatic Theatre Lior Levy 6. Attention to Technique in Theatre Paul Woodruff 7. Giving Focus Tzachi Zamir Part III: Theatre as Art 8. What is the relationship between 'observed' and 'participatory' performance? James R. Hamilton 9. Plays are Games, Movies are Pictures: Ludic vs. Pictorial Representation David Z. Saltz 10. 'Ideals of Theatrical Art' Paul Thom
1. Introduction Tom Stern Part I Historical Perspectives 2. 'Hegel's "Instinct of Reason" and Shakespeare's The Merchant of Venice: What is a Relevant Aufhebung of Nature? Of Justice?' Jennifer Ann Bates 3. The Theatre of Thought: A. W. Schlegel on Modern Drama and Romantic Criticism Kristin Gjesdal Part II Acting 4. Nietzsche, the Mask, and the Problem of the Actor Tom Stern 5. The Image and the Act: Sartre on Dramatic Theatre Lior Levy 6. Attention to Technique in Theatre Paul Woodruff 7. Giving Focus Tzachi Zamir Part III: Theatre as Art 8. What is the relationship between 'observed' and 'participatory' performance? James R. Hamilton 9. Plays are Games, Movies are Pictures: Ludic vs. Pictorial Representation David Z. Saltz 10. 'Ideals of Theatrical Art' Paul Thom
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