The Physical Actor is a comprehensive book of exercises for actors. It is carefully designed for the development of a strong and flexible physical body able to move with ease through space and interact instinctively on-stage.
The Physical Actor is a comprehensive book of exercises for actors. It is carefully designed for the development of a strong and flexible physical body able to move with ease through space and interact instinctively on-stage.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Annie Loui works as a director/choreographer, and is the Artistic Director of Counter-Balance Theater. Her original physical theater pieces have been seen in France, Monaco, West Germany, Italy, and the United States. She runs the Movement Program for MFA Actor Training at the University of California, Irvine.
Inhaltsangabe
Foreword Acknowledgments INTRODUCTION 1. WARM-UP AND ALIGNMENT What we do and how we approach it Warm-up sequence 2. SPACE Spatial exercises 3. MIME Alignment Isolations Direct application: improvisation Mime illusions: articulated action Slow motion 4. PARTNERING The arc and the exercises group 1: weight and counterbalance group 2: weight support (skeleton) group 3: floor support group 4: lifts 5. CONTACT IMPROVISATION: practice and scene study Preliminary improvisation Contact improvisation Contact improvisation with text Contact Improvisation with a scene 6. CONTACT INTO REALISM Contemporary comedy in contact Contemporary comedy: out of contact into realism Monologues in contact Monologues: out of contact into realism 7. DEVISING Movement theater creation Preliminary Exercises Structural elements The guidelines Critique Devising with a group- CounterBalance Theater examples Index
Foreword Acknowledgments INTRODUCTION 1. WARM-UP AND ALIGNMENT What we do and how we approach it Warm-up sequence 2. SPACE Spatial exercises 3. MIME Alignment Isolations Direct application: improvisation Mime illusions: articulated action Slow motion 4. PARTNERING The arc and the exercises group 1: weight and counterbalance group 2: weight support (skeleton) group 3: floor support group 4: lifts 5. CONTACT IMPROVISATION: practice and scene study Preliminary improvisation Contact improvisation Contact improvisation with text Contact Improvisation with a scene 6. CONTACT INTO REALISM Contemporary comedy in contact Contemporary comedy: out of contact into realism Monologues in contact Monologues: out of contact into realism 7. DEVISING Movement theater creation Preliminary Exercises Structural elements The guidelines Critique Devising with a group- CounterBalance Theater examples Index
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