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The Picture Postcard, a new window into Edwardian Ireland uses the material culture of the picture postcard as a lens through which to examine life on the island of Ireland during the Edwardian period (1902-10). Picture postcards became extremely popular worldwide at the start of the twentieth century, when literally hundreds of billions of them were produced and sold.
This book draws on postcard collections to access the everyday lives of people who rarely make it into conventional historical narratives, and to make connections in an Irish context between their «small histories» and broader, well-studied discourses such as identity, nationalism, empire, modernity, emigration, tourism and the roles of women.
This book draws on postcard collections to access the everyday lives of people who rarely make it into conventional historical narratives, and to make connections in an Irish context between their «small histories» and broader, well-studied discourses such as identity, nationalism, empire, modernity, emigration, tourism and the roles of women.
«This is a strikingly original, absorbing and evocative account of a neglected aspect of life in early twentieth century Ireland. In vividly portraying the impact of picture postcards, Ann Wilson has done justice to a communications revolution that revealed so much about identity, consumption, the status of women, religion, humour, politics, social anxieties and networks, celebrity culture, travel, emigration and tourism. Here we have on display the various Irelands, sometimes contradictory, that were constructed during the Edwardian era through postcard imagery.» (Diarmaid Ferriter, Professor of Modern History, University College Dublin)
«A fresh, lively, and beautifully illustrated investigation of the culture of «picture postcards» and their circulation in early 20th century Ireland. Wilson convincingly argues how these supposedly «ephemeral» objects are anything but: mining a rich (but previously untapped) vein of social history, she explores postcards' relationship to Irish identity, gender, consumption, and class in this fascinating and intelligent account.» (Emily Mark-FitzGerald, Head of School of Art History and Cultural Policy, University College Dublin)
«A fresh, lively, and beautifully illustrated investigation of the culture of «picture postcards» and their circulation in early 20th century Ireland. Wilson convincingly argues how these supposedly «ephemeral» objects are anything but: mining a rich (but previously untapped) vein of social history, she explores postcards' relationship to Irish identity, gender, consumption, and class in this fascinating and intelligent account.» (Emily Mark-FitzGerald, Head of School of Art History and Cultural Policy, University College Dublin)