Julian Young (North Carolina Wake Forest University)

The Philosophy of Tragedy

• Broschiertes Buch

Produktbeschreibung

Written in an accessible style, this is a full survey of the philosophy of tragedy from antiquity to the present. From Aristotle to Å iÅ ek, philosophers have asked: why, notwithstanding its distressing content, do we value tragedy? Some point to a certain pleasure that results from tragedy, others to the knowledge we gain from tragedy - of psychology, ethics, freedom or immortality.

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Produktdetails

• Verlag: Cambridge University Press
• Seitenzahl: 294
• Erscheinungstermin: 11. Mai 2015
• Englisch
• Abmessung: 229mm x 152mm x 17mm
• Gewicht: 414g
• ISBN-13: 9781107621961
• ISBN-10: 1107621968
• Artikelnr.: 37294124

Autorenporträt

Julian Young is William R. Kenan Professor of Humanities at Wake Forest University. He has written eleven books, which have been translated into Turkish, Chinese, Iranian, Greek, Portuguese and Polish. His most recent book, Friedrich Nietzsche: A Philosophical Biography, won the Association of American Publishers 2010 PROSE Award for philosophy and was selected by Choice as an 'Outstanding Academic Title' of 2010. Young has written for the Guardian, New York Times and Harper's Magazine and has appeared on radio and TV in New Zealand, Ireland and the United States. In addition to more than fifty articles in philosophy journals and collections, he has published in the Journal of Clinical Neuroscience and the Journal of the Royal Musical Association.

Inhaltsangabe

1. Plato; 2. Aristotle; 3. After Aristotle; 4. Hume; 5. Schelling; 6. Hölderlin; 7. Hegel; 8. Kierkegaard; 9. Schopenhauer; 10. Nietzsche; 11. Benjamin and Schmitt; 12. Heidegger; 13. Camus; 14. Arthur Miller; 15. Zizek; 16. Conclusions.

Rezensionen

'... a model of clear philosophical prose ... keen philosophical insights ... Some people read books to gain understanding; I suspect Young wrote this book to gain understanding. For philosophers or anyone else interested in tragedy, we should all be glad that he did.' The British Journal of Aesthetics